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Institute
Ästhetik
(2013)
Weimarer Klassik
(2011)
Verschriftlichungsstrategien
(2022)
Theorie des (Un-)Praktischen
(2022)
In 1735, the Leipzig professor of medicine Samuel Theodor Quellmaltz (1696–1758) designed and built an artificial horse. He presented it in an illustrated construction manual, which included precise information about the materials and dimensions of this wooden horse for therapeutic use. This contribution analyses Quellmaltz’s invention of the ‘machine horse’ as a medical and technological contribution to prevalent theories about the paradigmatic role of the machine in Enlightenment thought.
Sprachgesellschaft
(2010)
Signals from the past forms and functions of the traditional behavior in Thomas Kling's essay
(2011)
Sapere aude!
(2022)
Sapere aude!
(2022)
Reed, T. J., Mehr Licht in Deutschland. Eine kleine Geschichte der Aufklärung; München, Beck, 2009
(2011)
Poetik
(2009)
Panegyrik und Post-Patronage
(2022)
Palme
(2008)
Neuer Wein in alten Schläuchen : ein Verbrechen am Sammelband aus Passion für das Kriminalgenre
(2004)
Moraldidaktische Erotik : spätmittelalterliche Pilgerzeichen als Modelle barocker Liebesembleme
(2009)
Mauer
(2008)
Licentia poetica
(2008)
Hippotheologie
(2019)
This contribution analyses the textual strategies in Danup’s literary dialogue, which is enriched in many ways with literary topoi and rhetorical devices. It is, in fact, a specialised text on the art of horsemanship, which proves to be surprisingly innovative in this regard. However, it is not only relevant to the hippological, but also to the political culture of the early modern period. For the author updates a literary genre pattern, takes up literary traditions and uses aesthetic means for successful self-promotion as an expert.
Goethe und das Forstwesen : amtliche Tätigkeit, persönliche Erlebnisse und künstlerische Reflexe
(2005)
Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of 'art'. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.
Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of ‘art’. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.
Gernig, K. (Hrsg.); Nacktheit. Ästhetische Inszenierungen im Kulturvergleich; Köln, Böhlau, 2002
(2003)
Gelegenheitsdichtung
(2006)
Dass Universitäten über Jahrhunderte hinweg Gegenstand von Literatur waren, verwundert kaum. Gehen doch Lesen und Bildung Hand in Hand. Und doch verzeichnen Literaturwissenschaftler für die Jahre zwischen 1690 und 1720 ungewöhnlich viele Romane, die sich der Beschreibung des zeitgenössischen Studentenlebens oder der Gelehrtensatire widmen. In ihrer Antrittsvorlesung am 23. Juni geht Prof. Dr. Stefanie Stockhorst der Frage nach, warum die Universität für den Roman um 1700 zu einem so wichtigen Thema wurde. Dabei entwickelt sie die These, dass sich in den viel gelesen Texten der Zeit wie dem "Academischen Roman" (1690) von Werner Happel bereits jener Bildungsoptimismus Bahn bricht, der, an der Schwelle zur Aufklärung stehend, mehr und mehr an Bedeutung gewinnt.
Einleitung
(2015)
Editorial Introduction
(2022)