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Arthur Schopenhauer (1788–1860) was perhaps the last polymath among the great Germanic philosophers. Switching with ease and elegance between epistemic positions and fields as diverse as idealism and empiricism, fideism and rationalism, realism and nominalism, art and religion, jurisprudence and politics, psychology and occultism, Schopenhauer erected an imposing edifice bearing testimony to his universal learning. This study is an investigation into the very conclusion of Schopenhauer’s philosophy and endeavours to answer the following question: did Schopenhauer’s doctrine of salvation issue forth organically from his intellectual output or was it annexed to his philosophy as a result of his critical engagement with religion? The labyrinthine paths through which Schopenhauer arrives at the soteriological culmination of his philosophy are subjected to critical assessment; the picture that emerges is of a philosopher who seemed convinced that he had solved some of the most pressing cosmic riddles to have tormented mankind through the ages.
The Clash of the Images
(2022)
In everyday life, we take there to be ordinary objects such as persons, tables, and stones bearing certain properties such as color and shape and standing in various causal relationships to each other. Basic convictions such as these form our everyday picture of the world: the manifest image.
The scientific image, on the other hand, is a system of beliefs that is only based on scientific results. It contains many beliefs that are not contained in the manifest image. At first glance, this may not seem to be a problem. But Mulamustafi? shows convincingly that this is a mistake: The world as it is in itself cannot be both the way the manifest image depicts it and the way the scientific image describes it to be.
Adem Mulamustafic studied and completed his PhD in philosophy at the University of Potsdam. His areas of specialization are metaphysics, philosophy of science, and critical thinking.
Intentionality in Sellars
(2021)
This book argues that Sellars’ theory of intentionality can be understood as an advancement of a transcendental philosophical approach. It shows how Sellars develops his theory of intentionality through his engagement with the theoretical philosophy of Immanuel Kant.
The book delivers a provocative reinterpretation of one of the most problematic and controversial concepts of Sellars' philosophy: the picturing-relation. Sellars' theory of intentionality addresses the question of how to reconcile two aspects that seem opposed: the non-relational theory of intellectual and linguistic content and a causal-transcendental theory of representation inspired by the philosophy of the early Wittgenstein. The author explains how both parts cohere in a transcendental account of finite knowledge. He claims that this can only be achieved by reading Sellars as committed to a transcendental methodology inspired by Kant. In a final step, he brings his interpretation to bear on the contemporary metaphilosophical debate on pragmatism and expressivism.
Intentionality in Sellars will be of interest to scholars of Sellars and Kant, as well as researchers working in philosophy of mind, epistemology, and the history of nineteenth- and twentieth-century philosophy.
How does perceptual experience make us knowledgeable? This book argues that the answer lies in the nature of perceptual experience: this experience involves conceptual capacities and is a relation between perceiver and world. The author develops her position via a critical examination of conceptualist and relationist theories of perception. A discussion of recent work in vision science rounds up this contribution to the philosophy of perception.