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In the following article, the focus is on the transformative potentials created by so-called persistence avant-gardes and prevention innovators. The text extends Bluhdorn's guiding concept of narratives of hope (Bluhdorn 2017; Bluhdorn and Butzlaff 2019) by considering those groups that are marginalized within debates on socio-ecological transformation. With a closer look at the narratives of prevention and blockade that these actors engage, the ambiguous nature of postgrowth avant-gardes is carved out. Their discursive, argumentative, and effective inhibition of transitory policies is interpreted as a pro-active potential, rather than a mere obstacle to socio-ecological transformation. Adding a geographical perspective, the paper pleads for a more precise theoretical penetration of the ambivalent figure of avantgardes when analyzing processes of local and regional postgrowth.
Geopolitical shifts and the changing significance of borders in the EU's neighbourhood are usually understood as a matter of international power politics. Factors that accompany geopolitical impact on borders, such as media coverage of geopolitical change, often appear as secondary or irrelevant. However the recent Ukraine conflict revealed the contrary as pro-EU attitudes were strongly supported by 'western' media. Therefore this paper seeks to clarify the role of news media in creating perspectives and attitudes on geopolitical shifts and the significance of European borders. Empirical evidence on the coverage of the evolving Ukraine crisis by German news sources portrays the media as promoters of biased framings and imaginaries which suggest that the EU be a potential conflict party in the newly evolving geostrategic confrontation in its eastern neighbourhood. The findings indicate that during critical periods of the Ukraine crisis media reports combined rising euphoria about Europe and 'the West', as defenders of the 'good cause', with excessive moral polarising and the discursive normalisation of a rhetoric of escalation. Imaginaries of a bipolar world (The West against Russia) and a new Cold War prepared the ground for a new understanding of European borders and neighbourhood relations as being manipulable at will.
Die Diskussion um Postwachstumsprozesse hat die kleinen, früher unbeachtet gebliebenen Orte der Innovation entdeckt. Ungeplant und unkoordiniert entstandene Produktions- und Arbeitsformen wie zum Beispiel Fab Labs, Offene Werkstätten, Reallabore, Techshops, Repair Cafés und andere entziehen sich weitgehend den gewohnten Erklärungs- und Beschreibungskategorien der sozialwissenschaftlichen Forschung. Die Komplexität ihrer Erscheinungsformen, ihre heterogene Verursachung, ihre kontingente Weiterentwicklung und ihre hybriden Arbeitsprozesse erfordern ergebnisoffene analytische Rekonstruktionen. Das Ziel dieses Beitrags ist es, auf der Basis praxisnaher Tätigkeitsbeschreibungen jeweils Prozesse der Raumkontextualisierung und -zuschreibung zu rekonstruieren. Dies geschieht auf der Basis der leitenden Frage, inwieweit neue Arbeitsformen mit spezifischen Raumbezügen einhergehen und eine differenzierte Sicht auf unterschiedliche Prozesse der Ortsbildung erforderlich machen. Als analytischer Referenzfall werden Offene Werkstätten und die in ihnen vorherrschenden Arbeitsformen genauer betrachtet.
Value creation in scene-based music production - the case of electronic club music in Germany
(2013)
The focus of this article is on the variability of value creation in the popular music industry. Recent trends in electronic music have been based on both the valorization of global tastes and of local specialities in performance and production. Depending on musical styles and market niches, local scenes have become important forces behind heterogeneous globalocal markets. At the same time, technological change and the virtualization of music production and distribution contribute to increasingly differentiated configurations of value creation. It is therefore necessary to reconstruct theoretically and empirically the new interplay among the local music production, digital media markets, and virtual communities that are involved. On the basis of empirical explorations in a German hot spot of electronic club-music production (the city of Berlin), the article indentifies local interaction practice and constellations of stakeholders. The findings show that value creation in these rapidly changing production scenes has moved away from the large-scale distribution of producer-induced media to audience-induced live performance and interactive soundtrack production. This change involves the rising importance of cultural embeddings such as taste building, reputation building among artists and producers, and local community building. Starting from an open theoretical problematization of value creation with regard to fluid scenes and shifting modes of production, the results of first empirical reconstructions are taken as inputs to an evolving discussion on the configurations of value creation in consumer-based strands of music production.