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Биографические мотивы условно можно разделить на два вида:
1. Отдельные небольшие эпизоды или впечатления, запомнившие-
ся Тарковскому, которые заняли свое точное место в его сценариях и
фильмах. Режиссер А. Гордон условно назвал этот прием Тарковского
«теорией пазлов». Такие элементы встречаются почти во всех фильмах
Андрея Тарковского.
2. Расширенное включение в фильмы автобиографии, естественно, не
во всей полноте. К таким фильмам относятся Зеркало (1974) и Offret
(«Жертвоприношение» – 1986).
Солярис как процесс
(2016)
Тексты Литература
О новых истоках кино
(2016)
Идеальный шашлык
(2014)
Блуждающие цитаты
(2016)
Erneuertes Gestern?
(2016)
Aktuelle Veränderungsprozesse in der russischen Sprache der Gegenwart (das Auftreten einer schier unübersehbaren Menge neuer Wörter, die aus anderen Sprachen ins Russische übernommen wurden, aber auch andere Formen wie z.B. die Neubildungen auf der Grundlage bereits vorhandenen russischen Wortschatzes, das Zurückfallen von bisher gebräuchlichen Wörtern in den nur noch passiven Gebrauch, die "Reanimierung" anderer Teile des Lexikbestandes, die bis vor kurzem als altmodisch und ungebräuchlich galten) werden unter didaktischen Aspekten betrachtet und demonstriert. Im Mittelpunkt stehen verschiedene Varianten des unterrichtlichen Umgangs mit solchen aktuellen sprachlichen Phänomenen - so das Ausgehen von literarischen Texten oder Empfehlungen für die Bereitstellung eines "lexikologischen Grundwissens".
Im Mittelpunkt des Beitrages stehen Veränderungen im russischen Wortschatz der Gegenwart unter fachdidaktischen Aspekten. Anhand ausgewählter Lexeme, Wortfamilien und Texte werden aktuelle Wortschatzentwicklungen exemplifiziert. Davon ausgehend werden Anregungen für den Umgang mit aktuellen sprachlichen Phänomenen im Russischunterricht an Gymnasien gegeben.
Erfahrungsbericht
(1996)
Introduction
(2021)
The author stems from the premise that modern anthroponymy effectively incorporates data from related fields of knowledge, primarily those of cultural and political history, thus getting enlarged through interdisciplinary research. An integrated approach allows one to deduce the extra-linguistic mechanisms which lay behind anthroponymic changes. In the same vein, the present paper focuses on the dynamics within the Russian anthroponymic paradigm caused by the changing vectors of political, ideological, cultural, and religious identity in the historical perspective of the New Time (1700-1920s). The study aims to establish the connection between specific trends in naming and the precedent names, events, and texts of political, cultural, and religious life. The mechanisms of anthroponymic shifts are illustrated by the cases of individual names becoming socially significant in a particular historical context. Using interdisciplinary methods of cultural anthropology, the study builds on textual sources, primarily name indexes to the collections of works by outstanding cultural figures and scholars, and biographical dictionaries. Some examples of pragmatic naming strategies in works of art (literature, opera, cinema) are also provided. Preliminary findings reveal some major trends in the Russian anthroponymic system of the New Age such as Europeization vs. Russification, modernization vs. archaization, as well as their synthesis. These tendencies remain key up to the present day and can be traced and characteristically defined within a set (or corpus) of names relating to the particular epoch, in terms of their frequency and the parameters of the sociolinguistic distribution. The diachronic perspective of the study also supports the sociolinguistic observation that the newly introduced names, which are currently in use, have a pronounced social resonance, which is getting neutralized as their frequency increases. Further development of the topic implies, among other things, statistical verification of preliminary findings.
Gewaltfiguren
(2013)
Bosnien als ‚Barzakh‘
(2011)
Zum Dualparadigma des Substantivs im niedersorbischen Neuen Testament des Miklawus Jakubica (1548)
(1999)
The article critically discusses the use of literary dialogue for the linguistic analysis of interaction. The linguistic characteristics of literary dialogue itself as well as the specific communication situation in which literary dialogue is positioned as an interactionally designed text of an author created for an overhearing audience should be taken into consideration when approaching fictional dialogue as linguistic and interactional data. It is argued that these features of literary respectively fictional dialogue should influence and restrict the kind of questions and linguistic approaches to such data. When formulating a research question the artificial character of literary dialogue should be considered because speech and interaction in drama is the creation of an author. Speech and interaction styles in drama, for example, are primarily an important resource for authors to characterize their characters, what is illustrated by a sample analysis of some features within the communicative behaviour of three characters from Gabriela Zapolska's drama Moralnosc pani Dulskiej.
Augenprosa
(2013)
The Author as Researcher
(2019)
This article proposes a new perspective on avant-garde travel writing through the lens of scientific field work, investigating these new writing techniques in Boris Pil’niak’s expedition prose. In the 1920s, the researching writer represents a hidden, but influential counterpart to the widely propagated figure of the working writer. While the author as producer combines word and deed in an operative act, the author as researcher investigates the production of knowledge. This entails revising the centrality of facts. Literature as artistic research subverts factography by going beyond the horizons of veristic data registration to include uncharted realms and vague possibilities. This exploration leads to specific genres: the author as researcher tries his hand at a kind of laboratory text, a prolific genre at the intersection of testing equipment, recording media, and hypothetical thought. Not confined to a sterile lab, avant-garde writer-researchers, as members of research expeditions, oscillate between their home writing desks and the remote depths of the emerging USSR. At the same time, they explore writing practices situated between data acquisition, sampling, fact-finding, observation and recording.
Strikt geregelt und bemessen
(2013)
Vorwort
(2011)
Kulturtransfer im Kochtopf
(2014)
Experimentierfeld Krimi
(2019)
I am complicated
(2016)
Efficiency is central to understanding the communicative and cognitive underpinnings of language. However, efficiency management is a complex mechanism in which different efficiency effects-such as articulatory, processing and planning ease, mental accessibility, and informativity, online and offline efficiency effects-conspire to yield the coding of linguistic signs. While we do not yet exactly understand the interactional mechanism of these different effects, we argue that universal attractors are an important component of any dynamic theory of efficiency that would be aimed at predicting efficiency effects across languages. Attractors are defined as universal states around which language evolution revolves. Methodologically, we approach efficiency from a cross-linguistic perspective on the basis of a world-wide sample of 383 languages from 53 families, balancing all six macro-areas (Eurasia, North and South America, Australia, Africa, and Oceania). We explore the grammatical domain of verbal person-number subject indexes. We claim that there is an attractor state in this domain to which languages tend to develop and tend not to leave if they happen to comply with the attractor in their earlier stages of evolution. The attractor is characterized by different lengths for each person and number combination, structured along Zipf's predictions. Moreover, the attractor strongly prefers non-compositional, cumulative coding of person and number. On the basis of these and other properties of the attractor, we conclude that there are two domains in which efficiency pressures are most powerful: strive towards less processing and articulatory effort. The latter, however, is overridden by constant information flow. Strive towards lower lexicon complexity and memory costs are weaker efficiency pressures for this grammatical category due to its order of frequency.
Blick nach Osten : Wohl oder Wehe? ; V. S. Solov'evs Auseinandersetzung mit E. P. Blavatskaja
(1995)
Lebensbilder
(1994)
Schicksal
(1994)
Der Wolf
(1993)
Ausgehend von den Besonderheiten des Anfangsunterrichts im Fach Russisch für ältere Schülerinnen und Schüler werden Möglichkeiten einer verstärkt kognitiven didaktischen Orientierung sowie des frühzeitigen Umgangs mit kurzen Originaltexten erörtert. Dabei wird auf Fragen der Sprachbewußtheit besonderes Gewicht gelegt. In Teil 2 liegt das Schwergewicht auf vielfältigen Funktionen und Formen der elementaren Textarbeit.
Anhand eines umfangreichen Textkorpus wurde die Verwendung von Personenbenennungen im Tschechischen untersucht. Dabei ging es ausschließlich um die Kennzeichnung, Identifizierung und Charakterisierung von Frauen. Es stellte sich heraus, dass zu diesem Zwecke sowohl Movierungen als auch nicht movierte Benennungen (Maskulina, geschlechtsneutrale Bezeichnungen, Abstrakta u.ä.) verwendet werden. Die "Sichtbarkeit" von Frauen in tschechischen Texten ist stark vom Referenztyp, vom Kontext und der kommunikativen Absicht abhängig. Im Artikel wird auch auf Parallelen und Unterschiede zum Deutschen eingegangen.
1. Essen und Trinken in der tschechischen Prosa seit 1989 – Tendenzbefunde 2. Jiří Kratochvil: Essen und Erinnerung 3.1 Jáchym Topol: Essen als Spiegel von Umbruch, Gefährdungen und Verwerfungen (Sestra) 3.2 Essen aus der Drogenküche (Anděl) 4.1 Jaroslav Rudiš: Essen und Trinken zwischen Verzicht und Genuss (Grandhotel) 4.2 Jaroslav Rudiš: Essen und Trinken mit und ohne Lebensplan (Potichu) 5. Essen und Trinken funktionalisiert: Textspuren zu Geschichte und Gegenwart, individuellem und kollektiven Schicksal, zu Lebenshaltungen, -entwürfen und -versuchen
Blutig-mystische Morde
(2013)
Der Sammelband "Torso a tajemství Máchova díla" als Dokument des Prager Linguisitischen Kreises
(2000)
The list of Polish, Czech, and Russian Nobel laureates for literature, Slavic painters, composers, and directors, the achievements in philosophy, logic, rhetoric, theology, modern linguistics, aesthetics, and literature theory is long. Names such as Comenius, Bolzano, Dvorak, Kandinskii, Wajda, Stanislavskii, Rimskii-Korsakov, Szymborska, Mrozek, Capek, and Havel are known around the world. But who in Germany can truly appreciate their contributions to European culture? Given the centuries of close interaction between German and Slavic cultures in art, literature, business and commerce, political thought, and religion, it is time German institutes of higher learning also overcome the disastrous division of Europe that followed the Second World War. Slavic cultures constitute a part of European culture and learning that is just as important as Western culture. They can no longer be marginalised
Research has characterized Nadezhda Teffi as the female Chekhov.1 However, connections can also be found between her work and that of Ivan S. Turgenev. In particular the one-act plays (Conversation on a Highroad; 1851) and (The Woman Question; 1907) are suitable for comparison. Not only does my comparison consider the gender conflict between man and woman, but also a dialectic method which Teffi may have discovered in Turgenev's work and elaborated further. The dialectical considerations are connected with different comic approaches: the psychological comedy of the realist Turgenev in the middle of the 19th century and the mechanical comedy of the utopian Teffi at the start of the 20th century. Its mechanical comicality shows that relates to an international debate, in which Paul Julius Mobius' essay 'Uber den physiologischen Schwachsinn des Weibes' ('On the Physiological Idiocy of the Female'; 1900) may well have played an unfavourable role.