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Kafka and Kabbalah
(1994)
Brecht and the Jews
(1996)
Russian Jews in Germany
(1998)
Schmalkaldic War (1546-47)
(2002)
Berkowitz, J., Shakespeare on the American Yiddish Stage; Iowa City, Univ. of Iowa Press, 2002
(2002)
Tuwim Julian
(2003)
Stryjkowski Julian (Engl.)
(2003)
Rudnicki Adolf (Engl.)
(2003)
Korczak Janusz (Engl.)
(2003)
Lesmian Boleslaw
(2003)
Faust and the Germans
(2003)
From a Jewish perspective, divine action in this world revolves around two poles: Hesed and Tzedakah. There is one fundamental difference between them: Hesed describes those actions of God that arise not from obligation, but instead are spurred by pure love for humankind, by grace and mercy. Tzedakah by contrast touches on God's righteous interaction within his covenant, as well as justice observed by man seeking harmony with God's will. Each of the terms applies to both God and man. Hesed and Tzedakah emanate from God, and eventually should transform a person into a Hasid and a Tzaddik. The authors of this volume parse the subtlety of different meanings behind this pair of terms - from Bible to modernity.
Leo Baeck (1873-1956) can be considered to be one of the most important proponents of German Jewry. Over the course of his life, he strove constantly to combine tradition and modernity within Judaism. Baeck educated young rabbis at Berlin's "Hochschule für die Wissenschaft des Judentums" (College for the Science of Judaism) and sought dialogue between Christianity, Islam, and other religions. Indebted to Baeck's legacy the Abraham Geiger College dedicated its annual study conference in 2006 to this brilliant Jewish thinker - to mark the fiftieth anniversary of his death on November 2, 1956. This volume celebrates the wide spectrum of Leo Baeck's heritage.
A woman and a language
(2008)
Many Christians react in alarm when being confronted with reincarnation. They tend to regard it as an alien or exotic idea or sometimes even as an occult or dangerous teaching that leads away from the Christian path. Thus, belief in rebirth is often regarded as clearly not compatible with orthodox Christianity. However, no less than 30% of people in the Western world believe in a form of reincarnation, which indicates the urgency for an academic examination of this subject. Patrick Diemling examines under what conditions or restrictions a person who is attracted by the notion of reincarnation could at the same time remain fundamentally loyal to Christ. In a survey through the pivotal sections of Christian theology (such as soteriology, cosmology and eschatology), he investigates the critical points regarding the question of a possible compatibility of reincarnation with the Christian faith. What does the Bible say about reincarnation? What are the points of disagreement between orthodox Christians and defenders of the idea of rebirth? How would Christian theology need to be modified so as to integrate belief in reincarnation? The present volume tries to answer these questions.
Inhalt: 1. Introduction 2. Summary of the narratives 3. Classification and structure of the narratives 3.1 The Death of R. Johanan's Tenth Son 3.2 The King's Son and His Three False Friends 4. The context of the narratives in Beer Sheva and Glikl's Memoirs 4.1 The context in Beer Sheva 4.2 The context in Glikl's Memoirs 5. Conclusion
It is a widespread idea that the roots of the Christian sermon can be found in the Jewish derasha. But the story of the interrelation of the two homiletical traditions, Jewish and Christian, from New Testament times to the present day is still untold. Can homiletical encounters be registered? Is there a common homiletical history - not only in the modern era, but also in rabbinic times and in the Middle Ages? Which current developments affect Jewish and Christian preaching today, in the 21st century? And, most important, what consequences may result from this mutual perception of Jewish and Christian homiletics for homiletical research and the practice of preaching? This book offers the papers of the first international conference (Bamberg, Germany, 6th to 8th March 2007) which brought together Jewish and Christian scholars to discuss Jewish and Christian homiletics in their historical development and relationship and to sketch out common homiletical projects.
rezensiertes Werk: Critchfield, Richard D.: From Shakespeare to Frisch: The Provocative Fritz Kortner. - Heidelberg : Synchron, 2008. - 223 S. ISBN 978-3-935025-99-7
Regulating public space
(2009)
What did Cain say to Abel?
(2009)
What did Cain say to Abel?
(2009)
In 1993, the Parliament of the World's Religions endorsed the "Declaration toward a Global Ethic" composed by Hans Küng. In it, representatives from all the world's religions agreed on principles for a global ethic and committed themselves to directives of nonviolence, respect for life, solidarity, a just economic order, tolerance, and equal rights and partnership between men and women. But the declaration was just the first step. In this impressive volume, Hans Kueng, probably the most famous living Roman Catholic theologian, and Rabbi Walter Homolka, head of Germany's Abraham Geiger rabbinical seminary and distinguished professor, draw on the Jewish tradition to show the riches that Judaism can offer people of all faiths and nonbelievers in achieving these directives. Presenting key sacred texts and theological writings, the authors make the case for binding values and basic moral attitudes that can be found in Judaism's universal message of a better world. Exploring Judaism's focus on ethical conduct over declarations of faith, the authors show that making ethical decisions is indispensable in an ever-changing world.
rezensiertes Werk: Leshonot yehude Sefarad ve-ha-mizrach vesifruyotehem / Languages and literatures of Sephardic and Oriental Jews. - Jerusalem : Misgav Yerushalayim, 2009. - 484 S. [hebr.] + 434 S. [lat.], ; Ill.
rezensiertes Werk: Gartner, Isabella: Menorah : Jüdisches Familienblatt für Wissenschaft, Kunst und Literatur (1923–1932) ; Materialien zur Geschichte einer Wiener zionistischen Zeitschrift. - Würzburg : Königshausen & Neumann, 2009. - 356 S. ISBN 978-3-8260-3864-8
rezensiertes Werk: Stephan Dörschel: Fritz Wisten : bis Zum letzten Augenblick : ein jüdisches Theaterleben. - Hentrich & Hentrich : Berlin, 2009. - 112 S. (Jüdische Miniaturen ; 74) ISBN 978-3-938485-85-9
rezensiertes Werk: Shraibman, Yechiel: Sieben Jahre und sieben Monate : meine Bukarester Jahre ; Roman. - Berlin : be.bra, 2009. - 272 S. ISBN 978-3-937233-56-7
rezensiertes Werk: Grossman, David: Eine Frau flieht vor einer Nachricht. - München : Hanser, 2009. - 728 S. ISBN 978-3-446-23397-3
rezensiertes Werk: Schwartz, Yigal: Maamin beli Kenessija : 4 Massot al Aharon Appelfeld. - Tel Aviv : Dvir, 2009.- 181 S.
Between history and legend
(2010)
In the early modern period, Jewish historiography moved from the Hebrew domain into the Yiddish one. Jewish writers have succeeded to match the historical literature to the particular needs of their audience. The most popular Yiddish chronicle of this kind was written in Amsterdam in the 18th century by Menachem Man Amelander, following both the Jewish and Christian genre. This paper briefly surveys the genre characteristics of this chronicle and the way it served the purpose of guarding Jewish memory and tradition.
On the example of the women’s magazines in Yiddish “Yidishe Froyenvelt” (1902- 1903), “Di Froy” (Vilnius1925-1933), “Froyen-Shtim” (Warsaw 1925) and “Di Froyen-Velt” (New York 1913) this article presents: • how feminist postulates are connected with questions of Jewish identity in a religious and political context • how the model image of a modern Jewish woman is presented • what the main spheres of feminist interests presented in the magazines are (a struggle for equal rights within the Jewish community as well as other social spheres, searching for and presenting outstanding women in the Jewish and world history, descriptions of women’s professional activities, psychological analysis of a woman's nature, establishing ties and a feeling of solidarity between women’s movements of other nations) • how the traditional women's roles are presented (mother, wife, housewife) • what degree of women’s participation in the edition of these periodicals is (a list of articles' authoresses and literature works appearing on columns of the periodicals) • whether and how a feminist discourse affects a language structure of the periodicals Comparing magazines from the beginning of the 20th century and the latter part of 1920s the article answers the question what direction did Jewish feminism evolve to and what content rose or fell in importance.
The article explores the pedagogical dimension of contemporary visual art which takes the Holocaust as a main subject of representation. It asks how a work of art can offer a viable alternative to the already existing methods or practices of Holocaust education, whose traditional aim is to endow the apprentice with an ‘absolute knowledge’ of the Holocaust. The article analyzes the characteristics and the effectiveness of a ‘performative’ approach to teaching about the Holocaust, which relies on an element of interaction and on critical self-reflection, by undertaking a close analysis of Your Coloring Book, – an art installation created by Israeli artist and representative of the third generation after the Holocaust, Ram Katzir.
Halakha and Microhistory
(2010)
Shifra was a Jewish businesswoman in Moravia in the fifteenth-century. In 1452 due to financial fraud she was arrested in Brno. Her life was saved by some members of the local Jewish community, who renounced their financial claims against their Christian neighbours in the exchange of Shifra’s life. However, one member of the community consented to the agreement only on condition that the other members would pay his losses. The case was extensively discussed in the correspondence of contemporary rabbis, among them Israel Bruna and Israel Isserlein. Their letters about the Shifra-affair reveal some important characteristics of the rabbinic authority in the late medieval Ashkenaz.
This study deals with the impacts of the Holocaust on the identity of the Jewish community in Slovakia. The author is interested in the question (whether and) in which form God remained among the survivors after Auschwitz. The available ethnological material has shown that suffering during the Holocaust often resulted into abandoning the religion, and particularly in Judaism. Many survivors broke up their contacts with Jewry. They often decided to join the communist party (either due to their conviction or opportunism.) Our research has indicated that for the majority of the Slovak Jews, God after the Holocaust is rather an abstract concept or non existing. However, he is definitely not the biblical God of the Tora and micvot, to which our ancestors used to pray.
The article is a study research that attempts to reconstitute one facet of the Jewish cultural history, represented by the Jewish typographical activity in a geographic and historic context, i.e. North Transylvania at the end of the 19th and the beginning of the 20th centuries. The core of the study is represented by a detailed research of the typographical activity of Jacov Wieder’s printing house that he had set up in 1897 at Seini, a small locality in the county of Satu Mare. Wieder’s printing house, where some 150 Hebrew book titles were printed, was activated alongside with some other 20 Hebrew printing houses of the same county until 1944. The Hebrew books printed at Seini are thoroughly examined from the point of view of their subject and authors. The high technical quality of the print of Wieder’s printing house and not less the prestige of the authors contributed to its fame and reputation. The books were distributed throughout the world and reached the Jewish communities from countries in the immediate proximity Eastern, Central and Western Europe and even North America and the Land of Israel.
The Mariae Vitae Congregation was the first and possibly the most important missionary institution in Poland-Lithuania in the eighteenth and nineteenth centuries. According to the Rule of Mariae Vitae Congregation, it had to deal with religious and lay education of converted girls (mainly Jewish) and provide them with practical skills of work so they could establish in Catholic society. The innovatory social program of Mariae Vitae Congregation including education and financial help answered to possible problems of neophytes in Poland and Lithuania of that time.
The issue of determining the time, when the Judaic communities have settled on Romanian land, is one of the most interesting and most delicate details that can be mentioned when talking about this ethnic group. The presence of the first Jewish communities in ancient times on this land was a “taboo” subject during many historical periods until 1989, but even after this year, studies oriented in this direction were more than sketchy. The article does not only bring a surplus of information in this domain, but manages to concentrate – almost didactically – the information and the archaeological proofs known and reknown to the present time. There are depicted material evidences as well as linguistic ones, toponymical and even religious. Also, the author tries to draw a parallel between some layouts of the Dacian state and Dacia Felix, conquered by the Romans, and the presence of some Judaic communities, not very numerous, made out of Judaic population who came together with the Roman conqueror.
Russian Jews who left the Former Soviet Union (FSU) and its Successor States after 1989 are considered as one of the best qualified migrants group worldwide. In the preferred countries of destination (Israel, the United States and Germany) they are well-known for cultural self-assertion, strong social upward mobility and manifold forms of self organisation and empowerment. Using Suzanne Kellers sociological model of “Strategic Elites”, it easily becomes clear that a huge share of the Russian Jewish Immigrants in Germany and Israel are part of various elites due to their qualification and high positions in the FSU – first of all professional, cultural and intellectual elites (“Intelligentsija”). The study aimed to find out to what extent developments of cultural self-assertion, of local and transnational networking and of ethno-cultural empowerment are supported or even initiated by the immigrated (Russian Jewish) Elites. The empirical basis for this study have been 35 half-structured expert interviews with Russian Jews in both countries (Israel, Germany) – most of them scholars, artists, writers, journalists/publicists, teachers, engineers, social workers, students and politicians. The qualitative analysis of the interview material in Israel and Germany revealed that there are a lot of commonalities but also significant differences. It was obvious that almost all of the interview partners remained to be linked with Russian speaking networks and communities, irrespective of their success (or failure) in integration into the host societies. Many of them showed self-confidence with regard to the groups’ amazing professional resources (70% of the adults with academic degree), and the cultural, professional and political potential of the FSU immigrants was usually considered as equal to those of the host population(s). Thus, the immigrants’ interest in direct societal participation and social acceptance was accordingly high. Assimilation was no option. For the Russian Jewish “sense of community” in Israel and Germany, Russian Language, Arts and general Russian culture have remained of key importance. The Immigrants do not feel an insuperable contradiction when feeling “Russian” in cultural terms, “Jewish” in ethnical terms and “Israeli” / “German” in national terms – in that a typical case of additive identity shaping what is also significant for the Elites of these Immigrants. Tendencies of ethno-cultural self organisation – which do not necessarily hinder impressing individual careers in the new surroundings – are more noticeable in Israel. Thus, a part of the Russian Jewish Elites has responded to social exclusion, discrimination or blocking by local population (and by local elites) with intense efforts to build (Russian Jewish) Associations, Media, Educational Institutions and even Political Parties. All in all, the results of this study do very much contradict popular stereotypes of the Russian Jewish Immigrant as a pragmatic, passive “Homo Sovieticus”. Among the Interview Partners in this study, civil-societal commitment was not the exception but rather the rule. Traditional activities of the early, legendary Russian „Intelligentsija“ were marked by smooth transitions from arts, education and societal/political commitment. There seem to be certain continuities of this self-demand in some of the Russian Jewish groups in Israel. Though, nothing comparable could be drawn from the Interviews with the Immigrants in Germany. Thus, the myth and self-demand of Russian “Intelligentsija” is irrelevant for collective discourses among Russian Jews in Germany.
The essay compares the dichotomous concepts of corporeality and spirituality in Judaism and Christianity. Through the ages, deviations from normative principles of beliefs could be discerned in both religions. These can be attributed either to the somewhat confrontational interaction between Jews and Christians in the Medieval urban environment or to the impact of Hellenic civilization on both monotheistic religions. Out of this dynamic impact emerged Christian art with a predilection to expressed corporeality, whereas Jewish religiosity found its artistic expression in a spiritual noniconographical mode. A genuine Jewish art and iconography could develop only after a certain degree of assimilation and secularization. Marc Chagall was the first protagonist of a mature expression of Jewish iconography.
Immobile Tremor
(2011)
The threshold between the XVth and the XVIth Century represents a historical period during which, both for Christians and for Jews, the geopolitical sceneries and the interior horizons radically change. The modified reality provokes new forms of expectation and the need of new historical interpretations. Ferrara, within this scenery, can be considered, as other Italian cases, as a paradigmatic example, a narrow space where phenomena of spiritual and cultural Jewish rebirth can take shape. The permeability between Christian artistic and cultural world and Jewish intellectual production determines a prosperous context, further strengthened by the introduction of Jewish typography and by a growing claim and restoration of social elective dignity among the Jews of the Este Duchy. After the transfer of the capital city from Ferrara to Modena, the indirect effects of this intellectual resurgence are deeply transformed on a social level, and allows us to catch the persistence of important forms of communication between Christians and Jews in everyday life. The introduction of the Inquisition provides us, through the production of the judicial archive, with the most important instrument to understand social dynamics, which allows us to comprehend a new potential interpretation key for the reality of the ghetto and the choice of its erection. The urban division is nothing else but a new attempt to separate the invisible spaces of the thought. The effective efficacy of the physical separation shows several weak points, which persist during the entire life of the ghetto, since 1638 until 1789.
Yoel Hoffmann is an Israeli writer born in 1937 in Brasov (Kronstadt), Romania. Brought up in a German-speaking family, already in his first book, Sefer Yosef (1989), he conveys the voice of German-speaking immigrants in Israel (the “Katschen” story, 1986) and that of the East European Jewish community in Berlin in the late 1930s, on the verge of the Second World War. His works are crammed with characters of Jews from Germany gripped by the memory of the language they abandoned following their emigration to Palestine in the 1930s. The classic one is the character of Bernhard, in the eponymous work. The current article focuses on the representation and elaboration of Hoffmann’s unique creation, in a language influenced by his deep identification with Zen Buddhism on the one hand, and his attraction to the modernist, Western style of stream of consciousness on the other. In central sections of his works, Hoffman presents his entire literary corpus as a type of explicit, allusive, or secret Holocaust literature, and invites his readers and his critics to decode the allusions and expose the secret in this theme, a surprising statement in relation to Hoffmann’s work and its analysis so far. Hoffmann represents the Holocaust as a collective Israeli trauma for which his literary fiction creates a special catalogue of representative characters. In the creation of a catalogue, and particularly one that simultaneously classifies and individualizes, Hoffmann’s project resembles the monumental 1920s cataloguing project by the celebrated German photographer August Sander (Menschen des 20. Jahrhunderts). Hoffmann included photographs from this project in his works, and even chose some of them for the covers of his books. The article examines the implicit relationships between these two creative artists as conferring a meaning so far not considered in the research of the Holocaust theme in Yoel Hoffmann’s writings.
rezensiertes Werk: Marx, Peter W.:Ein theatralisches Zeitalter : Bürgerliche Selbstinszenierungen um 1900. - Tübingen [u.a.] : A. Francke, 2008. - 429 S. ISBN 978-3-772-08220-7
This article considers one of the major weaknesses in the existing historiography of Irish Jewry, the failure to consider the true extent and impact of antisemitism on Ireland’s Jewish community. This is illustrated through a brief survey of one small area of the Irish-Jewish narrative, the Jewish relationship with Irish nationalist politics. Throughout, the focus remains on the need for a fresh approach to the sources and the issues at hand, in order to create a more holistic, objective and inclusive history of the Jewish experience in Ireland.
This paper explores questions surrounding corporeality and heavenly ascent, in texts ranging from 1 Enoch to the Hekhalot literature, including Philo’s works. It examines both descriptions of the heavenly realms and accounts of the ascent process. Despite his Platonic apophaticism, Philo superimposes cosmological and spiritual heavens, and draws upon the biblical imagery of dazzling glory. Although they do not express themselves in philosophical language, the heavenly ascent texts make it clear that human beings cannot ascend to heaven in their earthly bodies, and that God cannot be seen with terrestrial eyes. In terms of ideas they are not so far from the philosopher Philo as might at first appear.
This article examines Pierre Nora’s concept of memory using the examples of York and Winchester to demonstrate the individuality of local approaches to the memory of medieval Anglo-Jewries. Overall, this paper will highlight how memory can be rescued from a period of prolonged silence and reintegrated back into a wider historical narrative. Conversely it will also examine how in stark contrast to this new attitude of remembering the silence surrounding Jewish memory continues to exist elsewhere. Finally this paper will ask why this silence remains, and question whether Nora’s theory that memory is constantly evolving is applicable to the experiences of Jewish memory in York and Winchester.
There Is No Return To Egypt
(2013)
Who are those Polish Jews, who in the wake of the Antizionist Campaign of the year 1968 left their home country and migrated to Israel? How do they, 40 years after these traumatic events, look back at their own history? Which development have they made in the Jewish State, a society torn by wars and inner political tensions? How do they live in Israel at the beginning of the 21st century? In the documentary There Is No Return To Egypt seven members of the Polish-Jewish migration cohort of the late 1960s, early 1970s and there todays environment are represented. These people, while being on camera in their mid-fifties till late seventies of age, allow an intimate view into their Israeli-Polish daily-life and into their world of memories. Interestingly, having survived the atrocities of the Shoah and being forced out of Poland some twenty years later, the older interviewees draw their very own conclusions for their further lives in Israel. In contrast, the younger interviewees deal very differently with the loss of their home and the break in their career life caused by the Antizionist Campaign. The personalities presented in this documentary have various professions: There is a successful musician, a former employee at the Israeli broadcasting service, and there are skilled workers. Their religious identities widely vary: from Jewish orthodox and national-religious to atheist to Judeo-Christian. The protagonists in There Is No Return To Egypt do also represent the political spectrum of Israel: from members of the chauvinist-militarist camp through to members of the peace movement. At the same time, the shooting locations in the documentary are important stages of life for the seven 1968ers: the home being decorated for Shabbat or for Israels national holiday Yom ha-atzmaut, the working place, an army museum, a Jewish settlement in the Palestinian Westbank, a Shoah memorial event at the university campus, a pop concert and a peace demonstration.
The political and social changes with which the 19th century began in the Balkans after a great part of their territories were taken over by the Austrian Empire, also resulted in social and intellectual activity and created a new framework in the relationship with the Ottoman Empire. Vienna turned into the shelter of many citizens from the Balkans who then became the transmitters of innovation to their co-citizens through their contact with central European culture. In this sense, the members of Jewish communities participated as much as members of other ethnical and social groups. The most prominent of these Jews was Israel Hayim de Belogrado (‘of Belgrade’), who developed an important intellectual work in the Austrian capital between 1813 and 1837. He even reformed Judeo-Spanish spelling and introduced new methodologies for learning Hebrew as a second language, based on the use of a trilingual nomenclature (Hebrew, Judeo-Spanish, German) when presenting the lexical repertoire.
In this article we analyze several examples of the syntactic structure ansí un...(Eng. such a...) apparently calqued from the German expression so ein... that can be found in different Judeo-Spanish texts since the second half of 19th Century. Although the eldest examples appeared in Judeo-Spanish translations of German novels, published in Vienna – what suggests that they could be mere cases derived from a kind of translation too attached to the original –, we can also find more examples in Sephardic texts produced outside the German speaking area (Bosnia, Bulgaria, etc.), not being necessarily translations of a German original. Dealing with all these cases, we will try to trace (and explain) the spread of the ansí un syntactic structure in modern Judeo-Spanish prose.
Kotzo shel yod by Y. L. Gordon (1832–1892) – one of the prominent intellectuals of the Jewish Enlightenment period – is a well-known Hebrew poem. This poem is characterized by a daring, sharp criticism of the traditional Jewish institutions, which the author felt required a critical shake-up. Gordon’s literary works were inspired by the Jewish Ashkenazi world. This unique and pioneering literary work was translated into Judeo-Spanish (Ladino). The aim of this article is to present the Sephardic version of Gordon’s poem. The article will attempt to examine the motives behind the translation of this work into Ladino, the reception of the translated work by its readership and the challenges faced by the anonymous translator who sought to make this work accessibleto the Ladino-reading public, in the clear knowledge that this version was quite far removed from the Ashkenazi original from which it sprang.
The Babylonian Talmud (BT) attributes the idea of committing a transgression for the sake of God to R. Nahman b. Isaac (RNBI). RNBI's statement appears in two parallel sugyot in the BT (Nazir 23a; Horayot 10a). Each sugya has four textual witnesses. By comparing these textual witnesses, this paper will attempt to reconstruct the sugya's earlier (or, what some might term, original) dialectical form, from which the two familiar versions of the text in Nazir and Horayot evolved. This article reveals the specific ways in which, value-laden conceptualizations have a major impact on the Talmud's formulation, as we know it today.
The Babylonian Talmud (BT) attributes the idea of committing a transgression for the sake of God to R. Nahman b. Isaac (RNBI). RNBI's statement appears in two parallel sugyot in the BT (Nazir 23a; Horayot 10a). Each sugya has four textual witnesses. By comparing these textual witnesses, this paper will attempt to reconstruct the sugya's earlier (or, what some might term, original) dialectical form, from which the two familiar versions of the text in Nazir and Horayot evolved. This article reveals the specific ways in which, value-laden conceptualizations have a major impact on the Talmud's formulation, as we know it today.
From the 1940s well into the 1960s, a new sociocultural constellation let American Jews redefine their relationship to the religious tradition. This article analyzes the response of a religious elite of rabbis and intellectuals to this process, which was driven by various factors. Many American Jews were at least one generation away from traditional Judaism, which seemed out of place in postwar America. Liberal Judaism, with its narrow concept of religion, on the other hand, while fitting a larger social consensus, did not satiate many Jews' spiritual and identity needs. Sensing this deficit, rabbis and other religious thinkers explored broader concepts of Judaism. Religious journals that sprang up in the postwar decades served as vehicles for the attempt to understand Judaism in broader, cultural terms, while preserving a religious core. The article shows how in this search religious thinkers turned to the Eastern European past as a resource. As other groups similarly tried to mine this past for the sake of their present agendas, its reconstruction became a key process in the transformation of postwar American Judaism and its relationship to the tradition.
Hans Heinrich Schaeder is considered an important Iranist and historian of religion. For reasons of opportunism, careerism, and anti-Semitic resentment, he used the chance afforded him after the National Socialists seized power in Germany: he combined his historical and philological knowledge with National-Socialist racial ideology. Drawing on the superiority of “Aryanism” he derived from this merger, Schaeder tried to redefine the “Eastern Borders” of “European Culture”. In his concept, Armenians and Persians became integral elements of European culture and history, while Jews and “Semites” were excluded. In academia, publishing, and politics, he put himself at the service of the National-Socialist regime. In his own view, this served the struggle against Communism and the West’s social system. After the war, a de-Nazification commission concluded that there existed no reservations concerning his employment at Göttingen University.