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The empire in 1871 - 1914
(2006)
The roots of evil : the foundation years of anti-semitism : from the time of Bismarck to Hitler
(2004)
The dispute between social versus religious interpretations of anti-Semitism pervaded the whole history of scholarly research. Whereas socio-historical interpretations had underlined the social aspects, current studies on anti-Semitism focus on religious motifs. The thesis that anti-Semitism was a result of a religious conflict, however, is far more alleged than substantially proved by the sources. So it seems necessary to go back to the sources. Therefore this paper analyzes the language of the Venetian Catholic newspaper Il Veneto Cattolico/La Difesa from the foundation of the newspaper in 1867 up to the First World War. Just a few years before the term anti-Semitism was coined, Catholic journalists of Venice had created the new semantic of secular anti-Semitism. They turned back to religious issues when they tried to systematize their anti-Jewish sentiments. Thus one can observe in the coverage of the Venetian Catholic journals the invention of an anti-Semitic tradition.
Review of Ross Clare: Ancient Greece and Rome in Videogames. Representation, Play, Transmedia
(2023)
This article proposes several conceptual frameworks for examining the widespread use of classical intertexts depicting the supernatural in popular media. Whether the supernatural is viewed as reality or simply a trope, it represents the human capacity and desire to explore worlds and meanings beyond the obvious and mundane. Representations of classical gods, heroes, and monsters evoke the power of mythic stories to probe and explain human psychology, social concerns, philosophical questions, and religious beliefs, including belief about the paranormal and supernatural. The entertainment value of popular media allows creators and audiences to engage with larger issues in non-dogmatic and playful ways that help them negotiate tensions among various beliefs and identities. This paper also gives an overview of the other articles in this journal issue, showing overlapping themes and patterns that connect with these tensions. By combining knowledge of classical myths in their original contexts with knowledge about contemporary culture, classical scholars contribute unique perspectives about why classical intertexts dominate in popular media today.
Madness and Sense
(2015)
G. B. Smith’s “Elzevir Cicero” and the Construction of Queer Immortality in Tolkien’s Mythopoeia
(2022)
Following the death of J. R. R. Tolkien in 1973, an obituary appeared in The Times quoting Tolkien as having said that his “love for the classics took ten years to recover from lectures on Cicero and Demosthenes.” This contentious relationship between Tolkien and the Greco-Roman past contrasts with the work of unabashedly classicizing poet Geoffrey Bache Smith, a school friend of Tolkien’s who was killed in the Great War. When Tolkien collected Smith’s poems for posthumous publication, this paper shows, Smith’s engagements with the ancient world became part of Tolkien’s own philosophy of immortality through literary composition. Within his 1931 poem “Mythopoeia,” and his 1939 speech “On Fairy-Stories,” Tolkien articulated a unified method of mythmaking by looking back to his lost friend’s understanding of mythology as a type of ancient story-craft that enabled poets to preserve the dead against the ravages of time. By tracing a triangular path through the relationships between Tolkien, Smith, and the classical past inhabited by figures like Cicero, this paper argues that Tolkien not only recovered a “love for the classics,” but used classical texts to “recover” his lost friend, granting Smith a queer, classical immortality in return.
The Persistence of Memory
(2023)
The 2017 Pixar film Coco and the 2021 Disney film Encanto form a small part of an increasing modern wave of media focused on parent-child conflicts caused by intergenerational trauma and rejection. Other recent works in this genre include the video game Hades, the films Turning Red and Everything Everywhere All At Once, and the television series Ms. Marvel. The traumas in all these films, some directed explicitly at a younger audience and some pitched more broadly, serve as a distinct set of meditations on the immigrant experience, even while not necessarily focusing on literal immigration. They also all invoke imagery of ghosts and death, both echoing specific classical Mediterranean motifs and tropes and incorporating a wide variety of other cultures’ supernatural traditions. These works’ concern with familial traumas of separation, culture shock, and loss of ancestral memories and connections contrasts sharply with the individual-focused myth of the American Dream common to earlier generations of American media, in which a lone individual typically emigrates, assimilates, and succeeds in a new culture, forming a new family and set of myths. However, themes of assimilation and questions of cultural imperialism also form a bridge between ancient Roman and modern North American anxieties and traditions.
For more than thirty years, collecting oral histories has been recognized as an effective teaching strategy in the West. Although it is rare in Gulf Cooperative Council (GCC) countries, the authors adopted it to bridge knowledge gaps they observed in their Saudi Arabian students. The reclamation of familial stories and tribal information using oral history methodologies reconnected students to their past while facilitating a unique learning experience. This paper describes how an oral history project was created for female undergraduate students in Saudi Arabia to help them move beyond the hard science approach supported in the Arabian world to one that embraces a narrative-based methodology. Historically, oral histories - an important pillar of Arabian society - were used to transfer significant tribal information, customs, traditions, and stories from one generation to the next. Since the discovery of oil, the kingdom has undergone dramatic societal and lifestyle transformations resulting in the loss of some traditions. The fundamental goal for this project was to improve the students' comprehension of humanities and social science courses by reconnecting them to their past using historical methods.
Spring Issue
(2021)
‘Crazy Man-Killing Monsters’
(2023)
The Amazons have a long legacy in literature and the visual arts, extending from antiquity to the present day. Prior scholarship tends to treat the Amazons as hostile ‘Other’ figures, embodying the antithesis of Greco-Roman cultural norms. Recently, scholars have begun to examine positive portrayals of Amazons in contemporary media, as role models and heroic figures. However, there is a dearth of scholarship examining the Amazons’ inherently multifaceted nature, and their subsequent polarised reception in popular media.
This article builds upon the large body of scholarship on contemporary Amazon narratives, in which the figures of Wonder Woman and Xena, Warrior Princess dominate scholarly discourse. These ‘modern Amazon’ figures epitomise the dominant contemporary trend of portraying Amazons as strong female role models and feminist icons. To highlight the complexity of the Amazon image in contemporary media, this article examines the representation of the Amazons in the Supernatural episode ‘Slice Girls’ (S7 E13, 2012), where their portrayal as hostile, monstrous figures diverges greatly from the positive characterisation of Wonder Woman and Xena. I also consider the show’s engagement with ancient written sources, to examine how the writers draw upon the motifs of ancient Amazon narratives when crafting their unique Amazon characters. By contrasting the Amazons of ‘Slice Girls’ to contemporary figures and ancient narratives, this article examines how factors such as feminist ideology, narrative story arcs, characters’/audience’s perspectives and male bias shape the representation of Amazons post-antiquity.
In Hellboy (2004, Sony Pictures), Guillermo del Toro presents a mythic hero (half human/half demon) seemingly made from the same mold as the classical hero Heracles (Hercules). Hellboy’s modern world is shaped by a cosmology not unlike that of Greek mythology, and as is true for Heracles, his unique pedigree and superior physicality empower him to mediate between the forces of supernaturality and humanity. Hellboy’s experiences evoke comparison with most characters and exploits in the Heraclean mythological corpus; his good character precludes comparison with others. Hellboy must contend with his own versions of Hera, Eurystheus, and a Nemean Lion/Hydra-like monster. He, too, relies on his own superhuman strength, innate cunning and an Athena-like protector to be successful at his job. Both heroes navigate a difficult path to their very different destinies. But in the end, Hellboy’s compassion, humility, unerring moral compass, and genuinely altruistic motivations make him both a better man and a better mythic hero, one worthy even of being loved.
The analysis of the German support associations provides new insights into the changing nature of the Franco- Prussian war of 1870/71, stylised into a national war, over the course of the campaign. Although the German states under the leadership of Prussia had prepared themselves for the operational requirements of a war against France in the years following 1866, they had underestimated the need for a mobilisation of their home country in order to achieve a successful outcome. Therefore private help had to be activated to fulfil important tasks at home coordinated by the states. A central requirement German governments faced at home was the care for the Wounded, the family members of drafted soldiers and French POWs. Since the states were able to provide neither money nor personnel for these tasks, they endeavoured systematically to acquire and exploit the necessary support of the population through the foundation and centralisation of patriotic relief associations. In the process, the authorities tried to gain maximum control over the associations through the state; to achieve this, they even accepted a partly reduced efficiency of the relief actions. The costs explosion and the declining support for the relief associations at home clearly indicate that in the course of the campaign, the war against France was seen more and more critically, and an initial war euphoria - if it had existed on a large scale at all - wore off quickly. Voluntary activities in medical orderly detachments, which had been stylised as a selfless patriotic sacrifice were often based on social pressure and sensation-seeking and thus can hardly be used as evidence for an alleged war euphoria. This, is illustrated by the work of the Order of St. John of Jerusalem which in general was rather counterproductive. The practice of collecting donations for support associations, increasingly enforced in the course of the war, and the growing involvement of women in the war effort on the home front demonstrate that the Franco-Prussian war had a much greater effect on Germany's social structures than had been recognised by research until now
Rebuilding an Austrian Army
(2019)
After the Second World War, a new Austrian Army (the Bundesheer) was formed to guarantee the country’s armed neutrality. But the period between 1938 and 1945 remained a point of contention. While some Austrian officers had been sidelined, the majority had served in the Wehrmacht and thus shared experiences and soldierly values. As Cold War realities necessitated a professional experienced army, a group around Erwin Fussenegger (1908–1986) dominated the new Bundesheer and contemplations about reforming the military culture and value system were postponed; while at the same time, the Bundesheer managed to prevent becoming a mere continuation of the Wehrmacht.
Stuck in the past?
(2019)
After the Civil War the Spanish army functioned as a guardian of domestic order, but suffered from antiquated material and little financial means. These factors have been described as fundamental reasons for the army’s low potential wartime capability. This article draws on British and German sources to demonstrate how Spanish military culture prevented an augmented effectiveness and organisational change. Claiming that the army merely lacked funding and modern equipment, falls considerably short in grasping the complexities of military effectiveness and organisational cultures, and might prove fatal for current attempts to develop foreign armed forces in conflict or post-conflict zones.
A prelude to total war?
(2018)
The conflict between Italy and Ethiopia in 1935–36 has been framed as a prelude to the Second World War and as a watershed towards ‘Total War’. One perspective has so far been neglected: the assessments of foreign military observers. This article examines American, British, German, and Austrian views on the operations and thereby also analyses the mindset of European officers at the time. The core argument emerging from these reports is that the war was perceived as a rather ‘normal’ colonial conflict. Neither the use of gas, nor the employment of aircraft against civilians was seen as a taboo or created significant outrage among the military observers. Instead, they lauded the Italians’ steady logistical efforts and employment of artillery and airpower to overcome nature and the enemy’s resistance.
The German Sonderweg thesis has been discarded in most research fields. Yet in regards to the military, things differ: all conflicts before the Second World War are interpreted as prelude to the war of extermination between 1939-1945. This article specifically looks at the Franco-Prussian War 1870-71 and German behaviour vis-a-vis regular combatants, civilians and irregular guerrilla fighters, the so-called francs-tireurs. The author argues that the counter-measures were not exceptional for nineteenth century warfare and also shows how selective reading of the existing secondary literature has distorted our view on the war.
Rommel Almighty?
(2018)
Erwin Rommel is by any standard a mythical figure. He has been the subject of countless studies in English and German. However, the "Italian side of the hill" has been largely neglected, despite the fact that the foundation of the myth around him lies in the North African campaign, where, after all, thousands of soldiers of the Italian army fought alongside the african campaign, where, after all, thousands of soldiers of the Italian army fought along-side the Afrika Korps. This article will provide an Italian view of the "Desert Fox," using new primary material that provides insights into Italian assessments during the war. A major source is material gathered by way of eavesdropping by British intelligence on Italian officers held as POWs in Cairo and in England.
On 6 June 1982, Israel invaded Lebanon to fight the Palestinian Liberation Organization (PLO). Between August 1982 and February 1984, the US, France, Britain and Italy deployed a Multinational Force (MNF) to Beirut. Its task was to act as an interposition force to bolster the government and to bring peace to the people. The mission is often forgotten or merely remembered in context with the bombing of US Marines’ barracks. However, an analysis of the Italian contingent shows that the MNF was not doomed to fail and could accomplish its task when operational and diplomatic efforts were coordinated. The Italian commander in Beirut, General Franco Angioni, followed a successful approach that sustained neutrality, respectful behaviour and minimal force, which resulted in a qualified success of the Italian efforts.
Forging an Italian hero?
(2019)
Over the last two decades, Amedeo Guillet (1909–2010) has been turned into a public and military hero. His exploits as a guerrilla leader in Italian East Africa in 1941 have been exaggerated to forge a narrative of an honourable resistance against overwhelming odds. Thereby, Guillet has been showcased as a romanticized colonial explorer who was an apolitical and timeless Italian officer. He has been compared to Lawrence of Arabia in order to raise his international visibility, while his genuine Italian brand is perpetuated domestically. By elevating him to an official role model, the Italian Army has gained a focal point for military heroism that was also acceptable in the public memory as the embodiment of a ‘glorious’ defeat narrative.
The Italian Army’s participation in Hitler’s war against the Soviet Union has remained unrecognized and understudied. Bastian Matteo Scianna offers a wide-ranging, in-depth corrective. Mining Italian, German and Russian sources, he examines the history of the Italian campaign in the East between 1941 and 1943, as well as how the campaign was remembered and memorialized in the domestic and international arena during the Cold War. Linking operational military history with memory studies, this book revises our understanding of the Italian Army in the Second World War.
History of political thought
(2012)
This book explores the cultural and religious politics of the contemporary food movement, starting from the example of Jewish foodies, their zeal for pig (forbidden by Jewish law), and their talk about why ignoring traditional precepts around food is desirable. Focusing on the thought of Michael Pollan, Jonathan Schorsch questions the modernist, materialist and rationalist worldview of many foodies and discusses a lack of attention to culture, tradition, and religion.
This essay shows how Jewish identity in pre-1933 Germany defined itself and how the widely known concept of German-Jewish symbiosis came into question after the organized murder of the European Jews. The search for a German- Jewish legacy in postwar Germany as well as in the countries in which the Jewish emigres found a new home will be explored. Moreover, the Eastern European cultural roots of Jews who migrated from Russia to Germany in the 1990s will also be discussed
While academic mobility has generally been positioned in the literature as a ready, at-will movement of people and ideas, this chapter demonstrates how the conditions of mobility and immobility “all at once” impact knowledge production and exchange. By offering a more nuanced window into the experiences of scholars in exile, this chapter challenges dominant discourses of academic mobility and draws on lessons learned from within liminal spaces of knowledge production to elicit more response within higher education communities. Context-rich examples reveal the interpersonal tensions and cultural shifts—including gender, ethnic and race-based stereotypes and discrimination—that affect intellectual outputs, further problematizing the conceptualization of knowledge production in human capital terms. Lessons gleaned from Scholars at Risk (SAR) and related programmes suggest support structures that amplify scholars’ agency; more broadly, higher education should consider ways of adapting to its diverse knowledge producers, rather than supporting the acclimation to its current environment.
Introduction
(2021)
History without borders
(2020)
A different class of refugee: university scholarships and developmentalism in late 1960s Africa
(2022)
Using documents assembled in connection with the 1967 Conference on the Legal, Economic and Social Aspects of African Refugee Problems, this article discusses African refugee higher-education discourses in the 1960s at the level of international organizations, volunteer agencies, and government representatives. Education and development history have recently been studied together, but this article focuses on the history of refugee higher education, which, it argues, needs to be understood within the development framework of human-capital theory, meant to support political pan African concerns for a decolonized continent and merged with humanitarian arguments to create a hybrid form of humanitarian developmentalism. The article zooms in on higher-education scholarships, above all for refugees from Southern Africa, as a means of support for human-capital development. It shows that refugee higher education was both a result and a driver of increased international exchanges, as evidenced at the 1967 conference.
Spring Issue
(2023)
Husen, St. Maria Magdalena
(2003)
Strange New Worlds
(2022)
The Indo-Pacific is fast becoming the main arena for great power competition. After explaining the regional power hierarchy, the paper describes how the EU defines like-mindedness as an explicit partnership category in the Indo-Pacific and which of the countries qualify. Finally, the paper also examines the structural problems the EU faces when projecting power into a faraway region such as this one. The paper argues that for China’s rise to remain peaceful and in the absence of fully regional security arrangements, other Asian actors are increasingly looking for new regional structures that combine elements of cooperation, competition and containment vis-à-vis China - including a more pronounced EU role in the region.
A right to research?
(2023)
En se penchant sur les réécritures de l'histoire pour le citoyen dans l’espace germanique et la France des Lumières et de la Révolution, ce livre apporte un regard nouveau et distancié sur les usages publics de l’histoire aujourd'hui, en France en particulier où le débat autour du roman national reste vif. La première partie de l’ouvrage, consacrée à l’exemplarité d’une histoire illustrée de gravures qui ont durablement marqué les représentations du passé, revisite la question des grands hommes, reproduit, traduit et analyse la circulation d’exemples édifiants entre les deux espaces.
La deuxième partie traite d’un mode de représentation pédagogique de l’histoire qui suscitait, et suscite toujours, la fascination tout en posant un défi de méthode: l’usage pédagogique d’un tableau permettant de saisir d’un seul coup d’oeil toute l’histoire d’un peuple voire de l’humanité tout entière, et d’en tirer des leçons politiques. L’idée, encore structurante aujourd’hui, d’un modèle politique ou pédagogique allemand ou français d’une écriture de l’histoire couplée, ou non, à la géographie est examinée ici au prisme des contextes précis où elle a été pensée.
The Throne of the King
(2022)
A conspicuous feature of Tolkien’s description of the city of Minas Tirith in The Return of The King is the depiction of two thrones in the Great Hall; one empty throne reserved for the king, and one seat for the steward of Gondor. This paper aims to ascertain the late antique and mediaeval sources of inspiration behind Tolkien’s creation of the throne room in Minas Tirith. As a starting point, we shall compare the setting of the two thrones in Minas Tirith with a motive in Christian iconography, the hetoimasia, and its architectural expression in the Chrysotriklinos, the throne room in the Byzantine Great Palace in Constantinople. Next, we shall show that Tolkien intentionally obscured his appropriation of the Byzantine throne room to create a multi-layered image of rulership, in accordance with his aesthetics of applicability and allegory. In conclusion, we shall formulate some remarks on the interpretation of the association between the Byzantine Chrysotriklinos and the Gondorian Great Hall. As a form of Tolkien’s literary process of sub-creation, the description of the throne room in Minas Tirith serves to emphasise the significance of The Return of the King as a retelling of Christ’s restoration of the fallen world, placing the work of Tolkien in the context of a strong personal Catholic piety.
This paper applies Monster Theory to the use of Greek mythology in three creator-owned comic series by female writers: InSEXts (2016 – 2017) by American comic writer Marguerite Bennett and Indonesian artist working in America Ariela Kristantina as well as Eros/Psyche (2021) and Porcelain (2021) by Maria Llovet, a comic writer and artist from Barcelona. In the first volume of InSEXts, set in Victorian London, there are allusions to the Furies and Pandora, linked with the discourse of the repression of women. In the second volume, set in the late nineteenth century Paris art world, the representation of classical subjects in art becomes a means to repress women, and a goddess with a Gorgon-like appearance takes revenge on the male repressors. In Eros/Psyche the story of Eros and Psyche and broken statues forms the backdrop and context for a tale of love and deception at a girls’ school, and in Porcelain a girl is faced with a choice of paths towards Eros or Thanatos, like Herakles at the crossroads choosing between the paths of virtue and vice. With reference to Cohen’s seven theses of Monster Culture I examine how Bennett and Lovett subvert the idea of the monster and the hero.
Rezensiertes Werk: Frontiers and the writing of history, 1500-1850 / ed. by Steven G. Ellis and Raingard Esser. - Hannover-Laatzen : Wehrhahn, 2006. - 318 S. ISBN 3–86525–251-6
The paper investigates Tolkien’s narratives of decline through the lens of their classical ancestry. Narratives of decline are widespread in ancient culture, in both philosophical and literary discourses. They normally posit a gradual degradation (moral and ontological) from an idealized Golden Age, which went hand-in-hand with increasing detachment of gods from mortal affairs. Narratives of decline are also at the core of Tolkien’s mythology, constituting yet another underresearched aspect of classical influence on Tolkien. Such Classical narratives reverberate e.g. in Tolkien’s division of Arda’s history into ages, from an idealized First Age filled with Joy and Light to a Third Age, described as “Twilight Age (…) the first of the broken and changed world” (Letters 131). More generally, these narratives are related to Tolkien’s notorious perception of history as a “long defeat” (Letters 195) and to that “heart-racking sense of the vanished past” which pervades Tolkien’s works – the emotion which, in his words, moved him “supremely” and which he found “small difficulty in evoking” (Letters 91). The paper analyses the reception of narratives of decline in Tolkien’s legendarium, pointing out similarities but also contrasts and differences, with the aim to discuss some key patterns of (classical) reception in Tolkien’s theory and practice (‘renewal’, ‘accommodation’, ‘focalization’).
Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur. Despite its recent restoration in 2014, some of its mysteries might indeed never be solved, like the identity of its sculptor. But this fascination also comes from the statue itself, its majestic aesthetics and lack of head, in a similar fashion perhaps to the loss of the Venus of Milo’s arms. Since her discovery more than 150 years ago by Charles Champoiseau, she’s been on the throne at the top of the Daru stairs at the Louvre Museum. This hellenistic masterpiece, that Champoiseau called a ”mousseline de marbre”, became a must see in the Paris museum, together with the Mona Lisa and its other chefs d’oeuvre. But this statue’s fate is not set in stone. Many modern artists, like Omar Hassan or Xu Zhen, have tried to make it their own and give it a new depth. Recently, Beyonce and Jay-Z also offered a new perspective by including this Louvre masterpiece, among others, in their political masterstroke, the video clip ”Apeshit”. This paper seeks to decode the meanings and symbolism of these new versions of the Nike.
Roman Heroes at Helm’s Deep?
(2022)
This article analyzes Tolkien’s narrative of the Battle of Helm’s Deep as a retelling of the Horatius Cocles episode from Livy’s AUC, which contains descriptions of the defenses and the bridge, a rally encouraged by Horatius, his bold stand both with his companions and alone, and the honors paid to him after the battle. Tolkien’s Battle of Helm’s Deep contains the same elements split across two narratives: the defense of the causeway leading to the gates of the Deep by Aragorn, Éomer, and Gimli; and, after the fall of the Deeping wall, Aragorn’s defiant stand alone on the stairway leading to the inner doors of the Hornburg. Aragorn’s double action demonstrates a fulfillment of Livy’s exemplary arc. Tolkien’s knowledge of Macaulay’s “Horatius” provides a possible intermediary that accounts for various additions to the story. However, the larger structure of Tolkien’s narrative as well as the imagery that resonates throughout the text distinctly evoke the vivid descriptions of Livy. While both sets of heroes make brave stands against their enemies, Tolkien’s warriors represent a civilizing force in their efforts to build and restore their defenses while Livy’s Roman heroes destroy the bridge to save their state.
The article is a review of Patrick Gray's latest monograph: Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism and Civil War. Gray analyzes Shakespare's and his characters' representation of the 'self' in Julius Caesar and Antony and Cleopatra, with Coriolanus used for comparative purposes. The book induced a lively discussion of its content in academic community.
What is the nature of interactions between Jews and Muslims in contemporary Dubai, Berlin, and Warsaw? The purpose of the three presented case studies is to evaluate the state of affairs and identify newly emerging trends and patterns in the given trans-urban context. The methodology is based on qualitative anthropological research, emphasising an emic perspective that centralises respondents' own lived experiences and worldviews. The main research's findings made evident that interactions between Muslims and Jews in each examined location are, to various extents, acknowledged, and in some cases, also embody a formative part of public discourses. Perhaps the most visible manifestations of these relations are represented by the ambitious interfaith projects that were recently established in each geographical area in focus. The Abrahamic Family House (UEA), The House of One (GE), and The Community of Conscience (PL) reveal the aspirations of multi-faith religious leaders to overcome polarising dichotomies and search for common ground. One of the conclusive outcomes of the study is a somewhat diminishing impact of the Israeli-Palestinian conflict on the Jewish-Muslim relations; however, the extent differs in each destination in focus. Finally, an unpredicted observation can be made. A surfacing inclination towards embracing a joint Muslim-Jewish Middle Eastern identity was perceived.
A Case for Serious Play
(2017)
On the surface the television series Lucifer (2016 – 21) is a simple police procedural but, in actuality, the criminal cases in the show serve merely as window-dressing and structure for the deeper consideration of issues, such as guilt, shame, love, and even the meaning of life on both an individual and universal level. These topics are explored through the ever-developing character of Lucifer himself, who, like other recent anti-hero depictions, is initially presented in a manner that is very different from traditional portrayals of the Devil, and is, in fact, far closer to that of the Greek Olympian gods. Over the course of six seasons, the depiction of Lucifer alters, however, as he becomes a figure that is in many ways Christ-like, but with a 21st century twist that places the individual in an exalted position that is superior to that of divinity.
The following introduction sketches the status questionis of the research on the influence of Greco-Roman antiquity on the works of Tolkien and provides details about the volume’s theoretical impetus and its broad themes. The editors discuss Tolkien’s complicated and indirect relationship with classical models, underscoring certain emergent themes in volume’s contributions, such as decline, multifocal reception and relationship with nature.
Seneca the Younger, in his Letters, describes a sacred grove as a “thick grove of ancient trees which rise far above the usual height and block the view of the sky with their umbrella of intertwining branches” (Seneca the Younger, Letters 41.3). Fangorn Forest is clearly a sacred site as defined by Seneca, made even more sacred by the presence of the Ents. Thus, to violate it would be a terrible act of desecration, not unlike Lucan’s narrator’s shock at Caesar’s desecration of the sacred grove at Massilia (Lucan BC 3.447 – 8, quoted in the title of this paper). After exploring the relationship between Ents and sacred groves, the paper will compare the fate of Caesar to that of Saruman, who violated Fangorn Forest. Just as Augoustakis (2006) argues that the violation of the grove foreshadows Caesar’s death, so too Saruman’s death at the hands of Wormtongue becomes a fitting punishment for his violation of Fangorn.
The modern conception of the werewolf is heavily influenced by Gothic reinterpretations of medieval European stories. This kind of werewolf is the one that has appeared on screen and written fiction for decades, but MTV’s Teen Wolf, a re-boot of the 1980s film which aired between 2011 – 17, is different. In this young adult supernatural drama, werewolves descend directly from Lycaon, and a substantial proportion of the show’s werewolf lore derives from Graeco-Roman stories about wolf-shifters and versipelles. This paper wants to explore the extent of the use in the show of the myth of Lycaon in particular, of Classical versipelles in general, the significance of these two references for the narrative, and the degree of innovation in modern supernatural fiction of this adaptation of Greek and Roman stories.
A Gateway to the World
(2017)
In the second half of the 19th century, the French École centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens’ professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly.
Der Artikel fragt nach einem möglichen Geltungsbereich heutiger Konzeptualisierungen der literarischen Transkulturalität für die polnische(n) Literatur(en). Der Hintergrund der Überlegungen ist die ‚monokulturelle‘ Kondition der polnischen Gesellschaft nach den Katastrophen des 20. Jahrhunderts, die u.a. in den literarischen Rückgriffen auf die vergangene kulturelle Pluralität in den letzten drei Dekaden kritisch reflektiert wurde, heute aber wieder – in der populistisch-nationalistischen Politik – affirmiert wird. Dabei ermöglicht eine historische Perspektive auf die kulturellen Verflechtungen des literarischen Schreibens in der polnischen Sprache einen Einblick in die historisch heterogenen Formen literarischer Transkulturalität, die von den jeweiligen politischen und sozialen Kontexten abhängen. Eine umfassende Behandlung des Schreibens in der polnischen Sprache unter Bedingungen des Sprachwechsels bzw. der Mehrsprachigkeit seit der frühen Neuzeit bis zum 20. Jh. bleibt ein Desiderat. Den Höhepunkt einer auf diese Art gedachten Literaturgeschichte bildet – so die These des Artikels – die spezifische Ausprägung der polnisch-jüdischen Literatur in der Zwischenkriegszeit, in welcher Konzepte einer hybriden Doppelzugehörigkeit in linguistischen und topographischen Chiasmen dramatisch auf die Spitze getrieben werden und somit die ungelösten Probleme der Zeit spiegeln.
Resurrecting the Argo
(2023)
This paper analyses the relationship between the figure of the Argo (ship and character) and the supernatural in the mythic fantasy of Robert Holdstock’s Merlin Codex. It shows how Holdstock’s re-writing of the Argonautica draws on various versions from the Argonautic tradition, including Euripides’ Medea, Apollonius, Valerius Flaccus, Nathaniel Hawthorne, Henry Treece and the 1963 film Jason and the Argonauts. It sets Holdstock’s Argo alongside other representations, as divine herself, possessed by divinity, and a channel of communication with the divine, and in the context of Holdstock’s previous work, particularly Mythago Wood, Lavondyss and Merlin’s Wood. The paper argues that Holdstock uses the Argo as a reflection of myth itself, a version of the forest in Mythago Wood, as well as a metapoetic image for the challenges and complexities of adapting a well-known story, bringing multiple mythological traditions (Arthurian, Finnish and Argonautic) together. It reflects on Holdstock’s relationship to the ancient genres of epic and tragedy, as well as Argo as plot facilitator and mechanism of transformation and transition. Holdstock’s relationship with ancient literature is richer and deeper than previously acknowledged; his self-conscious plays reveal a deep understanding of the polymorphous nature of mythical traditions.
Both Libanius in his Autobiography (ca. 374) and Theodoret in his biographical sketch of the monk Macedonius in his Religious History (ca. 444) draw their readers’ attention to the accusations of magic as an everyday event in Late Antiquity. Yet there are differences between the ways in which they present their theme. Some of these differences pertain to genre conventions of autobiography and Christian hagiographic writing, but these are further conditioned by the concrete expectations of the intended audience and the authors’ different religious beliefs. While both are primarily engaged in creating different types of role models, the charge of magic functions as a narrative moment that shapes the character of the relevant hero differentially.
In its practical outlook, the interdisciplinary-driven colonial discourse theory is often criticized for its totalizing tendencies regarding the structure of the exam-ined discourse and the power relations prevailing in this framework. As a result of this structural totalization, the concerned subjects got disempowered and de-graded to mere passive objects incapable of raising their voices within the dis-course. Based on this justified criticism, this thesis investigates the role colonial subjects played in the emergence, the distribution, as well as in questioning and critiquing of the colonial discourse during the initial phase of British colonialism in West Africa. The focal point lies on three themes relevant to the period be-tween 1874 and 1914: The Ashanti-Wars, the creation of an educational system, and the issue of the so-called "Europeanized Africans." Newspapers published by the colonial elite serve as the central source material in order to reconstruct Afri-can perspectives on these subjects. First, the discursive trajectory of the first two themes will be reconstructed and then shown why the initial support of the elite gradually declined towards the end of the century. Eventually, the analyzed tendencies culminated in the emergence of the "African Regeneration" discourse, which was able to reverse the colonial discourse's basic assumptions, at least on a theoretical level. Consequently, the Africans were displayed as the "civilizer" of Europe. On the structural level, however, this discourse likewise employed a to-talizing picture of African and European societies, respectively.
Catholicism
(2019)
In the last two centuries BC, with the Republic limping towards its end, the cultivated ruling elite began to lose its moral and political authority.1 Its members not only held themselves responsible for the so-called crisis of tradition, but at the same time also conveyed the impression of a loss of memory, as if all Romans were suffering from some kind of amnesia or identity crisis.2 In particular, institutional figures such as pontiffs and augurs, who had preserved Rome’s memory throughout its history, were accused of neglecting their duties and, by extension, of allowing ancient practices and values to slowly disappear.3 Accordingly, Cicero and Varro, both perfect representatives of this elite, employed recurrent terms such as neglect (neglegentia/neglegere), involuntary abandon (amittere), oblivion (oblivio), vanishing of institutions (evanescere), and ignorance (ignoratio/ignorare) to describe this critical loss of information; they depicted the citizenry of Rome (civitas) as disoriented and estranged, incapable of sharing any common knowledge or values.
Rezensiertes Werk: Arfaioli, Maurizio: The black bands of Giovanni : infantry and diplomacy during the Italian wars; 1526-1528 / Maurizio Arfaioli. - Pisa : Edizioni Plus-Pisa University Press, 2005. - 204 S.: Ill. ISBN 88-8492-231-3