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Der Band widmet sich kleinen Formen in der deutschen, polnischen, russischen, slowakischen, tschechischen und ungarischen Dichtung. Er befasst sich mit der Poetik des lyrischen Minimalismus, seinem ästhetischen Reiz und kreativen Potenzial. Dabei nimmt er Mittel- und Osteuropa in den Blick: eine Region, deren Dichter und Dichterinnen allgemein das Unfertige, Unsystematische und Undogmatische als subversive Protestform zu nutzen wussten und wissen.
Grochowiaks Haiku-images
(2021)
Der Artikel diskutiert den Roman „A jak królem, a jak katem będziesz“ (1968, „Und wenn du König und wenn du Henker bist“) von Tadeusz Nowak unter besonderer Berücksichtigung der Frage, wie die – durch die Augenzeugenschaft der Shoah begründeten – Traumata des polnischen Dorfes in Nowaks Text sichtbar werden. Der Roman ist geprägt durch ein ambivalentes, zwischen Wunsch- und Schuldnarrativen pendelndes Erzählen. Der Protagonist verkörpert einen unbequemen Helden, der tief verwurzelt in den volkstümlichen Traditionen seiner bäuerlichen Herkunft ist. Als paternalistischer Beschützer und Rächer seines jüdischen Freundes erlebt er die Zerstörung der dörflichen Idylle. Taumelnd zwischen Rachegedanken und Schuldgefühlen gegenüber seiner Dorfgemeinschaft verfällt Piotr dem Wahnsinn. Ein Weiterleben nach Kriegsende ist für ihn nur durch Amnesie und kathartische Wiederaufnahme in das dörfliche Kollektiv möglich. Die Stärke von Nowaks Roman liegt nicht allein in der Rekonstruktion der polnischen volkstümlichen Kultur. Vielmehr zeigt der Roman den Versuch, die historischen und sozialen Traumata des polnischen Dorfes während der Jahre 1939–1945 – die in der direkten und unmittelbaren Augenzeugenschaft der Shoah begründet liegen – mit dem der ruralen Bevölkerung eigenen Wort-, Legenden- und Erfahrungsschatz wiederzugeben.
There are few data analysing to what specific extent phonomicrosurgery improves vocal function in patients suffering from Reinke's oedema (RE). The recently introduced parameter vocal extent measure (VEM) seems to be suitable to objectively quantify vocal performance. The purpose of this clinical prospective study was to investigate the outcomes of phonomicrosurgery in 60 RE patients (6 male, 54 female; 56 ± 8 years ([mean ± SD]) by analysing its effect on subjective and objective vocal parameters with particular regard to VEM. Treatment efficacy was evaluated at three months after surgery by comparing pre- and postoperative videolaryngostroboscopy (VLS), auditory-perceptual assessment (RBH-status), voice range profile (VRP), acoustic-aerodynamic analysis and patient's self-assessment using the voice handicap index (VHI-9i). Phonomicrosurgically, all RE were carefully ablated. VLS revealed removal or substantial reduction of oedema with restored periodic vocal fold vibration. All subjective and most objective acoustic and aerodynamic parameters significantly improved. The VEM increased on average from 64 ± 37 to 88 ± 25 (p #x003C; 0.001) and the dysphonia severity index (DSI) from 0.5 ± 3.4 to 2.9 ± 1.9. Both parameters correlated significantly with each other (rs = 0.70). RBH-status revealed less roughness, breathiness and overall grade of hoarseness (2.0 ± 0.7 vs 1.3 ± 0.7). The VHI-9i-score decreased from 18 ± 8 to 12 ± 9 points. The average total vocal range enlarged by 4 ± 7 semitones, and the mean speaking pitch rose by 2 ± 4 semitones. These results confirm that: (1) the use of VEM in RE patients objectifies and quantifies their vocal capacity as documented in the VRP, and (2) phonomicrosurgery is an effective, objectively and subjectively satisfactory therapy to improve voice in RE patients.
The Author as Researcher
(2019)
This article proposes a new perspective on avant-garde travel writing through the lens of scientific field work, investigating these new writing techniques in Boris Pil’niak’s expedition prose. In the 1920s, the researching writer represents a hidden, but influential counterpart to the widely propagated figure of the working writer. While the author as producer combines word and deed in an operative act, the author as researcher investigates the production of knowledge. This entails revising the centrality of facts. Literature as artistic research subverts factography by going beyond the horizons of veristic data registration to include uncharted realms and vague possibilities. This exploration leads to specific genres: the author as researcher tries his hand at a kind of laboratory text, a prolific genre at the intersection of testing equipment, recording media, and hypothetical thought. Not confined to a sterile lab, avant-garde writer-researchers, as members of research expeditions, oscillate between their home writing desks and the remote depths of the emerging USSR. At the same time, they explore writing practices situated between data acquisition, sampling, fact-finding, observation and recording.
The author stems from the premise that modern anthroponymy effectively incorporates data from related fields of knowledge, primarily those of cultural and political history, thus getting enlarged through interdisciplinary research. An integrated approach allows one to deduce the extra-linguistic mechanisms which lay behind anthroponymic changes. In the same vein, the present paper focuses on the dynamics within the Russian anthroponymic paradigm caused by the changing vectors of political, ideological, cultural, and religious identity in the historical perspective of the New Time (1700-1920s). The study aims to establish the connection between specific trends in naming and the precedent names, events, and texts of political, cultural, and religious life. The mechanisms of anthroponymic shifts are illustrated by the cases of individual names becoming socially significant in a particular historical context. Using interdisciplinary methods of cultural anthropology, the study builds on textual sources, primarily name indexes to the collections of works by outstanding cultural figures and scholars, and biographical dictionaries. Some examples of pragmatic naming strategies in works of art (literature, opera, cinema) are also provided. Preliminary findings reveal some major trends in the Russian anthroponymic system of the New Age such as Europeization vs. Russification, modernization vs. archaization, as well as their synthesis. These tendencies remain key up to the present day and can be traced and characteristically defined within a set (or corpus) of names relating to the particular epoch, in terms of their frequency and the parameters of the sociolinguistic distribution. The diachronic perspective of the study also supports the sociolinguistic observation that the newly introduced names, which are currently in use, have a pronounced social resonance, which is getting neutralized as their frequency increases. Further development of the topic implies, among other things, statistical verification of preliminary findings.
The border shifts and population exchanges between Central and East European states agreed at the 1945 Potsdam Conference continue to reverberate in the culture and politics of those countries. Focusing on Poland, this article proposes the term “border trouble” to interpret the politicized split in memory that has run through Polish culture since the end of the Second World War. Border trouble is a form of cultural trauma that transcends binaries of perpetrator/victim and oppressor/oppressed; it is also a tool for analyzing the ways in which spatial imagination, memory, and identity interact in visual and literary narratives. A close analysis of four recent feature films demonstrates the emergence of a visual grammar of cosmopolitan memory and identity in relation to borderland spaces. Wojciech Smarzowski’s Róża (“Rose,” 2011) and Agnieszka Holland’s Pokot (“Spoor,” 2017) are both set in territories that were transferred from Germany to Poland in 1945. Wołyń (“Volhynia,” released internationally as “Hatred,” 2016) and W ciemności (“In Darkness,” 2011), also directed by Smarzowski and Holland respectively, are set in regions that were under Polish administration before the war but were transferred to Soviet Ukraine in 1945. All four productions break new ground in the memorialization of the post-war legacy in Poland. They deconstruct hitherto dominant discourses of simultaneity and ethnic homogeneity, engaging in Poland’s wars of symbols as a third voice: anti-nationalist, but also refusing to essentialize cosmopolitan identity. They show the evolution of border trouble in response to contemporary political and cultural developments.
This introduction to the special section on Poland’s wars of symbols analyzes the symbolic contestation that has characterized the country in recent years, studying a range of phenomena including nation, gender, memory, and religious symbolism within the overall framework of political conflict. In doing so, it offers a multidisciplinary view on political fractures that have resonated throughout Europe and the “West.” Overall, the four case studies in this section study ways in which national symbols, topoi, and narratives have been deployed as tools in drawing and redrawing boundaries within society, polarizing and mobilizing the political camps as well as contesting and resisting power. These studies enable us to situate recent political events in a historical perspective, mapping the rise of populism in Poland against the background of legacies specific to the East-Central European region.
Die Publikation zu Sprachwandelprozessen im Russischen und Ukrainischen beschreibt eine ausschlaggebende Phase der neueren Sprachgeschichte Russlands und der Ukraine (1985–2008). Im Fokus steht die Anglisierung als eine der Haupttendenzen der aktuellen sprachlichen Destandardisierung europäischer Sprachen. Die Autorin zeigt am Beispiel der Anglisierung in der Werbesprache die Destandardisierung des Russischen und Ukrainischen nach 1985 auf. Diese korpusbasierte Untersuchung umfasst sowohl die quantitative (statistische) als auch die qualitative (systemlinguistische) Analyse des werbesprachlichen Korpus. Die quantitative chronologische Analyse belegt die deutlich stärkere Dynamik der Anglisierung im Ukrainischen nach 1998. Die qualitative Analyse illustriert die unterschiedlichen bzw. gemeinsamen innerlinguistischen Prozesse in beiden Sprachen, insbesondere Anglizismen-Integration und Standardisierungswege.
This contribution is organized as follows: in section 1, I propose a formulation of the Mirror Principle (MP) based on syntactic features; the examples will be taken from Causatives and Anti-Causatives that are derived by affixes (in Russian, Czech, Polish, German, English as compared to Japanese and Chichewa) by head-to-head movement. In section 2, I review some basic facts in support of a syntactic approach to Merge of Causatives and Anti-Causatives, proposing that theta roles are also syntactic Features that merge functional affixes with their stems in a well-defined way. I first try to give some external evidence in showing that Causatives and Anti-Causatives obey a principle of thematic hierarchy early postulated in generative literature by Jackendoff (1972; 43), and later reformulated in terms of argument-structure-ordering principle by Grimshaw (1990:chapter 2). Crucial for my paper is the working hypothesis that every syntactic theory which tries to capture the data not only descriptively but also explanatively should descend from three levels of syntactic representation: a-structure where the relation between predicate and its arguments (and adjuncts) takes place, thematic structure where the theta-roles are assigned to their arguments, and event structure, which decides about the aspectual distribution and division of events.
How can I lie if I am telling the truth? The unbearable lightness of being of strong and weak modals, modal adverbs and modal particles in discourse between epistemic modality and evidentiality Peter Kosta The major part of my contribution will concentrate on the close relation between epistemic modality and evidentiality and the notions of truth value, indirect speech acts and conversational implicature (cf. Kosta 2005; Kosta 2011b). It is well attested in the literature that the epistemic modal adverb Russian o;evidno, Czech o;ividn;, German offensichtlich, Italian ovviamente can have different interpretation depending on the conversation situation, truth values and scope relations (cf. Kosta 2011a; von Fintel and Gillies 2010; Kratzer 2010). Even a bona fide "epistemicö modal can have two interpretations: a 'strong' interpretation, which - at least with necessity modals - commits the speaker to the truth of the proposition the modal scopes over (von Fintel and Gillies 2010), and a 'weak' interpretation, which is relativized to the content of some source of information that may or may not be faithful to reality. In order to be able to decide whether epistemic particles and modals are strong or weak we have to differentiate between different sources of conversational backgrounds. Following the findings in the research of notional category of modals in Kratzer (2010), the proposed analysis of modals allows for one modal parameter to be fixed by the context of use. It implies that that parameter is responsible for the variety of interpretations modals can receive. Keywords: epistemic modality, evidentiality, strong and weak modals, conversational background In: Thielemann, Nadine and Peter Kosta (eds.), Approaches to Slavic Interaction . 2013. xi, 318 pp. (pp. 167-184)
Eliminating empty categories : a radically minimalist view on their ontology and justification
(2013)
This collaborative book has a twofold purpose. On the one hand, the authors present a new framework - Radical Minimalism. The development of such a framework, with a strong basis on mathematics and physics, was born out of the conviction that, if language is really a natural object, there is no a priori reason to study it in isolation from other natural systems. On the other hand, this work represents a significant simplification of the theory of displacement and so-called «empty categories» within the latest development of Chomsky's Strong Minimalist Hypothesis, applying Occam's razor and fulfilling Lakatos' requirements for scientific evolution. Radical Minimalism thus accounts not only for the phenomena orthodox minimalism has explanations for, but also for empirical problems that have not yet been taken into consideration.