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This study focuses on William Faulkner, whose works explore the demise of the slavery-based Old South during the Civil War in a highly experimental narrative style. Central to this investigation is the analysis of the temporal dimensions of both individual and collective guilt, thus offering a new approach to the often-discussed problem of Faulkner’s portrayal of social decay. The thesis examines how Faulkner re-narrates the legacy of the Old South as a guilt narrative and argues that Faulkner uses guilt in order to corroborate his concept of time and the idea of the continuity of the past. The focus of the analysis is on three of Faulkner’s arguably most important novels: The Sound and the Fury, Absalom, Absalom!, and Go Down, Moses. Each of these novels features a main character deeply overwhelmed by the crimes of the past, whether private, familial, or societal. As a result, guilt is explored both from a domestic as well as a social perspective. In order to show how Faulkner blends past and present by means of guilt, this work examines several methods and motifs borrowed from different fields and genres with which Faulkner narratively negotiates guilt. These include religious notions of original sin, the motif of the ancestral curse prevalent in the Southern Gothic genre, and the psychological concept of trauma. Each of these motifs emphasizes the temporal dimensions of guilt, which are the core of this study, and makes clear that guilt in Faulkner’s work is primarily to be understood as a temporal rather than a moral problem.
This essay takes an Anglophone Cultural Studies approach to reflect on the interdependence among as well as the individual (implicit) impact of the elements constituting our (embodied) power structures. These are, e.g., bodily experience/s such as shame and fear, everyday and institutional discourses and practices, but also manifestations of differences and particularities that we transform into phenomena such as “norms”, “binary systems” and “binary organisations”. The analysis of seemingly cyclic “Othering processes” and patterns of violence shows how people who identify as trans*, inter*, or non-binary have to live through and embody epistemological, emotional, and/or physical violence. At the same time, the descriptions illustrate numberless potential forms of resistance and change.
From Brock to Brett
(2021)
This master's thesis in US American cultural studies posits that the phenomenon of rape culture represents a socio-cultural system of social power structures and cultural myths. Based on so-called rape myths, this system also constitutes an ideology. The thesis aims to demonstrate how these rape myths are instrumentalized in order to protect (primarily white, cis-male) perpetrators and instead assign responsibility to those affected by sexualized violence. In doing so, the thesis shows that young men like Brock Turner, who benefit from patriarchal power structures, grow up to become men like Brett Kavanaugh, who not only benefit from the fact that rape culture excuses their abusive behavior, but also from the fact that this enables them to reach positions of power through which they, as decision-makers, can in turn maintain the structures underlying rape culture.
The thesis focuses on the rape myths of so-called victim blaming and shaming as well as the victimization of perpetrators. These myths are examined by analyzing 19th-century newspaper articles and then traced into the 21st century. Based on Mary Douglas' theory on ideas of purity, the thesis shows the extent to which not only social categories, namely gender, race, socio-economic status, and age, but also the sexual purity or impurity of those affected have an impact on the societal response to rape cases.
Furthermore, the thesis demonstrates how female bodies function as an ideological battleground for political and social change in the US, and how perceived threats to the patriarchal status quo are framed in public discourse as moral dangers posed by female bodies. The paper argues that rape culture is driven by (white cis) male entitlement to female bodies but moreover to positions of power in the patriarchal system. The thesis shows how this system instrumentalizes rape culture to maintain its underlying structures that favor (cis) men and, in contrast, disadvantage (cis) women and other marginalized and non-heteronormative groups. This is illustrated by analyzing the 2016 Stanford rape case and the 2018 Kavanaugh hearing.
The development of speaking competence is widely regarded as a central aspect of second language (L2) learning. It may be questioned, however, if the currently predominant ways of conceptualising the term fully satisfy the complexity of the construct: Although there is growing recognition that language primarily constitutes a tool for communication and participation in social life, as yet it is rare for conceptualisations of speaking competence to incorporate the ability to inter-act and co-construct meaning with co-participants. Accordingly, skills allowing for the successful accomplishment of interactional tasks (such as orderly speaker change, and resolving hearing and understanding trouble) also remain largely unrepresented in language teaching and assessment. As fostering the ability to successfully use the L2 within social interaction should arguably be a main objective of language teaching, it appears pertinent to broaden the construct of speaking competence by incorporating interactional competence (IC). Despite there being a growing research interest in the conceptualisation and development of (L2) IC, much of the materials and instruments required for its teaching and assessment, and thus for fostering a broader understanding of speaking competence in the L2 classroom, still await development. This book introduces an approach to the identification of candidate criterial features for the assessment of EFL learners’ L2 repair skills. Based on a corpus of video-recorded interaction between EFL learners, and following conversation-analytic and interactional-linguistic methodology as well as drawing on basic premises of research in the framework of Conversation Analysis for Second Language Acquisition, differences between (groups of) learners in terms of their L2 repair conduct are investigated through qualitative and inductive analyses. Candidate criterial features are derived from the analysis results. This book does not only contribute to the operationalisation of L2 IC (and of L2 repair skills in particular), but also lays groundwork for the construction of assessment scales and rubrics geared towards the evaluation of EFL learners’ L2 interactional skills.
Der vorliegende Beitrag stellt eine Lehrveranstaltungskooperation zur Verzahnung von Fachwissenschaften (Sprachwissenschaft) und Fachdidaktik im Lehramtsstudium Englisch an der Universität Potsdam vor. Die Kooperation besteht aus zwei Seminaren. Während andere Fächer (u. a. Mathematik, Naturwissenschaften, Geschichte) bereits in der ersten Phase des PSI-Projekts Erkenntnisse zur Erfassung des erweiterten Fachwissens für den schulischen Kontext (eFWsK) vorgelegt haben, widmet sich die Englischdidaktik der Strukturierung des Professionswissens im Fach erst seit wenigen Jahren. Der Versuch, das eFWsK-Modell auf das Fach Englisch zu übertragen, stellt die Disziplin aus diversen Gründen vor eine besondere Herausforderung. Am Beispiel zweier verzahnter Lehrveranstaltungen zur Entwicklung von Diagnosefähigkeiten angehender Lehrkräfte zur Beurteilung von Sprechleistungen wird erörtert, welches fachwissenschaftliche und fachdidaktische Wissen durch die Verzahnung der beiden Disziplinen erworben wird. Zugleich werden offene Fragen diskutiert, die sich aus der Kooperation mit Blick auf eine Systematisierung relevanter fachwissenschaftlicher Inhalte für das Lehramtsstudium ergeben. Im Ausblick wird erörtert, warum eine Systematisierung des fachlichen Professionswissens mittels einer Delphi-Studie im Fach Englisch sinnvoll erscheint.
Anchored in ink
(2023)
This book serves as a gateway to the Elementa grammaticae Huronicae, an eighteenth-century grammar of the Wendat (‘Huron’) language by Jesuit Pierre-Philippe Potier (1708–1781). The volume falls into three main parts. The first part introduces the grammar and some of its contexts, offering information about the Huron-Wendat and Wyandot, the early modern Jesuit mission in New France and the Jesuits’ linguistic output. The heart of the volume is made up by its second part, a text edition of the Elementa. The third part presents some avenues of research by way of specific case studies.
Die fachdidaktischen Tagespraktika (FTP) bilden ein Kernelement im Potsdamer Modell der Lehrerbildung, weist man ihnen doch eine „studienleitende Funktion“ zu. Wie aber realisiert sich diese Funktion in den einzelnen Fächern an der Universität Potsdam und welche Folgen ergeben sich für die Ausbildung der Lehramtsstudierenden ? Zur Beantwortung dieser Frage wurde eine Analyse der Verankerung der FTP in allen Studienordnungen hinsichtlich qualitativer (Inhalte und Ziele, Prüfungsformen, Belegungsvoraussetzungen) und quantitativer (Leistungspunkte, Semesterwochenstunden) Kriterien durchgeführt. Leitfadengestützte Interviews mit verantwortlichen Fachdidaktikerinnen und Fachdidaktikern dienten der Untersuchung der konkreten Umsetzung und der Relevanzzuschreibung. Ziel war es, durch das Zusammenführen beider Zugänge – der realiter existierenden Curricula, der individualisierten Praktiken sowie der subjektiven Überzeugungen – ein Verständnis eben jener „studienleitenden Funktion“ zu erlangen und anschließend Diskussions- und Handlungsfelder für die Weiterentwicklung des FTP herauszuarbeiten.
Hunting Down Animal Verbs
(2022)
Language change is an essential feature of human language, and it is therefore one of the focal areas of the scientific study of language. Language change is always tacitly at work in all languages of the world and at all levels of a given language, be it phonology, morphology, syntax, semantics, etc. It has been suggested that it is precisely the capacity to constantly change and adjust that allows language to keep serving the communicative goals of its users, from ancient to modern times (Fauconnier & Turner, 2003, p. 179).
This thesis investigates an especially salient pattern of lexicogrammatical change, namely word-formation of verbs from animal nouns by zero-derivation, in the process of which such nouns as, for example, dog, horse, or beaver change their usage and meaning to produce animal verbs: to dog ‘to follow someone persistently and with a malicious intent’, to horse about/around ‘to make fun of, to ‘rag’, to ridicule someone’ and to beaver away ‘to work at working with great enthusiasm’ respectively. In the previous literature this pattern of language change has been termed verbal zoosemy (e.g. Kiełtyka, 2016), i.e. metaphorical construal of human actions by means of linguistic material from the domain of animals.
The approach taken in this study is not to simply report on the objective changes in the morphology, syntactic distribution and meaning of such linguistic units before and after conversion, but to uncover the complexity of cognitive mechanisms which allow the speakers of English to reclassify such well-established nominal units as animal noun into verbs. It is assumed that the grammatical change in these lexical units is predicated on and triggered by preceding semantic change. Thus, the study is set in the framework of Cognitive Historical Semantics and employs the Conceptual Metaphor and Metonymy Theory (CMMT) to untangle the intricacies of the semantic change making the grammatical change of animal nouns into verbs possible and acceptable in the minds of English speakers.
To this end, this study employed the Oxford English Dictionary Online (OED Online) to compile a glossary of 96 denominal animal verbal forms tied to 209 verbal senses (most verbs in the dataset displayed polysemy). The data collected from the OED Online included not only the senses of the verbs, but also the date of the earliest recorded use of the verbal form with the given sense (regarded in the study as the date of conversion), the earliest usage examples for individual senses and morphologically or semantically related linguistic units from the lexical field of the respective parent noun which were amenable to explaining the observed instances of semantic change. Each instance of zoosemisation, i.e. of the creation of a separate metaphorical verbal sense, was then carefully analysed on the basis of the data collected and classified with the help of the CMMT. In the final stage, a comprehensive and systematic classification of the senses of animal verbs in accordance with the cognitive mechanisms of their creation (metaphor, metonymy, or a combination thereof) was produced together with a timeline of the first appearance of individual metaphorical senses of animal verbs recorded in the OED.
The results show that animal verbs are produced through the interaction of conceptual metaphor and metonymy. Specifically, it was established that two major patterns of metaphor-metonymy interaction underpinning the process of verbal zoosemisation are metaphor from metonymy and metonymy from metaphor. In the former pattern, either an already existing metonymic animal verb is expanded to include the target domain PEOPLE, or the animal noun itself acts as a metonymic vehicle to a certain element of the idealised cognitive model of the given animal, which is metaphorically projected onto people. In the latter mechanism, a metaphorical projection of an animal term initially enters the lexicon in the form of a metaphorical animal noun referring to a human entity, and later in the course of language development it comes to metonymically stand for the action, which the given entity either performs or is involved in. Secondarily, it was observed that individual animal nouns can undergo multiple rounds of zoosemic conversion over time depending on the semantic frame in which the given linguistic unit undergoes denominal conversion, and that results in the polysemy of most animal verbs.
“Chunking” spoken language
(2021)
In this introductory paper to the special issue on “Weak cesuras in talk-in-interaction”, we aim to guide the reader into current work on the “chunking” of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics – two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about “chunking” talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of “chunking” in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.
Remembering the dismembered
(2020)
This thesis – written in co-authorship with Tanzanian activist Mnyaka Sururu Mboro – examines different cases of repatriation of ancestral remains to African countries and communities through the prism of postcolonial memory studies. It follows the theft and displacement of prominent ancestors from East and Southern Africa (Sarah Baartman, Dawid Stuurman, Mtwa Mkwawa, Songea Mbano, King Hintsa and the victims of the Ovaherero and Nama genocides) and argues that efforts made for the repatriation of their remains have contributed to a transnational remembrance of colonial violence.
Drawing from cultural studies theories such as "multidirectional memory", "rehumanisation" and "necropolitics", the thesis argues for a new conceptualisation or "re-membrance" in repatriation, through processes of reunion, empowerment, story-telling and belonging. Besides, the afterlives of the dead ancestors, who stand at the centre of political debates on justice and reparations, remind of their past struggles against colonial oppression. They are therefore "memento vita", fostering counter-discourses that recognize them
as people and stories.
This manuscript is accompanied by a “(web)site of memory” where some of the research findings are made available to a wider audience. This blog also hosts important sound material which appears in the thesis as interventions by external contributors. Through QR codes, both the written and the digital version are linked with each other to problematize the idea of a written monograph and bring a polyphonic perspective to those diverse, yet connected, histories.
The political legacy of the Martinican poet, novelist and philosopher Édouard Glissant (1928–2011) is the subject of an ongoing debate among postcolonial literary scholars. Responding to an influential view shaping this debate, that Glissant’s work can be categorised into an early political and late apolitical phase, this dissertation claims that this division is based on a narrow conception of 'engaged political writing' that prevents a more comprehensive view of the changing political strategies Glissant pursued throughout his life from emerging. Proceeding from this conceptual basis, the dissertation is concerned with re-reading the dimensions of Glissant's work that have hitherto been relegated as apolitical, literary or poetic, with the aim of conceptualising the politics of relation as an integral part of his overall poetic project. In methodological terms, the dissertation therefore proposes a relational reading of Glissant’s life-work across literary genres, epochs, as well as the conventional divisions between political thought, writing and activism. This perspective is informed by Glissant's philosophy of relation, and draws on a conception of political practice that includes both explicit engagements with established political systems and institutions, as well as literary and cultural interventions geared towards their transformation and the creation of alternatives to them. Theoretically the work thus combines a poststructuralist lens on the conceptual difference between 'politics' and 'the political' with arguments for an inherent political quality of literature, and perspectives from the Afro-Caribbean radical tradition, in which writers and intellectuals have historically sought to combine discursive interventions with organisational actions. Applying this theoretical angle to the analysis of Glissant's politics of relation results in an interdisciplinary research framework designed to explore the synergies between postcolonial political and literary studies.
In order to comprehensively describe Glissant's politics of relation without recourse to evolutionary or digressive models, the concept of an intellectual marronage is proposed as a framework to map the strategies making up Glissant's political archive. Drawing on a variety of historic, political theoretical and literary sources, intellectual marronage is understood as a mode of radical resistance to the neocolonial subjugation for which the plantation system stands historically and metaphorically, as an inherently innovative political practice invested in the creation of communities marked by relational ontologies, and as a commitment to fostering an imagination of the world and the human that differs fundamentally from the Enlightenment paradigm. This specific conception of intellectual marronage forms the basis on which three key strategies that consistently shape Glissant's political practice are identified and mapped. They revolve around Glissant's engagement with history (chapter 2), his commitment to fostering an imagination of the Tout-Monde (whole-world) as a political point of reference (chapter 3), and the continuous exploration of alternative forms of community on the levels of the island, the archipelago and the Tout-Monde (chapter 4). Together these strategies constitute Glissant's personal politics of relation. Its abstract characteristics can be put in a productive conversation with related theoretical traditions invested in exploring the political potentials of fugitivity (chapters 5), as well as with the work of other postcolonial actors whose holistic practice warrants to be described as a politics of relation (chapter 6).
“Embodied Practices – Looking From Small Places” is an edited transcript of a conversation between theatre and performance scholar Sruti Bala (University of Amsterdam) and sociologist, criminologist and anthropologist Dylan Kerrigan (University of Leicester) that took place as an online event in November 2020. Throughout their talk, Bala and Kerrigan engage with the legacy of Haitian anthropologist Michel-Rolph Trouillot. Specifically, they focus on his approach of looking from small units, such as small villages in Dominica, outwards to larger political structures such as global capitalism, social inequalities and the distribution of power. They also share insights from their own research on embodied practices in the Caribbean, Europe and India and answer questions such as: What can research on and through embodied practices tell us about systems of power and domination that move between the local and the global? How can performance practices which are informed by multiple locations and cultures be read and appreciated adequately? Sharing insights from his research into Guyanese prisons, Kerrigan outlines how he aims to connect everyday experiences and struggles of Caribbean people to trans-historical and transnational processes such as racial capitalism and post/coloniality. Furthermore, he elaborates on how he uses performance practices such as spoken word poetry and data verbalisation to connect with systematically excluded groups. Bala challenges naïve notions about the inherent transformative potential of performance in her research on performance and translation. She points to the way in which performance and its reception is always already inscribed in what she calls global or planetary asymmetries. At the conclusion of this conversation, they broach the question: are small places truly as small as they seem?
This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL.
La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents.
„The game’s afoot!“
(2020)
Computerspiele bieten – verstanden als Text, als popkulturelles Artefakt, als Lerngelegenheit und vieles mehr – auch für den Einsatz im Fremdsprachenunterricht zahlreiche Möglichkeiten, curricular vorgegebene Kompetenzen auszubilden. Nicht nur kann die Auseinandersetzung mit Computerspielen einen Beitrag zur fachintegrativen Vermittlung von Medienkompetenz leisten, sondern ebenso dazu genutzt werden, Handlungen zu simulieren, in denen Schülerinnen und Schüler fremdsprachig (inter-)agieren. Der folgende Beitrag versucht daher, exemplarisch zwei Computerspiele auf ihr Potential für den Einsatz im Fremdsprachenunterricht Englisch zu untersuchen. Er versteht sich als praktischer Beitrag, der Einblick in didaktisch-methodische Überlegungen bietet, welche die Auseinandersetzung mit den zwei exemplarisch ausgewählten Spielen, HER STORY (2015) und 1979 REVOLUTION: BLACK FRIDAY (2016), in den Blick nehmen.
Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.
This article offers an in-depth analysis of one particular type of meta-talk. It looks at how speakers use the meta-pragmatic claim to have previously communicated ('said' or 'meant') the same as, or the equivalent of, what their interlocutor just said. Through detailed sequential analyses, it is shown that this claim is frequently used as a practice for disarming disaffiliative responses and thus to manage (and often resolve) incipient disagreement. Besides unpacking the precise mechanisms underlying this practice, the paper also takes stock of the various (and partly variable) lexico-morpho-syntactic, prosodic and bodily-visual elements of conduct that recurrently enter into its composition. Since the practice essentially rests on the speaker’s insinuation of having been misunderstood by their co-participant, its relationship to the organization of repair will also be discussed. It is argued that the practice operates precisely at the intersection of stance-management (agreement/disagreement) and repair, and that it exhibits features which reflect this intersectional character. Data are in English.
Pedagogy of integrity
(2019)
The master thesis “Pedagogy of Integrity: an Analysis of the Conceptualization and Implementation of the MA Program Anglophone Modernities in Literature and Culture” deals with colonial patterns in higher education practices. It provides a theoretical framework for decolonization of academic teaching-learning practices on the micro- and meso-didactic levels and suggests concrete solutions for the decolonized education practices, especially for degree programs, which content focuses on post-colonial issues. Besides, through the exemplary analysis of the conceptualization and implementation of the MA Program Anglophone Modernities in Literature and Culture the work explores patterns of colonial heritage as well as will to decolonise these. The main thesis claims that (higher) education should be liberated from colonial patterns, so that real participation for all students in the collective knowledge production becomes possible.
In the theoretical elaborations different concepts of critical and radical pedagogy, e.g. the ones of Paulo Freire and bell hooks, in combination with concepts about modalities of adult learning (e.g. transformative learning) and approaches to education, seeking to combine learning and social justice (e.g. Social Justice Learning) are systematised and explored for their substance and potential to contribute to a criteria catalogue for decolonised educational practises. Besides, attention is paid on higher education research results, which reveal, that students, who belong to underrepresented groups at university (non-traditional students) in their societies of origin, face more difficulties and discrimination as international students at Western universities, than ‘traditional’ international students do. Based on the theoretical elaborations, the work claims that:
(1) the homogeneity-preserving dynamics, found in Western colleges, are an inheritance of colonial time and mindsets, which continue to function in education and multiply social inequality in the context of internationalization, migration, and participation;
(2) all, but especially those higher educational programs, dealing explicitly with inequality phenomena, social and cultural diversity, power relations and issues of domination, as well as with postcolonial criticism, should establish premises of equity and provide de-facto equal opportunities for participation through embodiment of social justice as a way to remain credible;
(3) decolonization of the educational space can be enabled through appropriate didactic action both on the meso- (institution) and micro-didactical (teaching-learning arrangements) agency levels with sufficient will and willingness of responsible professionals at.
By examining representative documents, published by the MA Program Anglophone Modernities in Literature and Culture, using the 'close reading' methodology, as well as through the exemplary analysis of the concept of a teaching-learning program’s event and a student survey, the work seeks to examine wo what extent the Master's Degree Program represents a space of decolonised higher education. The results of the analysis indicate the need for stronger normative value-positioning of the Study program, while many practices that show commitment to participation, social justice and diversity, have been identified.
In the last chapter, the results of the theoretical elaboration and the program’s analysis are synthesized in the concept of an integrity-based pedagogy conceptualisation, called Pedagogy of Integrity, and suggestions are formulated for the teaching practice in the study program, which are meant to help overcome the discrepancy between will and practice towards decolonised educational space.
This text is a contribution to the research on the worldwide success of evangelical Christianity and offers a new perspective on the relationship between late modern capitalism and evangelicalism. For this purpose, the utilization of affect and emotion in evangelicalism towards the mobilization of its members will be examined in order to find out what similarities to their employment in late modern capitalism can be found. Different examples from within the evangelical spectrum will be analyzed as affective economies in order to elaborate how affective mobilization is crucial for evangelicalism’s worldwide success. Pivotal point of this text is the exploration of how evangelicalism is able to activate the voluntary commitment of its members, financiers, and missionaries. Gathered here are examples where both spheres—evangelicalism and late modern capitalism—overlap and reciprocate, followed by a theoretical exploration of how the findings presented support a view of evangelicalism as an inner-worldly narcissism that contributes to an assumed re-enchantment of the world.
The Making of Tupaia’s Map
(2018)
Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.
Swearing in a public place
(2017)
The paper deals with the usage of swear words on the online forum "reddit". Three research questions are dealt with:
How often are swear words used?
How are these swear words received by other users?
Does the topic of the conversation have an influence on the reception and amount of usage of swear words?
The corpus from which the results are taken comprises almost 900 million words. The words are taken from February 2017. Compared to other, similar studies, the corpus is considerably larger and contempory.
In addition, the theoretical part discusses the linguistic basics of swear words. These include concepts such as the theory of politeness, the topic of taboos and its corresponding words and censorship. This is done to explain the factors that influence the use and application of swear words and to explain why swearwords are so special in comparison to other word groups. In addition, further research results from other corpora are presented and compared with the results afterwards. This includes corpora that are also composed of online communication, as well as corpora that reproduce spoken language. The results from all the corpora presented deal with results from the English language.
The results of this study indicate that the swear words on "reddit" are used approximately as often as they are on other platforms. The perception of these swear words is mostly positive, which suggests that the use of swear words on "reddit" is not perceived as impolite. In addition, an influence of the discussion topic on the frequency and reception of swear words could be determined.
This paper deals with the teaching of grammar in the English as a foreign language (EFL) classroom. In this context, a course book (English G 21 A2) is examined in regard to whether it is compatible with current theories about second language acquisition (SLA).
At the beginning of this paper, views on grammar teaching from the past and the present are summarized and this is followed by an analysis of the current curriculum concerning its guidelines for grammar teaching in the foreign language classroom. This analysis concludes that the curriculum of Brandenburg hardly gives any recommendations regarding the question of which grammatical phenomena should to be taught. This explains, at least partly, the important position course books take in the foreign language classroom. Teachers use them as a source of material as well has a guideline for which topics can be taught and in which order.
The following part gives an overview of cognitive models of SLA and foreign language teaching, among others Krashen’s Monitor Hypothesis, R. Ellis’ Weak Interface Model and Pienemann’s Processability Theory. On the basis of these models criteria for the ideal design of a course book, which would support grammar teaching according to current findings, are developed. Among those criteria are the offering of a lot of input in the target language, provision of practice activities and consciousness-raising activities, taking into consideration the sequence of acquisition and the provision of a diagnostic tool which enables the students to find out in which areas of the target language they need to improve. Furthermore, the inclusion of opportunities for (individual) revision is regarded as essential. All of those criteria are of course given under the reservation that the influence of course books on the happenings in the classroom is restricted as the final decisions are made by the teacher in the teaching situation.
In the analysis, one communicative intention which is usually a topic in the English lessons between the third and sixth year of learning is focused on. This communicative intention is talking about the future. First, the possibilities to express futurity in the English language are analysed and reduced for the use in teaching. The chosen course book is then described and analysed and the way the book deals with the topic of talking about the future is compared to the criteria which where specified earlier in the paper. This comparison showed that the book is compatible with SLA theories in many ways (e.g. concerning the explanations of grammatical structures) but that there is still room for improvement (e.g. concerning the amount of input and the number of consciousness-raising activities).
Rezensiertes Werk:
George, Rosemary Marangoly, Indian English and the Fiction of National Literature - Cambridge: Cambridge University Press, 2013. - Hb. viii, 285 pp. - (Zeitschrift für Anglistik und Amerikanistik ; 62(4)) ISBN 978-1-107-04000-7.
Rezensiertes Werk
Pink, Katharina, Identitas Oriens: Diskursive Konstruktionen von Identität und Alterität in britischer Orient-Reiseliteratur - Würzburg, Ergon Verlag, 2014 337 S. - (Literatur - Kultur - Theorie, 19)
This article explores a recent performance of excerpts from T.S. Eliot’s Four Quartets (1935/36–1942) entitled Engaging Eliot: Four Quartets in Word, Color, and Sound as an example of live poetry. In this context, Eliot’s poem can be analysed as an auditory artefact that interacts strongly with other oral performances (welcome addresses and artists’ conversations), as well as with the musical performance of Christopher Theofanidis’s quintet “At the Still Point” at the end of the opening of Engaging Eliot. The event served as an introduction to a 13-day art exhibition and engaged in a re-evaluation of Eliot’s poem after 9/11: while its first part emphasises the connection between Eliot’s poem and Christian doctrine, its second part – especially the combination of poetry reading and musical performance – highlights the philosophical and spiritual dimensions of Four Quartets.
This article considers Isabella Bird’s representation of medicine in Unbeaten Tracks in Japan (1880) and Journeys in Persia and Kurdistan (1891), the two books in which she engages most extensively with both local (Chinese/Islamic) and Western medical science and practice. I explore how Bird uses medicine to assert her narrative authority and define her travelling persona in opposition to local medical practitioners. I argue that her ambivalence and the unease she frequently expresses concerning medical practice (expressed particularly in her later adoption of the Persian appellation “Feringhi Hakīm” [European physician] to describe her work) serves as a means for her to negotiate the colonial and gendered pressures on Victorian medicine. While in Japan this attitude works to destabilise her hierarchical understanding of science and results in some acknowledgement of traditional Japanese traditions, in Persia it functions more to disguise her increasing collusion with overt British colonial ambitions.
Luhmann in da Contact Zone
(2016)
Our aim in this contribution is to productively engage with the abstractions and complexities of Luhmann’s conceptions of society from a postcolonial perspective, with a particular focus on the explanatory powers of his sociological systems theory when it leaves the realms of Europe and ventures to describe regions of the global South. In view of its more recent global reception beyond Europe, our aim is to thus – following the lead of Dipesh Chakrabarty – provincialize Luhmann’s system theory especially with regard to its underlying assumptions about a global “world society”. For these purposes, we intend to revisit Luhmann in the post/colonial contact zone: We wish to reread Luhmann in the context of spaces of transcultural encounter where “global designs and local histories” (Mignolo), where inclusion into and exclusion from “world society” (Luhmann) clash and interact in intricate ways. The title of our contribution, ‘Luhmann in da Contact Zone’ is deliberately ambiguous: On the one hand, we of course use ‘Luhmann’ metonymically, as representative of a highly complex theoretical design. We shall cursorily outline this design with a special focus on the notion of a singular, modern “world society”, only to confront it with the epistemic challenges of the contact zone. On the other hand, this critique will also involve the close observation of Niklas Luhman as a human observer (a category which within the logic of systems theory actually does not exist) who increasingly transpires in his late writings on exclusion in the global South. By following this dual strategy, we wish to trace an increasing fracture between one Luhmann and the other, between abstract theoretical design and personalized testimony. It is by exploring and measuring this fracture that we hope to eventually be able to map out the potential of a possibly more productive encounter between systems theory and specific strands of postcolonial theory for a pluritopic reading of global modernity.
This essay reads Sam Selvon’s novel The Lonely Londoners (1956) as a milestone in the decolonisation of British fiction. After an introduction to Selvon and the core composition of the novel, it discusses the ways in which the narrative takes on issues of race and racism, how it in the tradition of the Trinidadian carnival confronts audiences with sexual profanation and black masculine swagger, and not least how the novel, especially through its elaborate use of creole Englishes, reimagines London as a West Indian metropolis. The essay then turns more systematically to the ways in which Selvon translates Western literary models and their isolated subject positions into collective modes of narrative performance taken from Caribbean orature and the calypsonian tradition. The Lonely Londoners breathes entirely new life into the ossified conventions of the English novel, and imbues it with unforeseen aesthetic, ethical, political and epistemological possibilities.
Recollecting Bones
(2016)
In the same “guarded, roundabout and reticent way” which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy’s words, “the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism’s intellectual, ethical and scientific pre-history” (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.
Kleine Kosmopolitismen
(2016)
Postcolonial Justice
(2016)
Postcolonial Piracy
(2016)
Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.
Reflections of Lusáni Cissé
(2016)
Sound matters
(2016)
This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
The dissertation proposes that the spread of photography and popular cinema in 19th- and 20th-century-India have shaped an aesthetic and affective code integral to the reading and interpretation of Indian English novels, particularly when they address photography and/or cinema film, as in the case of the four corpus texts. In analyzing the nexus between ‘real’ and ‘reel’, the dissertation shows how the texts address the reader as media consumer and virtual image projector. Furthermore, the study discusses the Indian English novel against the backdrop of the cultural and medial transformations of the 20th century to elaborate how these influenced the novel’s aesthetics. Drawing upon reception aesthetics, the author devises the concept of the ‘implied spectator’ to analyze the aesthetic impact of the novels’ images as visual textures.
No God in Sight (2005) by Altaf Tyrewala comprises of a string of 41 interior monologues, loosely connected through their narrators’ random encounters in Mumbai in the year 2000. Although marked by continuous perspective shifts, the text creates a sensation of acute immediacy. Here, the reader is addressed as implied spectator and is sutured into the narrated world like a film spectator ― an effect created through the use of continuity editing as a narrative technique.
Similarly, Ruchir Joshi’s The Last Jet Engine Laugh (2002) coll(oc)ates disparate narrative perspectives and explores photography as an artistic practice, historiographic recorder and epistemological tool. The narrative appears guided by the random viewing of old photographs by the protagonist and primary narrator, the photographer Paresh Bhatt. However, it is the photographic negative and the practice of superimposition that render this string of episodes and different perspectives narratively consequential and cosmologically meaningful. Photography thus marks the perfect symbiosis of autobiography and historiography.
Tabish Khair’s Filming. A Love Story (2007) immerses readers in the cine-aesthetic of 1930s and 40s Bombay film, the era in which the embedded plot is set. Plotline, central scenes and characters evoke the key films of Indian cinema history such as Satyajit Ray’s “Pather Panchali” or Raj Kapoor’s “Awara”. Ultimately, the text written as film dissolves the boundary between fiction and (narrated) reality, reel and real, thereby showing that the images of individual memory are inextricably intertwined with and shaped by collective memory. Ultimately, the reconstruction of the past as and through film(s) conquers trauma and endows the Partition of India as a historic experience of brutal contingency with meaning.
The Bioscope Man (Indrajit Hazra, 2008) is a picaresque narrative set in Calcutta - India’s cultural capital and birthplace of Indian cinema at the beginning of the 20th century. The autodiegetic narrator Abani Chatterjee relates his rise and fall as silent film star, alternating between the modes of tell and show. He is both autodiegetic narrator and spectator or perceiving consciousness, seeing himself in his manifold screen roles. Beyond his film roles however, the narrator remains a void. The marked psychoanalytical symbolism of the text is accentuated by repeated invocations of dark caves and the laterna magica. Here too, ‘reel life’ mirrors and foreshadows real life as Indian and Bengali history again interlace with private history. Abani Chatterjee thus emerges as a quintessentially modern man of no qualities who assumes definitive shape only in the lost reels of the films he starred in.
The final chapter argues that the static images and visual frames forwarded in the texts observe an integral psychological function: Premised upon linear perspective they imply a singular, static subjectivity appealing to the postmodern subject. In the corpus texts, the rise of digital technology in the 1990s thus appears not so much to have displaced older image repertories, practices and media techniques, than it has lent them greater visibility and appeal. Moreover, bricolage and pastiche emerge as cultural techniques which marked modernity from its inception. What the novels thus perpetuate is a media archeology not entirely servant to the poetics of the real. The permeable subject and the notion of the gaze as an active exchange as encapsulated in the concept of darshan - ideas informing all four texts - bespeak the resilience of a mythical universe continually re-instantiated in new technologies and uses. Eventually, the novels convey a sense of subalternity to a substantially Hindu nationalist history and historiography, the centrifugal force of which developed in the twentieth century and continues into the present.
This essay approaches T. S. Eliot’s Four Quartets (1935–1942) from the perspectives of Eve Kosofsky Sedgwick’s critical practice of reparative reading and of Paul Ricoeur’s poststructuralist hermeneutics. It demonstrates that Sedgwick’s and Ricoeur’s approaches can be productively combined to investigate hermeneutic processes in which the textual energy of a dissemination of meaning is redirected by a reparative or integrative impulse. In Four Quartets, this impetus induces the creation of semantic innovation through a violation of semantic pertinence, that is, through novel, tensional and provisional connections between formerly separate textual elements and semantic units.
In this article, it will be argued that the concept of functional layering – an extension of Hopper’s (1991) concept of layering – can be fruitfully applied to understand the mechanisms behind the sometimes large and messy looking synchronic picture of diverse meanings which one and the same construction can fulfill at a particular point in time. The concept will be used to account for the meaning spectrum of the present-day English progressive, which, it will be argued, no monosemic approach to date can account for. Taking a look at the diachrony of the construction will help to reveal that the various “exceptions” found in the use of the progressive can be understood as reflections of different stages in its development. Older, less grammaticalized or less well-defined usage patterns thus often survive in certain restricted niches next to the newer, more grammaticalized or more clear-cut functions, representing different diachronic layers. In addition to this diachronic motivation for synchronic meaning variety, the article will also address the crucial question of how a present-day hearer of a progressive form is able to decode the specific meaning intended by the speaker based on contextual clues. The article ends with some suggestions for further applications of the concept of functional layering.
Deep into the second half of the twentieth century the traditionalist definition of India as a country of villages remained dominant in official political rhetoric as well as cultural production. In the past two decades or so, this ruralist paradigm has been effectively superseded by a metropolitan imaginary in which the modern, globalised megacity increasingly functions as representative of India as a whole. Has the village, then, entirely vanished from the cultural imaginary in contemporary India? Addressing economic practices from upper-class consumerism to working-class family support strategies, this paper attempts to trace how ‘the village’ resurfaces or survives as a cultural reference point in the midst of the urban.
Bridehood revisited
(2008)
Think local sell global
(2010)
Filming illegals
(2013)
Introduction
(2013)