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Laocoon Relooké

  • This article focuses on the reception of the ancient statue of Laocoon in the arts and popular culture of the 21st century. It looks into why this icon has remained continuously present in the public’s collective imagination and covers, in particular, the recapturing of this motif by four contemporary painters : Richard Wallace (2002), Ron Milewicz (2005), Gilles Chambon (2008), Kent Monkman (2008). The article examines as well the new meanings associated with its treatment and finally explores the way our contemporary world deals with the notion of monument and the concept of academicism.

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Metadaten
Author details:Isabelle JouteurGND
DOI:https://doi.org/10.34679/thersites.vol13.136
ISSN:2364-7612
Title of parent work (French):thersites 13: Antiquipop – Chefs d’œuvres revisités
Editor(s):Fabien Bièvre-Perrin, Filippo Carlà-Uhink, Christian Rollinger, Christine Walde
Publication type:Article
Language:French
Date of first publication:2021/11/08
Publication year:2021
Publishing institution:Universität Potsdam
Release date:2021/11/11
Tag:21st century; Laocoon; academicism; contemporary art; painting
Volume:2021
Issue:13
First page:43
Last Page:70
Organizational units:Philosophische Fakultät / Historisches Institut
DDC classification:9 Geschichte und Geografie / 90 Geschichte / 900 Geschichte und Geografie
Peer review:Referiert
Publishing method:Open Access / Gold Open-Access
Collection(s):Universität Potsdam / Zeitschriften / thersites, ISSN 2364-7612 / thersites Vol. 13
License (German):License LogoCC-BY - Namensnennung 4.0 International
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