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Die "europäischen Wilden"
(2023)
Der Kunst wird seit langem nachgesagt, dem Subjekt ein anderes Verhältnis zur Natur zu eröffnen, als dies die gewöhnliche theoretische oder praktische Erkenntnis ermöglicht. Statt die Natur zum distanzierten Objekt unserer Betrachtung zu machen oder zum bloßen Material und Mittel unserer praktischen Konstruktionen, erschließt sich uns in der Kunst eine Intelligibilität der Natur, die weiter reicht als unsere Begriffe, und eine Natürlichkeit unserer selbst, die uns mit dem verbindet, was uns sonst bloß gegenübersteht. Vor diesem Hintergrund scheint es nicht verwunderlich, dass die jüngeren Diskussionen um das problematische Verhältnis zur Natur, die das Anthropozän geprägt haben, immer wieder den Blick auf die Kunst richten und ihr Vermögen hervorheben, den problematischen modernen Gegensatz von Subjekt und Objekt, Geist und Natur zu überwinden, der uns in diese missliche Lage gebracht hat. Wenn die Kunst hier aber weiterführen soll, dann muss sie über die klassischen ästhetischen Paradigmen des Schönen und des Erhabenen hinausführen. Das Schöne träumt von einer Passung von Subjekt und Natur, die im Anthropozän gerade in Frage steht, und das Erhabene verwendet die Übermacht der Natur als Vehikel, um eine Macht im intelligiblen Subjekt zu markieren, die von der natürlichen Übermacht unberührt bleibt. Diese klassischen Figuren ästhetischer Erfahrung verstellen so, wie tiefgreifend wir das Naturverhältnis neu bestimmen müssen, um auf das Anthropozän zu antworten.
Any conception in linguistics and linguistic philosophy that prioritizes the world-disclosing function over the world-representing function of language can be regarded as a kind of linguistic hermeneutics. The paper tries to specify this general thesis by picking up and analysing historical trends in the philosophy of language. It spells out the relationship between the situatedness of locutors in the medium of linguistic practices and the way in which they (through their speech acts) articulate this medium by actualizing possibilities for personal expressivity and interpersonal communication. It is argued that the starting point from the medium that always already transcends the particular speech acts offers an alternative to inferential semantics. From the perspective of linguistic hermeneutics, the world is disclosed and exposed to ongoing articulation in characteristic hermeneutic situations of language use. The concepts of linguistic medium and discursive articulation of the world are treated in terms of hermeneutic trans- subjectivity as enabling all forms of communicative intersubjectivity. If one ignores the fore-structuring role of the former, one would hypostatise the latter. With regard to this claim, the theory of formal pragmatics is critically discussed.
Der geistig-kulturelle Umgang mit der Covid-19-Pandemie und ihrer Wirtschaftskrise als Testfall
(2021)
Why has the global West (North America, Europe) handled the covid-19 pandemic and the corresponding economic crisis so much worse than the global East (East Asia)? The crises demonstrate the degree to which the West is shaped by its forms of competition and the East by its forms of cooperation. In the West, we have become habitualised to American neoliberalism over the last two generations. In the East, varieties of neo-Confucianism and neo-Buddhism have been transformed into national cultures. The way humans understand their position in the world intellectually and react to crises according to corresponding habit makes an effective difference. The present comparison between global East and West makes use of Hannah Arendt's conception of politics and the shared world as well as of Helmuth Plessner's conception of mediated immediacy in forms of modern biopower. The pandemic is a catalyst within the decline of the West and the rise of the East.
Naturalism is the current orthodoxy in analytic philosophy. Naturalism is the conjunction of the (ontological) claim that all that truly exists are the entities countenanced by the natural sciences and the (epistemological) claim that the only true knowledge is natural-scientific knowledge. Drawing on some recent work in Critical Theory, this article argues that naturalism qualifies as an ideology. This is the case because naturalism meets three key aspects shared by paradigmatic cases of ideology: (i) naturalism has practical consequences and implications of a specific kind, (ii) those endorsing naturalism fall prey to a dual deception: having false meta-level beliefs about naturalism as being without alternative, and (iii) naturalism has a tendency towards self-immunisation. The article ends by suggesting we pull naturalism out of our collective cognitive backgrounds onto the main stage of critical discourse, making it a proper topic for philosophical critique again.
Gattungswesen
(2022)
In which sense can human beings be conceived as social animals? To elucidate this question, the present paper (I) distinguishes the logical sociality of all living beings from the material sociality of social animals and the political sociality of self-conscious social animals. (II) The self-conscious political sociality that characterises the human genus-being requires a complex interplay of first and second person through which alone we can participate in our form of life and determine its content. (III) The human form of life thus constituted is characterised by a particularly open, and at the same time precarious, membership which involves specific forms of vulnerability and power. (IV) Against this background, forms of objective spirit are necessary which grant us a generalized recognition and relieve us from the contingency of each particular second-personal recognition, without abandoning the openness of the sociality of the human form of life. This double requirement has led to paradoxical institutions in modern society which strive to protect and ensure the sociality of the human form of life precisely by naturalising and individualising our access to it.
Lebenswissen nach Cavell
(2009)
Wiederholte Wiederholung
(2009)
In Quest of Subjectivity
(2009)