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Schülerinnen und Schüler verfügen über verschiedene Detailkenntnisse zur Technik und zu Technologien im Haushalt und im Freizeitbereich. Deshalb liegt es nahe, Technik am Beispiel der Haushaltstechnik zu analysieren und ein Verständnis für technische Systeme zu entwickeln (Orig.). Der Beitrag beinhaltet die didaktischen Grundlagen (Organstrukturmodell und 9-Felder-Matrix) für eine Unterrichtsgestaltung, die mit Hilfe des im Einhefter von Unterricht - Arbeit + Technik vorhandenen Unterrichtsmaterials vorgenommen werden kann. Die Materialien sollen die Schülerinnen und Schüler dazu befähigen, technische Sachsysteme mittels des Organstrukturmodells in ihren Aufbau- und Funktionsbeziehungen zu beschreiben und sie zu klassifizieren (Arbeitsgegenstände / technologische Grundvorgänge). Des weiteren können Stoff-, Energie- und Informationsflüsse anhand technischer Sachsysteme beschrieben werden (nach Orig.).
Der "Alt-Anschliesser-Fall"
(2018)
Gesundheitsbildung
(2019)
Lotte Eisner
(2020)
Lotte Eisner (1896–1983) is without doubt one of the most important early film critics and pioneers of film history. In the history of Classical Studies, however, she plays no role. She is not even mentioned in the relevant scholarly books or articles, although she received a doctorate degree in Classical Archaeology. But it is worth taking a closer look at this relatively short phase of her life. The following lines are to be understood as a sketch of her specific ‘archaeological’ view of German Expressionist silent films. Lotte Eisner herself comments on this in her autobiography.
Vorwort: tessellae
(2020)
Roms Metamorphosen im Exil
(2020)
In this article, we want to elucidate and contrast the exilic fates rendered in Ovid’s exilic elegies and in Lucan’s Bellum Civile. While Ovid’s persona undergoes a slow development towards acceptance of the exilic condition by ‘refounding’ a second Rome in Tomi, Lucan’s Pompey gradually severs himself from Rome, culminating in him dying far from home apparently without regrets. Both characters try to transfer the concept of Rome to new entities. However, they are not able to escape Rome’s grasp: Pompey is killed by a Roman mercenary in Egypt, Naso’s Roma secunda is in the end only a reproduction of the exul’s irrevocably Roman fate.
This article analyses the eroticized power dynamics that Ovid stages in the Metamorphoses. It argues that 1) erotic desire functions in Ovid as a synonym of the desire for power; 2) that the transformations of gods can be read as a metaphor of the powerful subjecting the powerless to their will; 3) that metamorphosed humans can be regarded as notional monuments to divine power; and 4) that, by parading the self-evident fictionality of his transformation tales (including, most notably, the story of Julius Caesar’s apotheosis in Book 15), Ovid allows his readers, at least for the duration of the reading process, to experience a modicum of freedom.
Taking its cue from the portrayal of Hercules as muscleman in both films and ancient sculpture this article turns to poetry as a verbal art and examines when and how the hero's body comes into focus in Roman epic and elegy. It is argued that moments of crisis contrasting Hercules’ state in a given situation to his former heroic achievements give rise to representations of his body, while epic fight scenes rather draw attention to the bodies of his inferior opponents. The body is described through references to different body parts, qualified by attributes as masculine in elegiac contexts. A somewhat exotic word as tori suffices to highlight the hero’s muscular body.
Etymologie und Erotik
(2020)
This article analyses, as an example of the advertising of cosmetic products, a campaign launched by the US-American company “Johnson Soap” for their product, the facial soap “Palmolive”. Examining its ads of 1911 in which certain ancient exempla are employed, it becomes clear that the Palmyrene queen Zenobia and with her the semi-historical Semiramis and the more mythical Dido are aligned to the “1001 Nights” character Scheherazade. Since they are jointly labelled as “historically famous oriental queens” and because of the reference to Zenobia’s white skin, they fall into the fantasy of fair-skinned harem women and evoke thoughts of all the pleasures and comforts of the luxurious Orient. To the modern female customer of 1900 (well steeped in the knowledge of those ancient characters) Zenobia and the other exempla should serve as celebrities worth emulating. Above all they are deemed to be beautiful, and experts in cosmetics which would guarantee the effect of the product they are standing for. A finding that proves to be valid even in an advertising concept of today for the Syrian-German “Zhenobya-soap”.
Epistula 46 is an invitation, written under the name of Paula and Eustochium, for Marcella to go to Bethlehem, by all means with the aim to stimulate positive interest in the Holy Land for a wider public and to inspire the urge to travel and sojourn. The narrative defines pilgrimage not only through biblical references but also familiarizes it through references to ancient pagan practices and pagan literature and makes it compatible with the lifestyle of Rome’s urban elites. While biblical references predominantly propagate Palestine’s spiritual appeal as a site of centuries-long salvation events, references to the classics – often combined with the expression or the stimulation of emotions – put the region’s social and intellectual appeal to the fore. The use of pagan literature, in which the traditions of educational travel of a cosmopolitan elite, the social utopia of aristocratic recessus, and not least the pleasure of otium aestheticised through literature are prefigurated, shapes Palestine in particular fashion as a place of longing. Especially the appeal of Bethlehem thus only forms through the combination of spiritual-intellectual visio and emotionally attractive social utopia, through conjunction of spelunca Christi and bucolic idyll.