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Recycling sensors based on kinases : proceedings of Mosbach Symposion on Biochemical Technology
(1996)
PG 1159 stars
(1996)
On the Balmer line problem
(1996)
Small and medium-sized companies in economic growth : theory and policy implications for Germany
(1996)
Using a special technique of data analysis, we have found out 34 grand minima of solar activity in a 7,700 years long C14 record. The method used rests on a proper filtering of the C14 record and the extrapolation of verifiable results for the later history back in time. Additionally, we have applied a method of nonlinear dynamics, the recurrence rate, to back up the results. Our findings are not contradictory to the record of grand minima by Eddy, but constitute a considerable extension. Hence, it has become possible to look closer at the validity of models. This way, we have tested esp. the model of Barnes et al. There are hints for that the grand minima might solely be driven by the 209--year period found in the C14 record.
Brecht and the Jews
(1996)
Complete 3D potential energy surfaces for the two lowest electronic states of the system (N2H)+
(1996)
Integration of titin into the sarcomeres of cultured differentiating human skeletal muscle cells
(1996)
Liquid membrane permeation of zinc, cadmium and nickel with 4-acyl-5-pyrazolones and ß-diketones
(1996)
Crystal structure of methoxo-oxo[benzoylaceton-salicyl hydrazonato(2-)]vanadium(V), C18H17N2O5V
(1996)
The earliest types of versification of the Insular literatures in the early middles ages (Old English, Old Welsh, Old Irish, Middle Breton) were oral-derived, i.e. orally composed and intended for listening audiences. The written records of such early poems, poreserved in the manuscripts, still reflect the flexibility of the metriccal constraints. This type of poetry is characterised by the avoidance of the total identity of the recurrent phonetic features. Rhyme is 'only' near-rhyme, alliteration only near-alliteration, accentuality only near-accentual recurrence, syllabicity only near-syllabicity etc.. This type of oral-derived aesthetics requires a very fine ear for the distinction and appreciation of the metrical near-samenesses and probably a prolongued training in the acquisition of metrical skills on teh part of the poet. In the later written poetries, which were both literate in composition and reception ("reading"), the ear was replaced by the eye. THis seems ot have required identical recurrence of metrical ffeatures rather than near-identities, ultimately leading to forms like 'rime riche' (like in French poetry), which would have been considered to be cloying in the early oral(-derived) context. In other words, the aesthetic potential of the metrical constraints depends on the medium of communication.