440 Romanische Sprachen; Französisch
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Tragédie et psychologie
(2017)
His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.
A frequently mentioned if somewhat peripheral figure in the historiography of late nineteenth-century linguistics is the German sinologist and general linguist Georg von der Gabelentz (1840–1893). Today Gabelentz is chiefly remembered for several insights that proved to be productive in the development of subsequent schools and subdisciplines. In this paper, we examine two of these insights, his analytic and synthetic systems of grammar and his foundational work on typology. We show how they were intimately connected within his conception of linguistic research, and how this was in turn embedded in the tradition established by Wilhelm von Humboldt (1767–1835), especially as it was further developed by H. Steinthal (1823–1899). This paper goes beyond several previous works with a similar focus by drawing on a wider range of Gabelentz’ writings, including manuscript sources that have only recently been published, and by examining specific textual connections between Gabelentz and his predecessors.
A partir de la metáfora “imaginería fotosensible”, el ensayo explora cómo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aquí una técnica artística, sino también una imaginación crítica sobre el movimiento, las huellas y la memoria colectiva. la revisión del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienación social generalizada en la post-dictadura chilena (década del 90). Si bien planteo que la influencia de esta imaginación del gra-bado está presente en todo el proyecto literario de la autora, me centro en la revisión de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y póstuma Esta parcela (2015), las cuales incorporan una serie de imágenes impresas.