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Achtsam Wissen schaffen
(2020)
Ein Ergebnis der interkulturellen Beziehungen in Südostasien sind die immer noch existierenden portugiesisch-basierten Kreolsprachen Papia Kristang und Macaísta, die zu Muttersprachen von Generationen von Menschen in Malakka und Macau geworden sind. Welche Faktoren bewirken den Sprachwandel dieser Idiome, und wie ist dieser erkennbar? Dieser Band beschäftigt sich nicht nur mit der Sprachdynamik der portugiesisch-basierten Kreolsprachen Südostasiens, sondern auch mit anderen wesentlichen Fragestellungen der Variationslinguistik. Als Basis dienen die Ergebnisse einer empirischen Datenerhebung, die insbesondere die Veränderungen im Sprachgebrauch dokumentieren. Darüber hinaus stellt der Autor neue Resultate hinsichtlich der Sprachidentifikationen vor, die nicht nur für die Kreolistik von Bedeutung sind, sondern auch fachübergreifend für das Interesse der allgemeinen Sprachwissenschaft.
Sängers Glück
(2020)
The German singer-songwriter Reinhard Mey, although not pretending to be a second Orpheus, nevertheless appears to be very familiar with classical myth.
„An Herrn Prof. A. Wlosok“
(2020)
In contrast to other European countries, female professors of Classical Philology have been severely underrepresented in Germany. This article wants to shed light on Antonie Wlosok (1930–2013), the first or second woman to hold a Chair of Classical Philology in Germany. How can Wlosok’s work at Johannes Gutenberg University Mainz be described, considering especially the very male-dominated academic world? Based on testimonials from the university archives and selected publications, this essay aims to give insights to this question, highlighting current debates about women in academia.
Lotte Eisner
(2020)
Lotte Eisner (1896–1983) is without doubt one of the most important early film critics and pioneers of film history. In the history of Classical Studies, however, she plays no role. She is not even mentioned in the relevant scholarly books or articles, although she received a doctorate degree in Classical Archaeology. But it is worth taking a closer look at this relatively short phase of her life. The following lines are to be understood as a sketch of her specific ‘archaeological’ view of German Expressionist silent films. Lotte Eisner herself comments on this in her autobiography.
This article analyses, as an example of the advertising of cosmetic products, a campaign launched by the US-American company “Johnson Soap” for their product, the facial soap “Palmolive”. Examining its ads of 1911 in which certain ancient exempla are employed, it becomes clear that the Palmyrene queen Zenobia and with her the semi-historical Semiramis and the more mythical Dido are aligned to the “1001 Nights” character Scheherazade. Since they are jointly labelled as “historically famous oriental queens” and because of the reference to Zenobia’s white skin, they fall into the fantasy of fair-skinned harem women and evoke thoughts of all the pleasures and comforts of the luxurious Orient. To the modern female customer of 1900 (well steeped in the knowledge of those ancient characters) Zenobia and the other exempla should serve as celebrities worth emulating. Above all they are deemed to be beautiful, and experts in cosmetics which would guarantee the effect of the product they are standing for. A finding that proves to be valid even in an advertising concept of today for the Syrian-German “Zhenobya-soap”.
Träume statt Theurgie
(2020)
In his work De insomniis (On Dreams), Synesios adopts a rather critical view of theurgy, resembling Porphyry’s attitude; his wording shows polemical exaggeration. His insistence on the usefulness of dream revelation for hunting might be read as a (not too serious) claim to the divine inspiration of his work κυνηγετικαί.