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While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called ‘classics’ from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this ‘world literature’, the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.
In this introductory article to the special issue, we ask what role sexuality plays in the reproduction and contestation of border regimes and think sexuality towards its various entanglements with border control. As borders have been understood as a method for reproducing racialized distinctions, we argue that sexuality is also a method of bordering and illustrate how sexuality works as a key strategy for the capture, containment and regulation of mobility and movement. Taking a transnational approach, we bring together queer scholarship on borders and migration with the rich archive of feminist, Black, Indigenous and critical border perspectives to suggest that these strategies need to be understood in close relation to the (I) intersecting dynamics of colonial histories of racialization, (II) national regimes of reproductive control and (III) the containment of contagion, disease and sexual deviance.