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Studies on the “uses of the past” have steadily and consistently advanced over the past twenty years. Following the seminal studies by Hobsbawm and Ranger and Benedict Anderson on the role of narratives of the past in constructing (national) identities, and thanks the always more widespread practice of reception studies, the attention for cultural memory and lieux de mémoire, and following, many publications have investigated the role of nearer and further time layers in defining and determining structures of identity and senses of belonging across the world. Didactics of history has also contributed a great deal to this field of studies, also thanks to the always more refined methodologies of school book analysis. Classical Antiquity has obviously not been neglected, and multiple studies have been dedicated to its role in the development and reinforcement of modern identities. Yet, not only some areas of the world have remained less considered than others, but most attention has been dedicated to national identities, nationalistic discourses, and their activation through historical narratives. This special issues of thersites wants to contribute further to research on the role of Classical Antiquity within modern identities, asking scholars to focus especially on areas that have been less strongly represented in scholarship until now.
This special birthday issue for Christine Walde, co-founder and co-editor of thersites, features contributions from colleagues and friends. The articles, essays, and book reviews, centering around the honoranda’s research interests as well as focusing on core topics of thersites, form a thematically varied mosaic (tessellae): innovative constructions of literary genres and poetics (especially bucolic, elegy, epic, and epigram), images of the city of Rome and its counterparts, sleep and dreams, history of classical scholarship, gender studies, and classical reception studies.
Geschichte ist überall – heute auch und vor allem in audiovisuellen Massenmedien. Mittlerweile sind Historienfilme und historische Dokumentationen, ganz gleich ob im Fernsehen, im Kino, im Internet oder auf mobilen Datenträgern, zu wichtigen Medien der populären Präsentation und Projektion allgemeinhistorischen Wissens avanciert. Der vorliegende Band greift die geschichtswissenschaftliche Diskussion über Historienfilme auf und fragt u. a. danach, welche Bilder von Militär und Gesellschaft der Frühen Neuzeit Historienfilme vermitteln, aus welchen Gründen und mit welchen Mitteln sie dies tun. Aus vorwiegend geschichtswissenschaftlicher Perspektive untersuchen die einzelnen Beiträge filmische Inszenierungen von Vergangenheit: deren innerfilmische Realitäten, Produktionsbedingungen, Gegenwartsbezüge und Rezeptionsweisen.