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Institute
- Philosophische Fakultät (563) (remove)
‘Hasty observations’?
(2018)
This article examines geographical field research in Albania and Montenegro under Austro-Hungarian occupation, which lasted from 1916 to 1918. It focusses on one of the most important German-speaking geographers of the early 20 th century, Eugen Oberhummer (1859–1944), a pupil of Friedrich Ratzel, the founder of German geo-politics. In 1917 and 1918, Oberhummer went on two expeditions to Montenegro and Albania during the First World War. He already had travelled in four continents and vaguely knew the Western Balkans from an expedition in 1907. It will be argued that the actual situation in Albania and Montenegro did not alter, but did rather reinforce Oberhummer’s attitudes and opinions on the ‘other’ he encountered. Thus, the two war expeditions – Oberhummer primarily met high-ranking Austro-Hungarian officials and only few locals – confirmed his expectations basing on his ‘Ratzelian’ theoretical conceptions. It will further be argued that – in contrast to the much younger and less experienced ‘scholars-at-arms’ of the expedition of 1916 – war and violence were of secondary relevance for the well-travelled and renowned professor of geography in his late 50s. Neither in Oberhummer’s articles nor in his diaries the war and the occupation of Albania and Montenegro made up an important part. In Oberhummer’s ‘Ratzelian’ view, humans could not change or over-come the basic features of geography, as humans were clearly subordinated to the elemental forces of geography. People, over generations, adapted to geography, not the other way round. The on-going First World War was an opportunity for Oberhummer to travel to Albania and Montenegro, but the guerrilla warfare in large parts of Montenegro, the violence against the civilian population, and the fighting at the Albanian front were of secondary relevance and interest for him. Nevertheless, what Oberhummer observed offers great insights into the Austro-Hungarian occupation of Montenegro and Albania from the perspective of a renowned and – given the general circumstances – pleasantly relaxed Ratzelian geographer at the height of his academic career.
Ästhetik der Installation
(2003)
Installative Kunst ist die dominante Kunstform der Gegenwart. In ihr bündeln sich jene Tendenzen zur Entgrenzung der Kunst und der Künste, die seit den sechziger Jahren die moderne Idee ästhetischer Autonomie in Frage stellen. In der Kunstkritik hatte dies eine bis heute wirksame Frontstellung zur Folge. Auf der Seite der VertreterInnen eines ästhetischen Modernismus wurde Installationskunst als nicht mehr autonome Kunst verworfen, auf der Seite ihrer postmodernen VerteidigerInnen hingegen wurde statt der neuen Kunstform die Idee ästhetischer Autonomie verworfen. Ausgangspunkt des Bandes ist die diagnostische These, daß die Kunst der Installation nicht, wie oft angenommen, die Idee ästhetischer Autonomie als solche in Frage stellt, sondern allein ein objektivistisches (Miß-)Verständnis derselben, wie es sich in der Idee der Betrachter- und Kontextunabhängigkeit von Kunst ausspricht. Durch ihren Angriff auf die Formbildungskonventionen des äshtetischen Modernismus nötigt Installationskunst mithin besonders nachdrücklich zu einer grundlegenden Neufassung dieses für die philosophische Ästhetik so zentralen Begriffs.
Zur Interpretation in der mikrosoziologischen und sozialpsychologischen Wissenschaftsforschung
(1995)
Zur Einführung
(2006)
Zum Subjekt emanzipatorischer Projekte : die Aufklärung als geschichtsphilosophisches Konzept
(1998)
Zum Problem der Grenze
(1995)
Zukunft durch Grenzen
(1993)
Wider die Eindeutigkeit : Sexualität und Geschlecht im Fokus querer Politik der Repräsentation
(2001)
Why animals can't act
(2009)
Given the many marvelous things animals can do and moreover the success we have in employing the intentional stance towards animals, it seems to be almost unthinkable to say that animals could not act at all. Nonetheless, this is exactly what I argue for. I claim that strictly speaking there is no animal action, only behaviour. I defend this claim in three steps. Firstly, I recapitulate some of the weighty grounds that speak in favour of animal agency. Secondly, I explain why I still doubt that animals act. The argument is that the account of agency that I take to be the most attractive one entails that animals can't act. Since this account of agency is non-standard, I spend the bulk of the paper with providing a sketch of what, according to it, actions are. Finally, I explain why it is still so natural and promising to regard animals as agents, although in fact they aren't. As one might put it: of course they act, only strictly speaking they don't.
What’s “Drache“ in English?
(2023)
Watson, J. R., Die Auschwitz-Galaxy, Reflexionen zur Aufgabe des Denkens; Wien, Turia + Kant, 1998
(1998)
Was ist politisches Handeln?
(2001)
Vorwort
(2006)
Vorwort
(1995)
Vorbemerkung der Herausgeber
(2006)
Von der Ironie der Politik zur Politik der Ironie : eine Notiz zum Prozess liberaler Demokratie
(2003)
Von der Ausnahmesituation der Intellektuellen : ostdeutsche Diskurse und die Weimarer Republik
(1996)
Vom unfreien Schweben zum freien Fall : ostdeutsche Intellektuelle im gesellschaftlichen Umbruch
(1996)
Variationen zum Verhältnis von Geist und Macht : ostdeutsche Diskurse und die Weimarer Republik
(1996)
The nature of the links between speech production and perception has been the subject of longstanding debate. The present study investigated the articulatory parameter of tongue height and the acoustic F1–F0 difference for the phonological distinction of vowel height in American English front vowels. Multiple repetitions of /i, ɪ, e, ɛ, æ/ in [(h)Vd] sequences were recorded in seven adult speakers. Articulatory (ultrasound) and acoustic data were collected simultaneously to provide a direct comparison of variability in vowel production in both domains. Results showed idiosyncratic patterns of articulation for contrasting the three front vowel pairs /i-ɪ/, /e-ɛ/, and /ɛ-æ/ across subjects, with the degree of variability in vowel articulation comparable to that observed in the acoustics for all seven participants. However, contrary to what was expected, some speakers showed reversals for tongue height for /ɪ/-/e/ that were also reflected in acoustics, with F1 higher for /ɪ/ than for /e/. The data suggest the phonological distinction of height is conveyed via speaker-specific articulatory-acoustic patterns that do not strictly match features descriptions. However, the acoustic signal is faithful to the articulatory configuration that generated it, carrying the crucial information for perceptual contrast.
Urbanity and literature
(2011)
Transarea studies focus upon spaces as created by the movements that criss-cross them. From this point of view, from its very beginnings, literature is closely interrelated with a vectorial (and much less with a purely spatial) conception of history - and with urbanity, which plays a decisive role in Gilgamesh's travels through a (narrative) cosmos centered upon the city of Uruk. This article explores the city as a transareal space of movement in three examples of literature, with no fixed abode, around the turn of the millennium, i.e. Assia Djebar's Les Nuits de Strasbourg, Emine Sevgi Oezdamar's Istanbul-Berlin Trilogy, and Cecile Wajsbrot's L'ile aux musees. These three writers project, in a very specific way, cities in motion as anagrammatic and fractal structures.
Unternehmenskultur - ein Kulturunternehmen? : Kultur, Werte und Selbstorganisation in Unternehmen
(1996)
Two Kinds of Pratice : on the relation between social discipline and the aesthetics of existence
(2003)
Tugend und Respekt
(2004)
Trauer in Hegels Ästhetik
(2000)
Towards Eurasia
(2019)
In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.
Tolerante Hohenzollern?
(2021)
Previous studies suggest that there are special timing relations in syllable onsets. The consonants are assumed to be timed, on the one hand, with the vocalic nucleus and, on the other hand, with each other. These competing timing relations result in the C-center effect. However, the C-center effect has not consistently been found in languages with complex onsets. Moreover, it has occasionally been found in languages disallowing complex onsets. The present study investigates onset timing in German while discussing alternative explanations (not related to bonding) for the timing patterns observed. Six German speakers were recorded via Electromagnetic Articulography. The corpus contained items with four clusters (/sk/, /kv/, /gl/, and /pl/). The clusters occur in word-initial position, word-medial position, and across a word boundary preceding different vowels. The results suggest that segmental properties (i.e., oral-laryngeal coordination, coarticulatory resistance) determine the observed timing patterns, and specifically the absence or presence of the C-center effect.
Tiedemann, P., Internet für Philosophen: eine praxisorientierte Einführung; Darmstadt, Primus, 1997
(1999)
In October 2016, following a campaign led by Labour Peer Lord
Alfred Dubs, the first child asylum-seekers allowed entry to the UK
under new legislation (the ‘Dubs amendment’) arrived in England.
Their arrival was captured by a heavy media presence, and very
quickly doubts were raised by right-wing tabloids and politicians
about their age. In this article, I explore the arguments
underpinning the Dubs campaign and the media coverage of
the children’s arrival as a starting point for interrogating
representational practices around children who seek asylum. I
illustrate how the campaign was premised on a universal politics
of childhood that inadvertently laid down the terms on which
these children would be given protection, namely their innocence.
The universality of childhood fuels public sympathy for child
asylum-seekers, underlies the ‘child first, migrant second’
approach advocated by humanitarian organisations, and it was a
key argument in the ‘Dubs amendment’. Yet the campaign
highlights how representations of child asylum-seekers rely on
codes that operate to identify ‘unchildlike’ children. As I show, in
the context of the criminalisation of undocumented migrants‘,
childhood is no longer a stable category which guarantees
protection, but is subject to scrutiny and suspicion and can,
ultimately, be disproved.
Theodor W. Adorno
(1998)
The Right to Research
(2023)
Refugees and displaced people rarely figure as historical actors, and almost never as historical narrators. We often assume a person residing in a refugee camp, lacking funding, training, social networks, and other material resources that enable the research and writing of academic history, cannot be a historian because a historian cannot be a person residing in a refugee camp.
The Right to Research disrupts this tautology by featuring nine works by refugee and host-community researchers from across Africa, Europe, and the Middle East. Identifying the intrinsic challenges of making space for diverse voices within a research framework and infrastructure that is inherently unequal, this edited volume offers a critical reflection on what history means, who narrates it, and what happens when those long excluded from authorship bring their knowledge and perspectives to bear. Chapters address topics such as education in Kakuma Refugee Camp, the political power of hip-hop in Rwanda, women migrants to Yemen, and the development of photojournalism in Kurdistan.
Exploring what it means to become a researcher, The Right to Research understands historical scholarship as an ongoing conversation - one in which we all have a right to participate.