Refine
Has Fulltext
- no (407) (remove)
Year of publication
- 2024 (1)
- 2023 (4)
- 2022 (8)
- 2021 (18)
- 2020 (18)
- 2019 (9)
- 2018 (10)
- 2017 (7)
- 2016 (14)
- 2015 (7)
- 2014 (14)
- 2013 (9)
- 2012 (15)
- 2011 (27)
- 2010 (23)
- 2009 (19)
- 2008 (24)
- 2007 (13)
- 2006 (17)
- 2005 (16)
- 2004 (20)
- 2003 (21)
- 2002 (16)
- 2001 (10)
- 2000 (8)
- 1999 (8)
- 1998 (8)
- 1997 (11)
- 1996 (14)
- 1995 (11)
- 1994 (3)
- 1993 (2)
- 1992 (1)
- 1991 (1)
Document Type
- Article (272)
- Review (44)
- Monograph/Edited Volume (42)
- Doctoral Thesis (30)
- Part of a Book (10)
- Other (8)
- Report (1)
Language
- English (407) (remove)
Is part of the Bibliography
- yes (407)
Keywords
- Germany (4)
- world literature (4)
- Conversation Analysis (3)
- Interactional Linguistics (3)
- Ludwig Leichhardt (3)
- singularity (3)
- Ali Smith (2)
- Eurocentrism (2)
- Europe (2)
- German colonialism (2)
Institute
- Institut für Anglistik und Amerikanistik (407) (remove)
Beyond humanitarianism
(2022)
While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called ‘classics’ from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this ‘world literature’, the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.
This book endeavours to understand the seemingly direct link between utopianism and the USA, discussing novels that have never been brought together in this combination before, even though they all revolve around intentional communities: Imlay’s The Emigrants (1793), Hawthorne’s The Blithedale Romance (1852), Howland’s Papas Own Girl (1874), Griggs’s Imperium in Imperio (1899), and Du Bois’s The Quest of the Silver Fleece (1911). They relate nation and utopia not by describing perfect societies, but by writing about attempts to immediately live radically different lives. Signposting the respective communal history, the readings provide a literary perspective to communal studies, and add to a deeply necessary historicization for strictly literary approaches to US utopianism, and for studies that focus on Pilgrims/Puritans/Founding Fathers as utopian practitioners. This book therefore highlights how the authors evaluated the USA’s utopian potential and traces the nineteenth-century development of the utopian imagination from various perspectives.
The parallel-opposition construction has not yet been widely described as an independent construction type. This article reports on its realization in everyday British-English conversation. In particular, it focusses on prosodic projection in the lexically and syntactically unmarked first component of this syntactic pattern, and thus adds to the body of research investigating the organization of turn-taking in the context of bi-clausal constructions with which the first part lacks explicit lexical hint, to their continuation. It is shown that the parallel-opposition construction, next to specific semantic-pragmatic, syntactic and lexical features, also exhibits a relatively fixed range of prosodic features in the first conjunct, among these narrow focus, continuing intonation and/or the avoidance of intonation-unit boundary signals. These are used to project continuation of an otherwise complete utterance and, thus, to secure the floor for the expression of contrast. In addition, the detailed analysis of apparently deviant cases, which takes into account the on-line production of syntax, shows that a lack of prosodically projective features in the first component of the parallel-opposition construction can be explained by the strategic, retrospective use of the construction to resolve problems in turn transition.
“Chunking” spoken language
(2021)
In this introductory paper to the special issue on “Weak cesuras in talk-in-interaction”, we aim to guide the reader into current work on the “chunking” of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics – two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about “chunking” talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of “chunking” in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.
Today’s focus on the 1930s as a time of radical politics paving the way for the apocalypse of the Second World War ignores the complexity of the decade’s cultural responses, especially those by British women writers who highlighted gender issues within their contemporary political climate. The decade’s literature is often understood to capture the political unrest, either narrating people’s chaotic movement or their paralysed shock. This book argues that 1930s novels collapse the distinction between movement and standstill and calls this phenomenon Dynamic Stasis. This Dynamic Stasis thematically and structurally informs the novels of Nancy Mitford, Stevie Smith, Rosamond Lehmann and Jean Rhys. By disrupting the oft-repeated cliché of the 1930s as the age of political extremes, gender politics and negotiations of femininity can emerge from the discursive periphery. This book therefore corrects a persistent gender blind spot, which opens up a (re)consideration of authors that have been overlooked in literary criticism of 1930s to this day.
This paper presents a study of PH, a woman with aphasia, who shows a robust impairment in naming pictures of non-living relative to living things. Un-timed investigations of feature knowledge show similar performance across categories suggesting that, as in previous studies, the category effect may be arising at a post-semantic level. However, her performance on a timed feature verification task was slower for non-living than living things (relative to matched controls), in line with her naming. This suggests that the source of PH's category deficit is in fact semantic and that thorough investigation is necessary before claiming a post-semantic category specific deficit in word production. Finally, the results of an intervention study, which apparently eliminated the effect of semantic category on PH's naming, are reported.
Davis, A., Wells, S., Shakespeare and the moving image; Cambridge, Cambridge Univ. Press, 1994
(1996)
Visual Culture
(2004)
Reason and imagination in English Romanticism : S.T. Coleridge as a culmination point of his time
(2004)
Stemming the torrent : expression and control in Victorian discourses on emotion, 1830 - 1872
(2003)
Romancing the condition of england : making the academic novel work in the literary market place
(2002)
Background: A large number of studies examining agrammatic comprehension of canonical and non-canonical sentences in Broca's aphasia have focused on passives and results have been interpreted in theoretical frameworks such as the trace deletion hypothesis (TDH: Grodzinsky, 1995a). However, there are a number of unresolved issues associated with passives. The linguistic analysis of passive structures in different languages has remained controversial as well as the empirical neurolinguistic basis of agrammatic passive comprehension. In addition, a variety of morphological and semantic questions have been raised with respect to the implicit argument in short passives and the ordering of thematic roles reflected by different positions of the by-phrase in long passives. Aims: The major aims of the present study were to re-examine the analyses of passives with and without traces, the role of an implicit argument in short passives, and the influence of the position of the by-phrase on agrammatic sentence comprehension. Methods & Procedures: A binary picture-sentence matching task was administered to six non-fluent German agrammatic speakers. Various types of passives including long, short, and topicalised passives were tested. Additionally, comprehension of active SVO sentences was assessed in a separate but similar session. Only those patients whose comprehension on active sentences was above chance were included. Outcomes & Results: As a group, the six subjects performed above chance over all passive types. If only long canonical passives are considered, as is done in most studies, five subjects showed a pattern compatible with the TDH. However, the picture was modified if other passive constructions were taken into account, in which case only three of the six subjects showed TDH conformity. Conclusions: There is no unique pattern of agrammatic passive comprehension and only half of the agrammatic subjects conformed to the trace deletion hypothesis. Given the results on long canonical and topicalised passives, our data support linguistic analyses that assume a trace- based derivation of passives. Furthermore, the results are in line with linguistic analyses adopting an implicit argument in short passives. Since comprehension of topicalised passives with a canonical order of theta-roles was not better than that of long passives without a canonical order, the agrammatic problem with passives does not seem to hinge on semantics
Introduction
(2010)
Language portraits are useful instruments to elicit speakers' reflections on the languages in their repertoires. In this study, we implement a "portrait-corpus approach" (Peters and Coetzee-Van Rooy 2020) to investigate the conceptualisations of the languages Afrikaans and English in 105 language portraits. In this approach, we use participants' reflections about their placement of the two languages on a human silhouette as a linguistic corpus. Relying on quantitative and qualitative analyses using WordSmith, Statistica and Atlas.ti, our study shows that Afrikaans is mainly conceptualised as a language that is located in more peripheral areas of the body (for example, the hands and feet) and, hence, is perceived as less important in participants' repertoires. The central location of English in the head reveals its status as an important language in the participants' multilingual repertoires. We argue that these conceptualisations of Afrikaans and English provide additional insight into the attitudes towards these languages in South Africa.
Literary criticism, particularly ecocriticism, occupies an uneasy position with regard to activism: reading books (or plays, or poems) seems like a rather leisurely activity to be undertaking if our environment—our planet—is in crisis. And yet, critiquing the narratives that structure worlds and discourses is key to the activities of the (literary) critic in this time of crisis. If this crisis manifests as a ‘crisis of imagination’ (e.g. Ghosh), I argue that this not so much a crisis of the absence of texts that address the environmental disaster, but rather a failure to comprehend the presences of the Anthropocene in the present. To interpret (literary) texts in this framework must entail acknowledging and scrutinising the extent of the incapacity of the privileged reader to comprehend the crisis as presence and present rather than spatially or temporally remote. The readings of the novels Carpentaria (2006) and The Swan Book (2013) by Waanyi writer Alexis Wright (Australia) trace the uneven presences of Anthropocenes in the present by way of bringing future worlds (The Swan Book) to the contemporary (Carpentaria). In both novels, protagonists must forge survival amongst ruins of the present and future: the depicted worlds, in particular the representations of the disenfranchisement of indigenous inhabitants of the far north of the Australian continent, emerge as a critique of the intersections of capitalist and colonial projects that define modernity and its impact on the global climate.
Following recents calls for the inclusion of conceptual aspects into world Englishes research, I report in this article on conceptualizations of business negotiations by Brazilian and German business people. I conducted semi‐structured interviews in English with nine participants from each country. Subsequently, I analyzed conceptualizations of respect, success, and conflict in business negotiations by looking at ‘conceptual scripts’ underlying interviewees’ answers. Results point to differences in how the Brazilian and the German interviewees conceptualize business negotiations.
Contrary to earlier studies dealing with the cultural identity development of diasporic minorities, this paper assesses the impact of homogeneity on intra-group cohesion and ethnic orientation. To this end, Oromo-Americans, an ethnic group originally located within the national borders of Ethiopia, will be compared to Armenian-Americans, British-Pakistanis and Somali-Americans. Despite different circumstances, all four groups share the experience of displacement owing to war and destitution. Additionally, all groups are confronted with the ramifications of a visible minority status. In the process of comparing these groups, their degrees of homogeneity in regard to language and religion - central aspects of culture and cultural identity - will be examined and juxtaposed at a macro level. Based on the correlative relationship of group homogeneity and social cohesion, I argue that the more homogeneous a group is in terms of language and religion, the more close-knit it will be. Consequently, exiled minorities who share the same language and religion are more likely to develop and retain a strong ethnic orientation than groups who are heterogeneous with regard to language and/or religion.
The author examines the cultural identity development of Oromo-Americans in Minnesota, an ethnic group originally located within the national borders of Ethiopia. Earlier studies on language and cultural identity have shown that the degree of ethnic orientation of minorities commonly decreases from generation to generation. Yet oppression and a visible minority status were identified as factors delaying the process of de-ethnicization. Given that Oromos fled persecution in Ethiopia and are confronted with the ramifications of a visible minority status in the U.S., it can be expected that they have retained strong ties to their ethnic culture. This study, however, came to a more complex and theory-building result.
We present a patient with primary progressive aphasia who showed no problems dealing with a variety of semantic tasks for simple nouns and numerical material. However, massive impairments became apparent in all lexical input and output tasks for non-number words, whereas peripheral processing was demonstrated to be intact. Interestingly, no parallel impairment was observed for numerals. This is the first case study reporting an isolated sparing of number words at the level of lexical processing in all four modalities.
Defining britishhness from the margins : Peter Weir's gallipoli and hugh hudson's chariots of fire
(2003)
Labour and Gender
(2010)
Introduction
(2003)
Reading song lyrics
(2010)
Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"
(2005)
Introduction
(2007)
The Culture of Lyrics
(2010)
Fred D'Aguiar
(2008)
Dionne Brand
(2008)
Caryl Phillips
(2008)
David Dabydeen
(2004)
In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive.
Erll, A., Mediation, remediation and the dynamics of cultural memory; Berlin, DeGruyter, 2009
(2010)
Recollecting bones
(2018)
This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.
Recollecting bones
(2020)
This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
Recollecting bones
(2018)
This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.
Reflections of Lusáni Cissé
(2020)
Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.