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- Historisches Institut (1360) (remove)
Prólogo
(2017)
Vorwort
(2017)
Ein Werk zweier Künstler?
(2018)
The author suggests an attribution for two largely unknown Baroque sculptures inside the Church of St. Peter and Paul at Potsdam. The crucifixus, which has so far not been attributed to an artist, is shown to exhibit parallels to a 1716 work by Paul Egell. It remains unclear, however, whether the Potsdam crucifixus was also created by Egell himself or by Johann Peter Benckert, who congenially completed it in 1763 with a statue of the kneeling Maria Magdalena. The appealing depiction of the saint as an elegant sinner and penitent offers believers various possibilities for identification.
Adieu à l' école unique socialiste : transformations de l' école en Allemagne après la réunification
(1999)
Megan Whalen Turner’s series The Queen’s Thief (1996 – 2020) centres on the political intrigues in a group of countries which are at once very like – but also very unlike – Bronze Age and archaic Greece threatened by a powerful Persian Empire. The first book in the series, The Thief (1996), begins as a political adventure haunted by stories of the gods. When those gods directly influence the action, the narrative changes from present political intrigue to a fantasy from the distant past. The mythology in The Thief reflects, imitates and distorts archaic Greek creation myths – stories about how the earth and sky were formed, the divine pantheon and heroes. I examine the presentation of this divine pantheon against the narratives about the gods in Hesiod, the Homeric hymns and Homer’s epics. I evaluate how the supernatural element interacts with the largely political narrative of The Thief. In so doing, I explore how the text blends a ‘classical supernatural’ with a world that is like – but in many ways very unlike – Bronze Age and archaic Greece.
Ein neuer Konfessionskrieg?
(2001)
Akademischer Sittenverfall?
(2011)
Der Wert der Dinge
(2009)
Weichenstellung zum Disparaten : vom schwierigen Verhältnis der DDR-Oposition zur Arbeiterschaft
(2005)
Although German Federal Chancellor Helmut Kohl and British Prime Minister Margaret Thatcher were on the same side in the Cold War, as well as in the same family of moderate centre-right parties, despite being roughly the same age and sharing a fundamental market-economic and Atlanticist orientation, they were not in harmony emotionally. This analysis demonstrates how different genders, incompatible conceptions of nation, history, and regional origins, as well as experiences of mutual frustration eclipsed their ideological commonalities and counteracted against the 'emotional regimes' of 'the West' in the Cold War. It breaks new ground in several respects. First, it does not examine strong feelings that blotted out all others but rather a range of more ambivalent and nuanced emotions. Second, it links the themes of gender and feeling by enquiring about the male or female manifestations and attributions of certain emotions. Third, it focuses on not only men and women at the top but considers their entourages as either amplifiers or 'shock absorbers' of the leaders' feelings. Finally, it explores the scope and limits of the notion that the Cold War was an 'emotional regime'.
Räuber und Gendarm
(2012)
Beworbene Vergangenheit
(2017)
Advanced mechatronic systems have to integrate existing technologies from mechanical, electrical and software engineering. They must be able to adapt their structure and behavior at runtime by reconfiguration to react flexibly to changes in the environment. Therefore, a tight integration of structural and behavioral models of the different domains is required. This integration results in complex reconfigurable hybrid systems, the execution logic of which cannot be addressed directly with existing standard modeling, simulation, and code-generation techniques. We present in this paper how our component-based approach for reconfigurable mechatronic systems, MECHATRONIC UML, efficiently handles the complex interplay of discrete behavior and continuous behavior in a modular manner. In addition, its extension to even more flexible reconfiguration cases is presented.
Although claiming the authority of an eye-witness account, frater Simon’s letter is almost certainly a ficticious description of the fall of Constantinople to the Ottoman Turks in 1453. This presumed lack of authenticity has obviously prompted modern scholarship for a long time to be oblivious to this contemporary and exclusive source on the events, preferring well-known and reliable sources such as Leonard of Chios and Isidore of Kiev. However, since frater Simon’s letter has survived in two different versions and ten manuscripts from the 15th century, it is clearly more than a marginal note. Rather is it a remarkable contribution to the literary treatment of the Turkish threat and timeless moral instruction.With his portrayal of the pagan Mehmed II as a just ruler, the recurring moral instructions and the lack of a call to arms. Simon’s text stands out against themyriad of more or less contemporary depictions. In preparation for a critical edition the paper gives an analysis of the text and an overview of the extant manuscripts.
Kampf um die "Brit Mila"
(2022)
Die fachdidaktischen Tagespraktika (FTP) bilden ein Kernelement im Potsdamer Modell der Lehrerbildung, weist man ihnen doch eine „studienleitende Funktion“ zu. Wie aber realisiert sich diese Funktion in den einzelnen Fächern an der Universität Potsdam und welche Folgen ergeben sich für die Ausbildung der Lehramtsstudierenden ? Zur Beantwortung dieser Frage wurde eine Analyse der Verankerung der FTP in allen Studienordnungen hinsichtlich qualitativer (Inhalte und Ziele, Prüfungsformen, Belegungsvoraussetzungen) und quantitativer (Leistungspunkte, Semesterwochenstunden) Kriterien durchgeführt. Leitfadengestützte Interviews mit verantwortlichen Fachdidaktikerinnen und Fachdidaktikern dienten der Untersuchung der konkreten Umsetzung und der Relevanzzuschreibung. Ziel war es, durch das Zusammenführen beider Zugänge – der realiter existierenden Curricula, der individualisierten Praktiken sowie der subjektiven Überzeugungen – ein Verständnis eben jener „studienleitenden Funktion“ zu erlangen und anschließend Diskussions- und Handlungsfelder für die Weiterentwicklung des FTP herauszuarbeiten.
This paper analyzes a specific section of Martial’s Apophoreta (Book 14), the ‘list’ of fourteen literary works that the poet-persona suggests to the reader as potentially suitable presents to give to friends on the occasion of the Saturnalia. It focuses strictly on the literary aspects of the poems and their underlying carnivalesque poetics. This includes an assessment of the logic of the poems’ arrangement and alleged inconsistencies. It is suggested that the section be read as a complex statement of Martial’s on various works and genres of Greek and Roman literature. The last couplet of the section (14.196), a certain Calvus’ work ‘On the use of cold water’ (De aquae frigidae usu), which is unidentifiable, receives particular attention, for previous scholarship has wasted a lot of ink on guessing what kind of work this may have been, thereby losing touch with the rich (meta-)poetics the couplet actually conveys.