Refine
Year of publication
Document Type
- Article (238) (remove)
Language
- French (238) (remove)
Keywords
- Marguerite Duras (10)
- französische Literatur 20. Jh. (10)
- Philosophie (8)
- philosophy (8)
- Anthropologie (3)
- anthropology (3)
- Globalisierung (2)
- Guillaume-Thomas Raynal (2)
- Humboldt (2)
- Laocoon (2)
- L’Histoire des deux Indes (2)
- Transzendenz (2)
- antiquity (2)
- 1799-1804 (1)
- 21st century (1)
- Archiv (1)
- Bande dessinée (1)
- Berlin-Brandenburgische Akademie der Wissenschaften (1)
- Bibliothèque Jagellonne (le Fonds Berlinois) (1)
- Biographie (1)
- Briefkorrespondenz (1)
- Briefwechsel (1)
- Bronzes de Riace (1)
- CLES (1)
- CLIUT (1)
- Common European Framework of Reference for Languages (CEFR) (1)
- Cornelius de Pauw (1)
- Danil Golovkin (1)
- English as a foreign language (1)
- Examen critique (1)
- Fashion Studies (1)
- Futur (1)
- Georg Forster (1)
- Georges Canguilhem (1)
- Greek tragedy (1)
- Hans Blumenberg (1)
- Henri Bergson (1)
- Imperfekt (1)
- Instituts Universitaires de Technologie (IUT) (1)
- Iran (1)
- Jacques Derrida (1)
- Kent Monkman (1)
- Korspuslinguistik (1)
- Kriegsreportagen (1)
- Linguistique d´intervention (1)
- Martin Heidegger (1)
- Mathias Énard (1)
- Max Scheler (1)
- Mexiko (1)
- Michel Foucault (1)
- Museo Archeologico Nazionale Reggio Calabria (1)
- New Amsterdam (1)
- Phänomologie (1)
- Pierre-Simon Laplace (1)
- Politik (1)
- Recherches philosophiques sur les Américains (1)
- Reise in die Äquinoktial-Gegenden des Neuen Kontinents (1)
- Reise um die Welt (1)
- Relativisme linguistique (1)
- Richard Wallace (1)
- Russland-Reise (1)
- Sophocles’ Electra (1)
- Sophocles’ Philoctetes (1)
- TOEIC (1)
- Tagebuch (1)
- Temporalität-Aspektualität-Modalität (1)
- Turkey (1)
- Verbalflexion (1)
- Voyage dans les Régions équinoxiales du Nouveau Continent (1)
- Vénus de Milo (1)
- academicism (1)
- agence nationale d’assurance qualité en Guinée (1)
- anachronism (1)
- antisemitism (1)
- arab (1)
- art antique (1)
- art contemporain (1)
- aspectualité (1)
- camp (1)
- caricature (1)
- catégories sémantique-fonctionnelles (1)
- classical reception (1)
- comics (1)
- contemporary art (1)
- culture de la qualité (1)
- culture populaire (1)
- devoir (1)
- diagnostic competence (1)
- didactique participative (1)
- didaktisch verwendbare Klassifikation der französischen Verben (1)
- enseignement et apprentissage d'une langue étrangère en ligne (1)
- error as intentional (1)
- fashion (1)
- fièvre jaune (1)
- foreign language certification (1)
- futur (1)
- gay (1)
- icône (1)
- imparfait (1)
- incommunicable phantasm (1)
- islam (1)
- langues romanes (1)
- le Patrimoine d’Alexander von Humboldt (1)
- l’assurance qualité dans l’enseignement supérieur guinéen (1)
- manga (1)
- manuscrits (1)
- marriage story (1)
- modalité (1)
- multilevel analysis (1)
- music (1)
- muslim (1)
- national multiplication training (1)
- néohumboldtiens (1)
- otherness (1)
- painting (1)
- peplum (1)
- phenomenology (1)
- politique (1)
- pop culture (1)
- publicité (1)
- quality assurance system (1)
- queer (1)
- reception studies (1)
- relation historique (1)
- romanische Sprachen (1)
- réception (1)
- rédaction de projets (1)
- sculpture (1)
- semantisch-funktionelle Kategorien (1)
- simulacre (1)
- simulation (1)
- sociology (1)
- structures d’assurance qualité (1)
- système d'apprentissage hypermédia (1)
- temporalité (1)
- trancendence (1)
- transcendence (1)
- travail de corpus (1)
- unique sign (1)
- vision linguistique du monde (1)
- édition critique (1)
- évaluation de la qualité (1)
Institute
- Institut für Romanistik (143)
- Historisches Institut (17)
- Extern (14)
- Department Musik und Kunst (10)
- Bürgerliches Recht (6)
- Department Erziehungswissenschaft (5)
- Institut für Anglistik und Amerikanistik (5)
- Institut für Germanistik (5)
- Institut für Jüdische Studien und Religionswissenschaft (5)
- Department Sport- und Gesundheitswissenschaften (4)
Whether you open a manga, a French-language comic strip or a North-American comic strip with Classic subject, it seems normal to the reader to encounter many representations of sculptures, paintings or object of daily life from this period throughout the story.
These images are taken from catalogues notably available online. The artists also seem to have drawn their inspiration from museum publications or directly from the collections exhibited by these cultural institutions. This article will review the masterpieces used in comic strips and the reasons why they are chosen. Depending on the formats and cultures that stage them, these works do not constitute decorative elements of an ancient past but contribute to the narrative.
This paper aims to analyse the figure of the Venus of Milo in (extreme) contemporary art productions. The reception of this sculpture has already been studied in the past, but without considering the last ten years (2010 – 2020), during which artists like Yinka Shonibare, Fabio Viale, or Daniel Arsham decided to use the Venus for their new productions. The paper also explains how the Venus of Milo became a globalised icon and an inspiration for artists from all over the world.
Laocoon Relooké
(2021)
This article focuses on the reception of the ancient statue of Laocoon in the arts and popular culture of the 21st century. It looks into why this icon has remained continuously present in the public’s collective imagination and covers, in particular, the recapturing of this motif by four contemporary painters : Richard Wallace (2002), Ron Milewicz (2005), Gilles Chambon (2008), Kent Monkman (2008). The article examines as well the new meanings associated with its treatment and finally explores the way our contemporary world deals with the notion of monument and the concept of academicism.
Cet article explore les débats sur la formation autodidacte dans le contexte d’une constellation franco-allemande autour de 1800. Il met en évidence les interférences fécondes qui ont existé entre les Lumières françaises, notamment par l’intermédiaire de Mirabeau, et l’Aufklärung allemande, en particulier les cercles berlinois autour de la Mittwochsgesellschaft et Wilhelm von Humboldt. Il analyse par ailleurs la dimension politique de l’autodidaxie à la veille de la Révolution française.
Divorce à l’allemande
(2022)
Avec la création de l’Académie de sociologie (AS), le champ sociologique allemand compte désormais une nouvelle association professionnelle qui s’ajoute à la Société allemande de sociologie (DGS), établie de longue date. Cet article passe en revue les principales positions discursives, les sujets de controverse majeurs ainsi que les grandes lignes de fracture qui ont conduit à ce schisme. Les conflits contemporains sont interprétés au travers d’une représentation empirique du champ de la sociologie allemande. De manière générale, la sociologie allemande contemporaine apparaît une fois de plus dominée par deux camps opposés, arbitrairement définis mais puissants, qui se partagent la domination d’une discipline, pourtant réellement pluraliste.
Sophocle sur Netflix
(2023)
The paper focuses on two recent occurrences of a Sophoclean drama on screen, Electra in the romantical movie Marriage Story, and Philoctetes in an episode of the mainstream medical series New Amsterdam, both productions currently available on the popular streaming service Netflix. The case studies explore the mechanisms of the use of these dramas and their significance in both productions, showing that they are partly used for their “classical” authority, are deeply integrated within the scenarios, and help to design the narratives, the characters and their (social and personal) relationships.
Klossowski, who had originally started as a religious seeker of truth in his younger years, will – after his « reversal » – feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicité d'une force "démonique" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).