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What makes an educational video?

  • In an effort to describe and produce different formats for video instruction, the research community in technology-enhanced learning, and MOOC scholars in particular, have focused on the general style of video production: whether it is a digitally scripted “talk-and-chalk” or a “talking head” version of a learning unit. Since these production styles include various sub-elements, this paper deconstructs the inherited elements of video production in the context of educational live-streams. Using over 700 videos – both from synchronous and asynchronous modalities of large video-based platforms (YouTube and Twitch), 92 features were found in eight categories of video production. These include commonly analyzed features such as the use of green screen and a visible instructor, but also less studied features such as social media connections and changing camera perspective depending on the topic being covered. Overall, the research results enable an analysis of common video production styles and a toolbox for categorizing new formats –In an effort to describe and produce different formats for video instruction, the research community in technology-enhanced learning, and MOOC scholars in particular, have focused on the general style of video production: whether it is a digitally scripted “talk-and-chalk” or a “talking head” version of a learning unit. Since these production styles include various sub-elements, this paper deconstructs the inherited elements of video production in the context of educational live-streams. Using over 700 videos – both from synchronous and asynchronous modalities of large video-based platforms (YouTube and Twitch), 92 features were found in eight categories of video production. These include commonly analyzed features such as the use of green screen and a visible instructor, but also less studied features such as social media connections and changing camera perspective depending on the topic being covered. Overall, the research results enable an analysis of common video production styles and a toolbox for categorizing new formats – independent of their final (a)synchronous use in MOOCs. Keywords: video production, MOOC video styles, live-streaming.show moreshow less

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Metadaten
Author details:Hendrik SteinbeckORCiD, Christoph MeinelORCiDGND
URN:urn:nbn:de:kobv:517-opus4-622086
DOI:https://doi.org/10.25932/publishup-62208
Title of parent work (English):EMOOCs 2023 : Post-Covid Prospects for Massive Open Online Courses - Boost or Backlash?
Subtitle (English):deconstructing characteristics of video production styles for MOOCs
Publisher:Universitätsverlag Potsdam
Place of publishing:Potsdam
Editor(s):Christoph Meinel, Stefanie Schweiger, Thomas Staubitz, Robert Conrad, Carlos Alario Hoyos, Martin Ebner, Susanna Sancassani, Agnieszka Żur, Christian Friedl, Sherif Halawa, Dilrukshi Gamage, Jeffrey Scott, May Kristine Jonson Carlon, Yves Deville, Michael Gaebel, Carlos Delgado Kloos, Karen von Schmieden
Publication type:Article
Language:English
Date of first publication:2023/11/14
Publication year:2023
Publishing institution:Universität Potsdam
Publishing institution:Universitätsverlag Potsdam
Release date:2024/01/19
Tag:Digitale Bildung; Kursdesign; MOOC; Micro Degree; Online-Lehre; Onlinekurs; Onlinekurs-Produktion
digital education; e-learning; micro degree; micro-credential; online course creation; online course design; online teaching
Number of pages:12
First page:47
Last Page:58
RVK - Regensburg classification:ST 670
Organizational units:Digital Engineering Fakultät / Hasso-Plattner-Institut für Digital Engineering GmbH
DDC classification:0 Informatik, Informationswissenschaft, allgemeine Werke / 00 Informatik, Wissen, Systeme / 000 Informatik, Informationswissenschaft, allgemeine Werke
Peer review:Referiert
Publishing method:Universitätsverlag Potsdam
Open Access / Gold Open-Access
Collection(s):Universität Potsdam / Sammelwerke (nicht fortlaufend) / EMOOCs 2023 / Beiträge
License (German):License LogoCC-BY - Namensnennung 4.0 International
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