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Contents: Artem Polyvanny, Sergey Smirnow, and Mathias Weske The Triconnected Abstraction of Process Models 1 Introduction 2 Business Process Model Abstraction 3 Preliminaries 4 Triconnected Decomposition 4.1 Basic Approach for Process Component Discovery 4.2 SPQR-Tree Decomposition 4.3 SPQR-Tree Fragments in the Context of Process Models 5 Triconnected Abstraction 5.1 Abstraction Rules 5.2 Abstraction Algorithm 6 Related Work and Conclusions
“The UN Peacebuilding Commission – Lessons from Sierra Leone” by political scientist Andrea Iro is an assessment of the United Nations Peacebuilding Commission (PBC) and the United Nations Peacebuilding Fund (PBF) by analysing their performance over the last two years in Sierra Leone, one of the first PBC focus countries. The paper explores the key question of how the PBC/PBF’s mandate has been translated into operational practice in the field. It concludes that though the overall impact has been mainly positive and welcomed by the country, translating the general mandate into concrete activities remains a real challenge at the country level.
INTRICATE/SEC 2012 Workshop held in Conjunction with The 11th Information Security South Africa Conference (ISSA 2012).
Thomas Mann und die Romantik
(2013)
Essay über Thomas Mann, sein Verhältnis zur Romantik und die romantischen Elemente in seinem Werk. Die Gliederung des Textes folgt mit sieben Abschnitten dem Vorbild des "Zauberberg" (1924), der eine wichtige Rolle in Peters' Ausführungen spielt. Kommentare zu Thomas Manns Bildungsroman sind eingebettet in Betrachtungen zu der Polarität von Klassik und Romantik oder zu Künstlertum und Bürgertum. Der 4. Abschnitt des Essays befasst sich mit den "himmelblauen" Vorurteilen zur Romantik und hebt die ganzheitliche Weltkonzeption der Romantiker hervor sowie deren humanistisch geprägtes, am Universalmenschen der Renaissance orientiertes Bildungsideal. Das Manuskript von "Thomas Mann und die Romantik" befindet sich im zweiten Heft des Manuskriptes von "Heine Steenhagen wöll ju dat wiesen!" und steht in einem metadiskursiven Verhältnis zu Peters' parodistischem Bildungsroman: im 7. und letzten Kapitel seines Essays befasst sich Peters mit Romantheorie auf der Grundlage von Zitaten aus Novalis und Thomas Mann ("Versuch über das Theater"). Er unterstreicht hier zentrale Merkmale des Bildungsromans und entwickelt so die Poetik zu "Heine Steenhagen".
This volume offers new arguments and perspectives in the ongoing debate about the optimal analysis of verb movement, mainly, but not exclusively, in German. Fanselow and Meinunger deal with verb second (V2) movement in German main clauses. Fanselow argues that head movement of the substitution type follows the standard minimalist conceptions of Merge and Move and is therefore not subject to the same objections as head movement as head adjunction which violates Chomsky's minimalist extension condition, operates countercyclically, and fails to let the moved head c-command its trace. Fanselow argues for V2 movement as head movement of the substitution type. Meinunger discusses a restriction on V2 movement imposed by phrases like "mehr als" ('more than'), as in "Der Wert hat sich weit mehr als verdreifacht" ('the value has far more than tripled') where V2 movement is ruled out (cf. *"Der Wert verdreifachte sich mehr als"). Meinunger claims that this restriction is best analysed in phonological terms: the preposition/complementiser "als" acts as a prefixal clitic to its host, the finite verb, which therefore may not move without it. With respect to the V2 debate, Meinunger argues for an interface perspective. He shows that V2 is restricted from both the conceptual and the phonological interface. Vogel, finally, discusses the syntax of clause-final verbal complexes and their dialectal variation in German. He compares three different syntactic analyses, a minimalist head movement analysis, a minimalist XP movement analysis, and an Optimality theoretic PF movement analysis. The three accounts are evaluated relative to the additional assumptions they have to make, the complications they face and how they fit the observations. Vogel argues in favour of the phonologically oriented OT analysis because of its ability to create a direct link between the coming about of a particular word order pattern and its basically phonological trigger. Each of the three papers recognises the relevance of surface forms in the analysis of German verb movement. They differ, however in the extent to which phonological aspects take part in the explanations they offer.
Time series analysis
(2004)
This paper studies the persistence of daily returns of 21 German stocks from 1960 to 2008. We apply a widely used test based upon the modified R/S-Method by Lo [1991]. As an extension to Lux [1996] and Carbone et al. [2004] and in analogy to moving average or moving volatility, the statistics is calculated for moving windows of length 4, 8, and 16 years for every time series. Periods of persistence or long memory in returns can be found in some but not all time series. Robustness of results is verified by investigating stationarity and short memory effects.
In this study we examine the tonal organization of a series of recordings of liturgical chants, sung in 1966 by the Georgian master singer Artem Erkomaishvili. This dataset is the oldest corpus of Georgian chants from which the time synchronous F0-trajectories for all three voices have been reliably determined (Müller et al. 2017). It is therefore of outstanding importance for the understanding of the tuning principles of traditional Georgian vocal music.
The aim of the present study is to use various computational methods to analyze what these recordings can contribute to the ongoing scientific dispute about traditional Georgian tuning systems. Starting point for the present analysis is the re-release of the original audio data together with estimated fundamental frequency (F0) trajectories for each of the three voices, beat annotations, and digital scores (Rosenzweig et al. 2020). We present synoptic models for the pitch and the harmonic interval distributions, which are the first of such models for which the complete Erkomaishvili dataset was used. We show that these distributions can be very compactly be expressed as Gaussian mixture models, anchored on discrete sets of pitch or interval values for the pitch and interval distributions, respectively. As part of our study we demonstrate that these pitch values, which we refer to as scale pitches, and which are determined as the mean values of the Gaussian mixture elements, define the scale degrees of the melodic sound scales which build the skeleton of Artem Erkomaishvili’s intonation. The observation of consistent pitch bending of notes in melodic phrases, which appear in identical form in a group of chants, as well as the observation of harmonically driven intonation adjustments, which are clearly documented for all pure harmonic intervals, demonstrate that Artem Erkomaishvili intentionally deviates from the scale pitch skeleton quite freely. As a central result of our study, we proof that this melodic freedom is always constrained by the attracting influence of the scale pitches. Deviations of the F0-values of individual note events from the scale pitches at one instance of time are compensated for in the subsequent melodic steps. This suggests a deviation-compensation mechanism at the core of Artem Erkomaishvili’s melody generation, which clearly honors the scales but still allows for a large degree of melodic flexibility. This model, which summarizes all partial aspects of our analysis, is consistent with the melodic scale models derived from the observed pitch distributions, as well as with the melodic and harmonic interval distributions. In addition to the tangible results of our work, we believe that our work has general implications for the determination of tuning models from audio data, in particular for non-tempered music.
Scrollytellings are an innovative form of web content. Combining the benefits of books, images, movies, and video games, they are a tool to tell compelling stories and provide excellent learning opportunities. Due to their multi-modality, creating high-quality scrollytellings is not an easy task. Different professions, such as content designers, graphics designers, and developers, need to collaborate to get the best out of the possibilities the scrollytelling format provides. Collaboration unlocks great potential. However, content designers cannot create scrollytellings directly and always need to consult with developers to implement their vision. This can result in misunderstandings. Often, the resulting scrollytelling will not match the designer’s vision sufficiently, causing unnecessary iterations. Our project partner Typeshift specializes in the creation of individualized scrollytellings for their clients. Examined existing solutions for authoring interactive content are not optimally suited for creating highly customized scrollytellings while still being able to manipulate all their elements programmatically. Based on their experience and expertise, we developed an editor to author scrollytellings in the lively.next live-programming environment. In this environment, a graphical user interface for content design is combined with powerful possibilities for programming behavior with the morphic system. The editor allows content designers to take on large parts of the creation process of scrollytellings on their own, such as creating the visible elements, animating content, and fine-tuning the scrollytelling. Hence, developers can focus on interactive elements such as simulations and games. Together with Typeshift, we evaluated the tool by recreating an existing scrollytelling and identified possible future enhancements. Our editor streamlines the creation process of scrollytellings. Content designers and developers can now both work on the same scrollytelling. Due to the editor inside of the lively.next environment, they can both work with a set of tools familiar to them and their traits. Thus, we mitigate unnecessary iterations and misunderstandings by enabling content designers to realize large parts of their vision of a scrollytelling on their own. Developers can add advanced and individual behavior. Thus, developers and content designers benefit from a clearer distribution of tasks while keeping the benefits of collaboration.
Der vierte Band der Potsdamer Textbücher bringt erstmals den klassischen Text der Politikwissenschaft zum Thema diktatorische Herrschaftssysteme in deutscher Sprache. Juan Linz reflektiert darin die Debatten um Totalitarismus und Demokratie und beschreibt die autoritäre Herrschaft als eigenständige Form politischer Machtausübung. Es ist eine exzellente Auseinandersetzung mit den politischen Phänomenen des 20. Jahrhunderts, die sich durch theoretische Tiefe, empirische Fülle und methodische Klarheit auszeichnet.