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Themenschwerpunkt HUMBOLDT UND DARWIN:
Inhalt:
- Ingo Schwarz: Carl Gustav Carus und Alexander von Humboldt - Briefwechsel
- Rolando E. Misas Jiménez: El Ensayo Político de Humboldt sobre Cuba: presencia y ausencia de pensamientos habaneros sobre esclavitud y ciencia (1801-1826)
- Bernhard Hunger: Spurensuche einer Rezeptionsgeschichte - Alexander von Humboldt und Johann Gottfried Herder
- Christian Helmreich: Geschichte der Natur bei Alexander von Humboldt
- Petra Werner: Zum Verhältnis Charles Darwins zu Alexander v. Humboldt und Christian Gottfried Ehrenberg
- Ilse Jahn: „Dem Leben auf der Spur.“ Die biologischen Forschungen Alexander von Humboldts
- Ulrike Leitner: Einleitung
- Frank Baron: From Alexander von Humboldt to Frederic Edwin Church: Voyages of Scientific Exploration and Artistic Creativity
- Rex Clark: Alexander von Humboldt‘s Images of Landscape and the ‚Chaos of the Poets
- Detlev Doherr: The Humboldt Digital Library: Exploring Innovative Structures
- Wolfgang Griep: Die Bedeutung der Umkreisquellen für Alexander von Humboldts südamerikanische Reise
- Ulrike Leitner: Vielschichtigkeit und Komplexität im Reisewerk Alexander von Humboldts – Bibliographischer Hintergrund
- Markus Schnoepf: El Proyecto Humboldt: Una biblioteca digital para las expediciones científicas a las Islas Canarias
Stephen Jay Gould wrote recently that “when Church began to paint his great canvases, Alexander von Humboldt may well have been the world’s most famous and influential intellectual.” Humboldt’s influence in the case of the landscape artist Church is especially interesting. If we examine the precise relationship between the German explorer and his American admirer, we gain an insight into how Humboldt transformed Church’s life and signaled a new phase in the career of the artist. Church retraced Humboldt’s travels in Ecuador and in Mexico. If we compare the texts available to Church and the comparison of Church’s paintings and the texts and images of Humboldt’s works we can arrive at new perspectives on Humboldt’s extraordinary influence on American landscape painting in the nineteenth century.