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Kuba - Insel der Inseln
(2001)
Literatur in Bewegung : Raum und Dynamik grenzüberschreitenden Schreibens in Europa und Amerika
(2001)
Miedo y catástrofe : miedo ante la catástrofe ; sobre la economía del miedo de cara a la muerte
(2013)
La polisemia prohibida : la recepción de José Martí como sismógrafo de la vida política y cultural
(1995)
Miedo y catástrofe = Miedo ante la catástrofe : sobre la economía del miedo de cara a la muerte
(2013)
Anton Wilhelm Amo
(2020)
Alexander von Humboldt
(2020)
Alexander von Humboldt
(2020)
Vorwort
(2020)
Welterleben/Weiterleben
(2017)
Welterleben and Weiterleben are what determine the second globalization (of four previously explored) whose constantly accelerating dynamic, vectorization, this essay explores. On the basis of selected writings of Georg Forster, Alexander von Humboldt, and Adelbert von Chamisso, the author highlights the increasing speed with which knowledge, especially in the experiential sciences, is produced and disseminated following the routes of ever-widening trade speeded along by globalization. The notion of ‘vectopia’ stands for the connection of utopia and uchronia in space and time in such a way that the experience of the world, expanded worldwide, contains within it a Weiter-Leben, a ‘living-further’ that is to be understood first in a spatial, and not yet temporal, sense, of what Forster called Erfahrungswissen, or ‘experiential knowledge.’ Vectopia, as elaborated here, has a material dimension that relates to the physical person, the body, the experience of the world that cannot occur without the constant changing of place, without a journeying that is again and again recommenced. Vectopia develops the projection of a life not from space or from time alone, but by their combination. Vectopia is more than a concept, it is a thought-figure: it is vitally connected to life, and thus a life-figure. It opens itself to a type of knowledge that stands almost at the threshold of a further life, indeed, of a Weiterleben that, opening itself to a ‘living-onward,’ resides beyond space, time, and movement.
TransArea Tangier
(2018)
Teorias e vetore
(2022)
Die in diesem Band aufgefächerten Itinerarien des Handelsreisenden wie des Exilanten, die Gestaltungsformen in der Fremdsprache wie der Muttersprache, die Korrespondenzen mit Weggefährten und befreundeten Künstlern, mit Übersetzern und Vermittlern, mit politischen Freunden und Feinden bietet dem Leser erstmals eine umfassende Annäherung an die wichtigsten Werke dieses modernen Klassikers der spanischen Literatur. Reich bebildert und mit teilweise erstmals veröffentlichten Originaldokumenten illustriert, macht dieses Buch eine unbeugsame Persönlichkeit sichtbar, die sich auch in den Extremsituationen und Grenzerfahrungen von Lager, Flucht und Exil stets durch ihr Schreiben am Leben erhielt.
From its very beginnings, Cuban literature has been a literature with no fixed abode: written between Cuba and Mexico (Jose Maria Heredia), Cuba and Spain (Gertrudis Gomez de Avellanedo), Cuba and the US. (Cirilo Villaverde), or between Cuba, Europe and the Americas (Jose Marti), but to mention the outstanding figures in Cuba's 19(th) Century. This article tries to unfold and develop the consequences of this new perspective by insisting on the specific "frictional" character of Cuban literature and culture today
Semiolog i njegovi mitovi
(2005)