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Antiquités et pop cultures dans la haute couture et le prêt-à-porter des années 2010

  • From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women’s fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion’s worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word “fashion” are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.

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Author details:Manon Renault
DOI:https://doi.org/10.34679/thersites.vol13.149
Title of parent work (French):thersites 13: Antiquipop – Chefs d’œuvres revisités
Editor(s):Fabien Bièvre-Perrin, Filippo Carlà-Uhink, Christian Rollinger, Christine Walde
Publication type:Article
Language:French
Date of first publication:2021/11/08
Publication year:2021
Publishing institution:Universität Potsdam
Release date:2022/10/13
Tag:Fashion Studies; antiquity; fashion; pop culture; sociology
Volume:2021
Issue:13
First page:125
Last Page:140
Organizational units:Philosophische Fakultät / Historisches Institut
DDC classification:9 Geschichte und Geografie / 90 Geschichte / 900 Geschichte und Geografie
Peer review:Referiert
Publishing method:Open Access / Gold Open-Access
Collection(s):Universität Potsdam / Zeitschriften / thersites, ISSN 2364-7612 / thersites Vol. 13
License (German):License LogoCC-BY - Namensnennung 4.0 International
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