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Studien zur Táin bó Cuailnge
(1993)
This volume, translated into French from the Russian [Jazyk drevnejsej irlandskoj poezii] by Yves Le Berre and edited by Hildegard L. C. Tristram is the only analysis and discussion to date of the language, style and metrics of the earliest Old Irish poetry. This poetry is oral-derived and reflects the poetic practices of the pre-christian and therefore preliterate period of Irish culture. Much of it is related by Kalyguine to the magical understanding of shaman- like poetic practices.
Text und Zeittiefe
(1994)
Mitteilungsblatt des FMF / Fachverband Moderner Fremdsprachenunterricht, Landesverband Brandenburg
(1995)
A close comparison of the use of language, style and method of composition of the sizable corpus of Old English and Old Irish vernacular sermons (10c and 11c) show that both cultures make use of a preaching rhetoric which is deeply indebted to oral styles of preaching and geared towards the aural reception of the spoken word. Both tend to resort to a flamboyant pastoralism and excel in elaborate verbal artistry. While received scholarship claims that the English were subject to Irish influence in this respect because of the existence Hiberno-Latin analogues, this short monograph argues that this is very unlikely. Rather both traditions are independently indebted to 7c to 9c Continental preaching styles, the evidence of which shows that there was both a plain preaching mode (the "fisherman's" mode) and an elaborate (or "Asian") one. The use of both was advocated,depending on the occasion, by St. Augustin's "De doctrina christiana." In the Insular context of vernacular preaching, the latter seems to have been functioned as a favoured art form.
(Re)Oralisierung
(1996)