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The conception of property at the basis of Hegel’s conception of abstract right seems committed to a problematic form of “possessive individualism.” It seems to conceive of right as the expression of human mastery over nature and as based upon an irreducible opposition of person and nature, rightful will, and rightless thing. However, this chapter argues that Hegel starts with a form of possessive individualism only to show that it undermines itself. This is evident in the way Hegel unfolds the nature of property as it applies to external things as well as in the way he explains our self-ownership of our own bodies and lives. Hegel develops the idea of property to a point where it reaches a critical limit and encounters the “true right” that life possesses against the “formal” and “abstract right” of property. Ultimately, Hegel’s account suggests that nature should precisely not be treated as a rightless object at our arbitrary disposal but acknowledged as the inorganic body of right.
In his 1844 Economic and Philosophic Manuscripts, Marx famously claims that the human being is or has a ‘Gattungswesen.’ This is often understood to mean that the human being is a ‘species-being’ and is determined by a given ‘species-essence.’ In this chapter, I argue that this reading is mistaken. What Marx calls Gattungswesen is precisely not a ‘species-being,’ but a being that, in a very specific sense, transcends the limits of its own given species. This different understanding of the genus- character of the human being opens up a new perspective on the naturalism of the early Marx. He is not informed by a problematic speciesist and essentialist naturalism, as is often assumed, but by a different form of naturalism which I propose to call ‘dialectical naturalism.’ The chapter starts (I) by developing Hegel’s account of genus which provides us with a useful background for (II) understanding Marx’s original notion of a genus-being and its practical, social, developmental character. In the last section, I show that (III) the actualization of our genus-being thus depends on the production of a specific type of ‘second nature’ that is at the heart of Marx’s dialectical naturalism.
Die "europäischen Wilden"
(2023)
The art of second nature
(2022)
Der Kunst wird seit langem nachgesagt, dem Subjekt ein anderes Verhältnis zur Natur zu eröffnen, als dies die gewöhnliche theoretische oder praktische Erkenntnis ermöglicht. Statt die Natur zum distanzierten Objekt unserer Betrachtung zu machen oder zum bloßen Material und Mittel unserer praktischen Konstruktionen, erschließt sich uns in der Kunst eine Intelligibilität der Natur, die weiter reicht als unsere Begriffe, und eine Natürlichkeit unserer selbst, die uns mit dem verbindet, was uns sonst bloß gegenübersteht. Vor diesem Hintergrund scheint es nicht verwunderlich, dass die jüngeren Diskussionen um das problematische Verhältnis zur Natur, die das Anthropozän geprägt haben, immer wieder den Blick auf die Kunst richten und ihr Vermögen hervorheben, den problematischen modernen Gegensatz von Subjekt und Objekt, Geist und Natur zu überwinden, der uns in diese missliche Lage gebracht hat. Wenn die Kunst hier aber weiterführen soll, dann muss sie über die klassischen ästhetischen Paradigmen des Schönen und des Erhabenen hinausführen. Das Schöne träumt von einer Passung von Subjekt und Natur, die im Anthropozän gerade in Frage steht, und das Erhabene verwendet die Übermacht der Natur als Vehikel, um eine Macht im intelligiblen Subjekt zu markieren, die von der natürlichen Übermacht unberührt bleibt. Diese klassischen Figuren ästhetischer Erfahrung verstellen so, wie tiefgreifend wir das Naturverhältnis neu bestimmen müssen, um auf das Anthropozän zu antworten.
Ausgehend von Überlegungen des anthropologisch orientierten Psychiaters Erwin Straus geht dieses Buch der Frage nach, welche Bedingungen vorliegen, wenn bestimmte Ereignisse von Personen als bedeutsam erlebt werden. Des Weiteren wird ausführlich erörtert, wie sich Personalität im Menschen ausbildet und inwieweit sie von der gelingenden Integration bedeutungsvoller Ersterlebnisse abhängt. Das dabei zugrundeliegende Person-Konzept stellt einen eigenständigen Syntheseversuch der vier Konzepte von Erwin Straus, Viktor Emil von Gebsattel, Helmuth Plessner und Max Scheler dar. Der Autor arbeitet in oberärztlicher Funktion am Klinikum Schloss Lütgenhof in Dassow, einer Akutklinik für Personale Medizin, integrierte Psychosomatik, Innere Medizin und Psychotherapie
I argue that Hegel’s Logic traces an emergent-purposive, logical method that entails two key identities in reason. These identities are (1) between a logic of freedom and necessity, and (2) between the possibilities of a priori and a posteriori reasoning in a purposive method. The purposive method of the Logic is the basis for these identities and, in Hegel’s view, facilitates the transition from Kant’s transcendental idealism to absolute idealism. I suggest that this method is Hegel’s attempt to rework a critique of philosophy according to Kant’s insight about the principle grounding the formal purposiveness of the faculties, what Hegel calls, “one of Kant’s greatest services to philosophy.”
Introduction
(2021)
Kant wrote in the Critique of Pure Reason, “For the law of reason to seek unity is necessary, since without it we would have no reason, and without that, no coherent use of the understanding, and, lacking that, no sufficient mark of empirical truth.” This unity of reason, taken as a holistic condition, was central to the convictions of the idealists. To them, Kant layed bare the right path forward, but also fundamental failings in his execution of a critique of reason which needed to be overcome in order for reason to secure its own, internal end. In this chapter, I discuss key themes in the positive inheritance of Kant’s thought in classical German philosophy and offer an overview of the arguments and significances of each contribution to this volume. The aim is not to minimize important differences between Kant and post-Kantian Idealists, but rather to emphasize core retentions of Kant’s thought.
Scholarship on German Idealism typically couches the systems of Idealism in terms of a rejection of or departure from Kant's critical philosophy. The few accounts that do look to the positive influence of Kant on the Idealists typically focus on the perceived need among the Idealists to revise Kant's system due to various shortcomings arising from his dualism. This volume seeks to reverse this norm. It does this by bringing together an original set of critical reflections on the ways in which the German Idealists maintain specific and fundamental Kantian qualities in their own systems. At the same time, the aim of this volume is not a reduction of German Idealism to Kant's thought. Instead, this volume highlights a set of core ways in which the German Idealists retain specific, fundamentally Kantian principles and qualities. To that extent, this volume paves the way for new interpretations by laying the ground for identifying those significant components of German Idealism that can defensibly be called "Kantian.
The mirror stage is one of Jacques Lacan's most well-received metapsychological models in the English-speaking world. In its many renditions Lacan elucidates the different forms of identification that lead to the construction of the Freudian ego. This article utilizes Lacan's mirror stage to provide a novel perspective on autistic embodiment. It develops an integrative model that accounts for the progression of four distinct forms of autistic identification in the mirror stage; these forms provide the basis for the development of four different clinical trajectories in the treatment of autism. This model is posed as an alternative to the clinical and diagnostic framework associated with the autistic spectrum disorder.
Hegel's many remarks that seem to imply that philosophy should proceed completely a priori pose a problem for his philosophy of nature since, on this reading, Hegel offers an a priori derivation of empirical results of natural sciences. We show how this perception can be mitigated by interpreting Hegel's remarks as broadly in line with the pre-Kantian rationalist notion of a priori and offer reasons for doing so. We show that, rather than being a peculiarity of Hegel's philosophy, the practice of demonstrating a priori the results of empirical sciences was widespread in the pre-Kantian rationalist tradition. We argue that this practice was intelligible in light of the notion of a priori that was still quite prominent during Hegel's life. This notion of a priori differs from Kant's in that, while the latter's notion concerns propositions, the former concerned only their demonstration. According to it, the same proposition could be demonstrated both a posteriori and a priori. Post-Kantian idealists likewise developed projects of demonstrating specific scientific contents a priori. We then make our discussion more concrete by examining a particular case of an a priori derivation of a natural law, namely the law of fall, by both Leibniz and Hegel.
On the classical understanding, an agent is fully excused for an action if and only if performing this action was a case of faultless wrongdoing. A major motivation for this view is the apparent existence of paradigmatic types of excusing considerations, affecting fault but not wrongness. I show that three such considerations, ignorance, duress and compulsion, can be shown to have direct bearing on the permissibility of actions. The appeal to distinctly identifiable excusing considerations thus does not stand up to closer scrutiny, undermining the classical view and giving us reason to seek alternative ways of drawing the justification/excuse distinction.
Aging in speech production is a multidimensional process. Biological, cognitive, social, and communicative factors can change over time, stay relatively stable, or may even compensate for each other. In this longitudinal work, we focus on stability and change at the laryngeal and supralaryngeal levels in the discourse particle euh produced by 10 older French-speaking females at two times, 10 years apart. Recognizing the multiple discourse roles of euh, we divided out occurrences according to utterance position. We quantified the frequency of euh, and evaluated acoustic changes in formants, fundamental frequency, and voice quality across time and utterance position. Results showed that euh frequency was stable with age. The only acoustic measure that revealed an age effect was harmonics-to-noise ratio, showing less noise at older ages. Other measures mostly varied with utterance position, sometimes in interaction with age. Some voice quality changes could reflect laryngeal adjustments that provide for airflow conservation utterance-finally. The data suggest that aging effects may be evident in some prosodic positions (e.g., utterance-final position), but not others (utterance-initial position). Thus, it is essential to consider the interactions among these factors in future work and not assume that vocal aging is evident throughout the signal.
Arthur Schopenhauer (1788–1860) was perhaps the last polymath among the great Germanic philosophers. Switching with ease and elegance between epistemic positions and fields as diverse as idealism and empiricism, fideism and rationalism, realism and nominalism, art and religion, jurisprudence and politics, psychology and occultism, Schopenhauer erected an imposing edifice bearing testimony to his universal learning. This study is an investigation into the very conclusion of Schopenhauer’s philosophy and endeavours to answer the following question: did Schopenhauer’s doctrine of salvation issue forth organically from his intellectual output or was it annexed to his philosophy as a result of his critical engagement with religion? The labyrinthine paths through which Schopenhauer arrives at the soteriological culmination of his philosophy are subjected to critical assessment; the picture that emerges is of a philosopher who seemed convinced that he had solved some of the most pressing cosmic riddles to have tormented mankind through the ages.