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The European Values Education (EVE) project is a large-scale, cross-national, and longitudinal survey research programme on basic human values. The main topic of its second stage was family values in Europe. Student teachers of several universities in Europe worked together in multicultural exchange groups. Their results are presented in this issue.
Relating to students
(2013)
Deepening understanding
(2013)
Value creation in scene-based music production - the case of electronic club music in Germany
(2013)
The focus of this article is on the variability of value creation in the popular music industry. Recent trends in electronic music have been based on both the valorization of global tastes and of local specialities in performance and production. Depending on musical styles and market niches, local scenes have become important forces behind heterogeneous globalocal markets. At the same time, technological change and the virtualization of music production and distribution contribute to increasingly differentiated configurations of value creation. It is therefore necessary to reconstruct theoretically and empirically the new interplay among the local music production, digital media markets, and virtual communities that are involved. On the basis of empirical explorations in a German hot spot of electronic club-music production (the city of Berlin), the article indentifies local interaction practice and constellations of stakeholders. The findings show that value creation in these rapidly changing production scenes has moved away from the large-scale distribution of producer-induced media to audience-induced live performance and interactive soundtrack production. This change involves the rising importance of cultural embeddings such as taste building, reputation building among artists and producers, and local community building. Starting from an open theoretical problematization of value creation with regard to fluid scenes and shifting modes of production, the results of first empirical reconstructions are taken as inputs to an evolving discussion on the configurations of value creation in consumer-based strands of music production.
Moroccans are the largest group of immigrants in Spain. Once they arrive at the new place, one of their first necessities is to access shelter. Focusing on the south-eastern region of Murcia in Spain and combining quantitative and qualitative data, I explore the process of housing market integration of Moroccan migrants. Special attention is paid to the dynamics of this process and the role that the interaction between the supply side and the foreign demand of accommodation plays. Thereby, I will emphasise how an unfavourable structure of the housing market, along with behaviour of local private landlords on the supply side leads to considerable problems concerning the housing market integration of migrants in Spain. Thus, this paper aims to give a more accurate interpretation of the dynamics influencing the housing outcomes of migrants in the studied area.