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- Historisches Institut (1360) (remove)
This article analyses the eroticized power dynamics that Ovid stages in the Metamorphoses. It argues that 1) erotic desire functions in Ovid as a synonym of the desire for power; 2) that the transformations of gods can be read as a metaphor of the powerful subjecting the powerless to their will; 3) that metamorphosed humans can be regarded as notional monuments to divine power; and 4) that, by parading the self-evident fictionality of his transformation tales (including, most notably, the story of Julius Caesar’s apotheosis in Book 15), Ovid allows his readers, at least for the duration of the reading process, to experience a modicum of freedom.
Etymologie und Erotik
(2020)
Taking its cue from the portrayal of Hercules as muscleman in both films and ancient sculpture this article turns to poetry as a verbal art and examines when and how the hero's body comes into focus in Roman epic and elegy. It is argued that moments of crisis contrasting Hercules’ state in a given situation to his former heroic achievements give rise to representations of his body, while epic fight scenes rather draw attention to the bodies of his inferior opponents. The body is described through references to different body parts, qualified by attributes as masculine in elegiac contexts. A somewhat exotic word as tori suffices to highlight the hero’s muscular body.
Theocritus’ id. 4 has been considered by some scholars as an example of rural mime; the fact that the poem, a unique case in the Corpus Theocriteum, does not contain any pastoral song or contest contributes to the impression of ‘realism’. This lack could be an obstacle for the poetological approach to the bucolic genre in antiquity, which considers metapoetry as its main feature. Our reading of the idyll shows that this limitation is only apparent.
Vorwort: tessellae
(2020)
A particularly dark chapter in the history of European-Jewish relations during the "Third Reich" involves the cooperation of individual Jewish Community leaders and functionaries with Nazi authorities, in particular the cooperation between a few single Jewish Community leaders and the Gestapo. This "cooperation" was partially born of the overall coercion, but in some cases was also marked by denunciation and betrayal. In order to avoid being deported themselves and to save their own skins, there were isolated cases of Jewish men and women who agreed to track down other Jews and hand them over to the authorities, knowing full well what they were doing.
Come si crea l'antisemitismo
(2020)
Zwischen den Weltkriegen
(2020)
Gipfeltreffen am Grab
(2018)