930 Geschichte des Altertums bis ca. 499, Archäologie
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Tacitus' Wonders
(2022)
This volume approaches the broad topic of wonder in the works of Tacitus, encompassing paradox, the marvellous and the admirable. Recent scholarship on these themes in Roman literature has tended to focus on poetic genres, with comparatively little attention paid to historiography: Tacitus, whose own judgments on what is worthy of note have often differed in interesting ways from the preoccupations of his readers, is a fascinating focal point for this complementary perspective.
Scholarship on Tacitus has to date remained largely marked by a divide between the search for veracity – as validated by modern historiographical standards – and literary approaches, and as a result wonders have either been ignored as unfit for an account of history or have been deprived of their force by being interpreted as valid only within the text. While the modern ideal of historiographical objectivity tends to result in striving for consistent heuristic and methodological frameworks, works as varied as Tacitus' Histories, Annals and opera minora can hardly be prefaced with a statement of methodology broad enough to escape misrepresenting their diversity. In our age of specialization a streamlined methodological framework is a virtue, but it should not be assumed that Tacitus had similar priorities, and indeed the Histories and Annals deserve to be approached with openness towards the variety of perspectives that a tradition as rich as Latin historiographical prose can include within its scope. This collection proposes ways to reconcile the divide between history and historiography by exploring contestable moments in the text that challenge readers to judge and interpret for themselves, with individual chapters drawing on a range of interpretive approaches that mirror the wealth of authorial and reader-specific responses in play.
Lost in Germania
(2021)
Tacitus’ Germania is notable for its absences: lacking a preface and programmatic statements, and being the only ethnographic monograph to have survived from Greco-Roman antiquity, readers have often leapt to fill in its perceived blanks. This chapter aims at redressing the effects of overdetermined readings by interpreting the text’s absences as significant in their own right.
Tacitus and cinema
(2021)
In the Posthomerica references to an omnipotent fate or to the power of the gods are strikingly frequent. Modern scholarship has often treated this as Stoic. Closer reading reveals that Quintus is, on the one hand, following the Homeric concept of double motivation, according to which humans can be motivated by a deity only to an act that conforms to their character and for which they are responsible. On the other hand, Quintus gives these statements on responsibility to characters who are trying to excuse their own acts to themselves and, particularly, to others, i.e. they are motivated contextually. It would be non-Stoic to excuse oneself for a bad deed by reference to an almighty fate. It seems that Quintus, by presenting this tension, wanted the reader to reconsider and reflect on the different concepts.
In the Posthomerica references to an omnipotent fate or to the power of the gods are strikingly frequent. Modern scholarship has often treated this as Stoic. Closer reading reveals that Quintus is, on the one hand, following the Homeric concept of double motivation, according to which humans can be motivated by a deity only to an act that conforms to their character and for which they are responsible. On the other hand, Quintus gives these statements on responsibility to characters who are trying to excuse their own acts to themselves and, particularly, to others, i.e. they are motivated contextually. It would be non-Stoic to excuse oneself for a bad deed by reference to an almighty fate. It seems that Quintus, by presenting this tension, wanted the reader to reconsider and reflect
on the different concepts.
Brandenburger Antike-Denkwerk : kulturelle Identität – Alltagsleben ; Prägung kultureller Identität
(2009)
Im September 2007 fand der ‚Potsdamer Lateintag‘ an der Universität Potsdam zum dritten Mal statt. Der Tag selbst entsprach in seiner Konzeption den Veranstaltungen der vergangenen Jahre. Allerdings gab es eine Neuigkeit: Seit diesem Jahr war er Teil eines größeren, über drei Jahre angelegten Projekts, dem Brandenburger Antike-Denkwerk (BrAnD), das im Rahmen des Denkwerke-Programms der Robert Bosch Stiftung gefördert wird. Hierbei werden in enger Zusammenarbeit von Universität und Schulen Einzelprojekte an Schulen gefördert. Neben den Vorträgen des Lateintags von Herrn Prof. Dr. K.-W. Weeber und Frau PD Dr. Chr. Kunst finden sich daher zum ersten Mal in einem Heft dieser Reihe ein Bericht zum Ablauf des gesamten Projekts sowie einige Berichte zu Schulprojekten.