930 Geschichte des Altertums bis ca. 499, Archäologie
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It has been highlighted many times how difficult it is to draw a boundary between gift and bribe, and how the same transfer can be interpreted in different ways according to the position of the observer and the narrative frame into which it is inserted. This also applied of course to Ancient Rome; in both the Republic and Principate lawgivers tried to define the limits of acceptable transfers and thus also to identify what we might call ‘corruption’. Yet, such definitions remained to a large extent blurred, and what was constructed was mostly a ‘code of conduct’, allowing Roman politicians to perform their own ‘honesty’ in public duty – while being aware at all times that their involvement in different kinds of transfer might be used by their opponents against them and presented as a case of ‘corrupt’ behaviour.
The Visigoths as the other
(2010)
An analysis of Roman -Visigothic relations in different terms than the usual presupposition of constant military and confessional/Christia n antagonism. Structuralist methodology demonstrates how Roman needs at precise historical moments determ in e how Visigoths were perceived and, therefore, portrayed in our source.
The Tetrarchy as Ideology
(2023)
The Tetrarchy as Ideology
(2023)
The 'Tetrarchy', the modern name assigned to the period of Roman history that started with the emperor Diocletian and ended with Constantine I, has been a much-studied and much-debated field of the Roman Empire. Debate, however, has focused primarily on whether it was a true 'system' of government, or rather a collection of ad-hoc measures undertaken to stabilise the empire after the troubled period of the 3rd century CE. The papers collected here aim to go beyond this question and to present an innovative approach to a fascinating period of Roman history by understanding the Tetrarchy not as a system of government, but primarily as a political language. Their focus thus lies on the language and ideology of the imperial college and court, on the performance of power in imperial ceremonies, the representation of the emperors and their enemies in the provinces of the Roman world, as well as on the afterlife of Tetrarchic power in the Constantinian period.
This volume presents an innovative picture of the ancient Mediterranean world. Approaching poverty as a multifaceted condition, it examines how different groups were affected by the lack of access to symbolic, cultural and social – as well as economic – capital.
Collecting a wide range of studies by an international team of experts, it presents a diverse and complex analysis of life in antiquity, from the archaic to the late antique period. The sections on Greece, Rome, and Late Antiquity offer in-depth studies of ancient life, integrating analysis of socio-economic dynamics and cultural and discursive strategies that shaped this crucial element of ancient (and modern) societies. Themes like social cohesion and control, exclusion, gender, agency, and identity are explored through the combination of archaeological, epigraphic, and literary evidence, presenting a rich panorama of Greco-Roman societies and a stimulating collection of new approaches and methodologies for their understanding. The book offers a comprehensive view of the ancient world, analysing different social groups – from wealthy elites to poor peasants and the destitute – and their interactions, in contexts as diverse as Classical Athens and Sparta, imperial Rome, and the late antique towns of Egypt and North Africa.
Poverty in Ancient Greece and Rome: Discourses and Realities is a valuable resource for students and scholars of ancient history, classical literature, and archaeology. In addition, topics covered in the book are of interest to social scientists, scholars of religion, and historians working on poverty and social history in other periods.
Introduction
(2020)
In 1932, Grace Harriet Macurdy, Professor of Greek at Vassar College, wrote about Cleopatra’s and Marc Antony’s lifestyle in Egypt: In a manner of living as though taken from the Arabian Nights Entertainment, they gambled, drank, hunted and fished together, and wandered about Alexandria by night in disguise. . . Even Macurdy – the author of a pioneering study on Hellenistic queens and ‘woman-power’, in which she stressed the necessity of evaluating powerful women by the same standards as their male counterparts – could not avoid using an Orientalist flair when describing the most famous Ptolemaic queen. It is the aim of this book to show that Macurdy was and is anything but alone, and that discourses and images developed by the Orientalist imagination have dominated the ways in which powerful ancient women have been represented in modern reception. The reason for this, we argue, is...
Imagines
(2017)
This series seeks to broaden the scholarly community’s understanding of the reception of classical antiquity in the visual and performing arts. A particular focus will be drawn on the 20th and 21st centuries and on media that have been traditionally neglected because considered “commercial” and/or “popular”, such as comics, advertising, digital media, design, fashion, and theme parks. It challenges traditional, and still very widespread, assumptions that distinguish “high” from “popular” culture, but also demonstrates the indisputable importance that classical antiquity enjoys in the modern and postmodern world, and all across the planet, carefully looking at forms of Classical Receptions outside the “traditional” regions object of such studies. Through a consistent shift from the traditional, academic approach, the series is the product of a continuous dialogue between scholars on the one side, and “producers” of classical reception – painters, sculptors, photographs, architects, designers, etc. –on the other, who write about their mechanisms of appropriation of the Ancient world . Each book highlights the popularity of antiquity today and reveals the forms and mechanisms of its reception. The series thus explains the choice of subjects and motives, the elaboration and re-mediatization processes taking place in the creative act, as well as the complexity of the “reception chains”, which make it today impossible, for instance, to visualize the ancient world without the filter of historical movies.
Introduction
(2022)
Both Libanius in his Autobiography (ca. 374) and Theodoret in his biographical sketch of the monk Macedonius in his Religious History (ca. 444) draw their readers’ attention to the accusations of magic as an everyday event in Late Antiquity. Yet there are differences between the ways in which they present their theme. Some of these differences pertain to genre conventions of autobiography and Christian hagiographic writing, but these are further conditioned by the concrete expectations of the intended audience and the authors’ different religious beliefs. While both are primarily engaged in creating different types of role models, the charge of magic functions as a narrative moment that shapes the character of the relevant hero differentially.
The Social War (91-88 BCE) is one of the most significant episodes in Roman history: from this war, in which Rome fought against her Italic allies, emerged the elite that would lead the Republic in the last decades of its existence and that would provide the senatorial aristocracy of the early imperial age. The Italic rebels were defeated militarily, yet they achieved their political aims. As such, this war – and its elaboration and memorialization in Roman cultural memory – provides a very interesting case study about how "victory" and "defeat" are constructed discursively after a disruptive war, and how its narration is "functionalized" for a re-foundation of the civic body.
Introduction
(2020)
Inhalt: Habachi, Labib: Tell Basta Chapter 1: Introductory: Bubatis and its monuments Chapter II: The temple of Pepi I [I]: Description Chapter III: The temple of Pepi [III]: Finds and importance Chapter IV: General notes on the great temple [I]: Mihos temple and entrance hall Chapter V: General notes on the great temple [II]: Festival hall and hypostyle hall Chapter VI: General notes on the great temple [III]: The temple of Nektanebos (Nekht-har-hebi) Chapter VII: Work outside the temples Chapter VIII: Blocks transferred to Bubastis Chapter IX: Blocks removed from Bubastis Farid, Shafik: Preliminary report on the excavations of the antiquities department at Tell Basta