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Präexistente Musik im Film
(2022)
Vom Weltuntergang mit Richard Wagners "Tristan und Isolde" über die Gesangsperformance einer zum Tode verurteilten Björk am Galgen bis hin zu Johann Sebastian Bachs Orgelmusik als Erklärungsmodell für Hypersexualität: So seltsam das Kino des Lars von Trier erscheinen mag, so vielfältige Möglichkeiten bietet es, über ein Musikphänomen nachzudenken, das einen Großteil der heutigen Kunst- und Unterhaltungswelt prägt.
In Lars von Triers Filmen erklingt hauptsächlich Musik, die es bereits vor den Filmen gab. Einerseits besitzt solche präexistente Musik ein ausgeprägtes Eigenleben, andererseits entsteht aus der filmischen Aneignung etwas Neues. Am Beispiel eines der einflussreichsten Regisseure der Gegenwart untersucht Pascal Rudolph, wie Filmschaffende Musik adaptieren und wie dadurch Bedeutungen und Wirkungen entstehen. Erstmals bietet das Buch auf Grundlage von unveröffentlichtem Produktionsmaterial und Insider-Interviews detaillierte Einblicke in die Arbeit bei Lars von Triers Filmprojekten im Besonderen, aber auch in die Arbeitsprozesse der filmmusikalischen Gestaltung im Allgemeinen. Der musikalischen Vielfalt in den Filmen wird die Studie durch ihren multiperspektivischen und transdisziplinären Ansatz gerecht. Die zehn Kapitel beleuchten das Zusammenwirken von Musik und Film auf diese Weise aus verschiedenen Blickwinkeln.
Präexistente Musik im Film
(2022)
Vom Weltuntergang mit Richard Wagners "Tristan und Isolde" über die Gesangsperformance einer zum Tode verurteilten Björk am Galgen bis hin zu Johann Sebastian Bachs Orgelmusik als Erklärungsmodell für Hypersexualität: So seltsam das Kino des Lars von Trier erscheinen mag, so vielfältige Möglichkeiten bietet es, über ein Musikphänomen nachzudenken, das einen Großteil der heutigen Kunst- und Unterhaltungswelt prägt.
In Lars von Triers Filmen erklingt hauptsächlich Musik, die es bereits vor den Filmen gab. Einerseits besitzt solche präexistente Musik ein ausgeprägtes Eigenleben, andererseits entsteht aus der filmischen Aneignung etwas Neues. Am Beispiel eines der einflussreichsten Regisseure der Gegenwart untersucht Pascal Rudolph, wie Filmschaffende Musik adaptieren und wie dadurch Bedeutungen und Wirkungen entstehen. Erstmals bietet das Buch auf Grundlage von unveröffentlichtem Produktionsmaterial und Insider-Interviews detaillierte Einblicke in die Arbeit bei Lars von Triers Filmprojekten im Besonderen, aber auch in die Arbeitsprozesse der filmmusikalischen Gestaltung im Allgemeinen. Der musikalischen Vielfalt in den Filmen wird die Studie durch ihren multiperspektivischen und transdisziplinären Ansatz gerecht. Die zehn Kapitel beleuchten das Zusammenwirken von Musik und Film auf diese Weise aus verschiedenen Blickwinkeln.
Expert authority is regarded as the heart of international bureaucracies' power. To measure whether international bureaucracies' expert authority is indeed recognised and deferred to, we draw on novel data from a survey of a key audience: officials in the policy units of national ministries in 121 countries. Respondents were asked to what extent they recognised the expert authority of nine international bureaucracies in various thematic areas of agricultural and financial policy. The results show wide variance. To explain this variation, we test well-established assumptions on the sources of de facto expert authority. Specifically, we look at ministry officials' perceptions of these sources and, thus, focus on a less-studied aspect of the authority relationship. We examine the role of international bureaucracies' perceived impartiality, objectivity, global impact, and the role of knowledge asymmetries. Contrary to common assumptions, we find that de facto expert authority does not rest on impartiality perceptions, and that perceived objectivity plays the smallest role of all factors considered. We find some indications that knowledge asymmetries are associated with more expert authority. Still, and robust to various alternative specifications, the perception that international bureaucracies are effectively addressing global challenges is the most important factor.
“Embodied Practices – Looking From Small Places” is an edited transcript of a conversation between theatre and performance scholar Sruti Bala (University of Amsterdam) and sociologist, criminologist and anthropologist Dylan Kerrigan (University of Leicester) that took place as an online event in November 2020. Throughout their talk, Bala and Kerrigan engage with the legacy of Haitian anthropologist Michel-Rolph Trouillot. Specifically, they focus on his approach of looking from small units, such as small villages in Dominica, outwards to larger political structures such as global capitalism, social inequalities and the distribution of power. They also share insights from their own research on embodied practices in the Caribbean, Europe and India and answer questions such as: What can research on and through embodied practices tell us about systems of power and domination that move between the local and the global? How can performance practices which are informed by multiple locations and cultures be read and appreciated adequately? Sharing insights from his research into Guyanese prisons, Kerrigan outlines how he aims to connect everyday experiences and struggles of Caribbean people to trans-historical and transnational processes such as racial capitalism and post/coloniality. Furthermore, he elaborates on how he uses performance practices such as spoken word poetry and data verbalisation to connect with systematically excluded groups. Bala challenges naïve notions about the inherent transformative potential of performance in her research on performance and translation. She points to the way in which performance and its reception is always already inscribed in what she calls global or planetary asymmetries. At the conclusion of this conversation, they broach the question: are small places truly as small as they seem?
Background: We assessed the effects of gender, in association with a four-week small-sided games (SSGs) training program, during Ramadan intermitting fasting (RIF) on changes in psychometric and physiological markers in professional male and female basketball players.
Methods: Twenty-four professional basketball players from the first Tunisian (Tunisia) division participated in this study. The players were dichotomized by sex (males [GM = 12]; females [GF = 12]). Both groups completed a 4 weeks SSGs training program with 3 sessions per week. Psychometric (e.g., quality of sleep, fatigue, stress, and delayed onset of muscle soreness [DOMS]) and physiological parameters (e.g., heart rate frequency, blood lactate) were measured during the first week (baseline) and at the end of RIF (post-test).
Results: Post hoc tests showed a significant increase in stress levels in both groups (GM [− 81.11%; p < 0.001, d = 0.33, small]; GF [− 36,53%; p = 0.001, d = 0.25, small]). Concerning physiological parameters, ANCOVA revealed significantly lower heart rates in favor of GM at post-test (1.70%, d = 0.38, small, p = 0.002).
Conclusions: Our results showed that SSGs training at the end of the RIF negatively impacted psychometric parameters of male and female basketball players. It can be concluded that there are sex-mediated effects of training during RIF in basketball players, and this should be considered by researchers and practitioners when programing training during RIF.
Background: We assessed the effects of gender, in association with a four-week small-sided games (SSGs) training program, during Ramadan intermitting fasting (RIF) on changes in psychometric and physiological markers in professional male and female basketball players.
Methods: Twenty-four professional basketball players from the first Tunisian (Tunisia) division participated in this study. The players were dichotomized by sex (males [GM = 12]; females [GF = 12]). Both groups completed a 4 weeks SSGs training program with 3 sessions per week. Psychometric (e.g., quality of sleep, fatigue, stress, and delayed onset of muscle soreness [DOMS]) and physiological parameters (e.g., heart rate frequency, blood lactate) were measured during the first week (baseline) and at the end of RIF (post-test).
Results: Post hoc tests showed a significant increase in stress levels in both groups (GM [− 81.11%; p < 0.001, d = 0.33, small]; GF [− 36,53%; p = 0.001, d = 0.25, small]). Concerning physiological parameters, ANCOVA revealed significantly lower heart rates in favor of GM at post-test (1.70%, d = 0.38, small, p = 0.002).
Conclusions: Our results showed that SSGs training at the end of the RIF negatively impacted psychometric parameters of male and female basketball players. It can be concluded that there are sex-mediated effects of training during RIF in basketball players, and this should be considered by researchers and practitioners when programing training during RIF.
Sprint and jump performances in highly trained young soccer players of different chronological age
(2020)
Objective
The aim of this study was to examine the effects of two different sprint-training regimes on sprint and jump performances according to age in elite young male soccer players over the course of one soccer season.
Methods
Players were randomly assigned to two training groups. Group 1 performed systematic change-of-direction sprints (CODST, U19 [n = 9], U17 [n = 9], U15 [n = 10]) while group 2 conducted systematic linear sprints (LST, U19 [n = 9], U17 [n = 9], U15 [n = 9]). Training volumes were similar between groups (40 sprints per week x 30 weeks = 1200 sprints per season). Pre and post training, all players performed tests for the assessment of linear and slalom sprint speed (5-m and 10-m), countermovement jump, and maximal aerobic speed performance.
Results
For all physical fitness measures, the baseline-adjusted means data (ANCOVA) across the age groups showed no significant differences between LST and CODST at post (0.061 < p < 0.995; 0.0017 < d < 1.01). The analyses of baseline-adjusted means for all physical fitness measures for U15, U17, and U19 (LST vs. CODST) revealed no significant differences between LST and CODST for U15 (0.213 < p < 0.917; 0.001 < d < 0.087), U17 (0.132 < p < 0.976; 0.001 < d < 0.310), and U19 (0.300 < p < 0.999; 0.001 < d < 0.049) at post.
Conclusions
The results from this study showed that both, LST and CODST induced significant changes in the sprint, lower limbs power, and aerobic performances in young elite soccer players. Since no significant differences were observed between LST and CODST, the observed changes are most likely due to training and/or maturation. Therefore, more research is needed to elucidate whether CODST, LST or a combination of both is beneficial for youth soccer athletes’ performance development.
Sprint and jump performances in highly trained young soccer players of different chronological age
(2020)
Objective
The aim of this study was to examine the effects of two different sprint-training regimes on sprint and jump performances according to age in elite young male soccer players over the course of one soccer season.
Methods
Players were randomly assigned to two training groups. Group 1 performed systematic change-of-direction sprints (CODST, U19 [n = 9], U17 [n = 9], U15 [n = 10]) while group 2 conducted systematic linear sprints (LST, U19 [n = 9], U17 [n = 9], U15 [n = 9]). Training volumes were similar between groups (40 sprints per week x 30 weeks = 1200 sprints per season). Pre and post training, all players performed tests for the assessment of linear and slalom sprint speed (5-m and 10-m), countermovement jump, and maximal aerobic speed performance.
Results
For all physical fitness measures, the baseline-adjusted means data (ANCOVA) across the age groups showed no significant differences between LST and CODST at post (0.061 < p < 0.995; 0.0017 < d < 1.01). The analyses of baseline-adjusted means for all physical fitness measures for U15, U17, and U19 (LST vs. CODST) revealed no significant differences between LST and CODST for U15 (0.213 < p < 0.917; 0.001 < d < 0.087), U17 (0.132 < p < 0.976; 0.001 < d < 0.310), and U19 (0.300 < p < 0.999; 0.001 < d < 0.049) at post.
Conclusions
The results from this study showed that both, LST and CODST induced significant changes in the sprint, lower limbs power, and aerobic performances in young elite soccer players. Since no significant differences were observed between LST and CODST, the observed changes are most likely due to training and/or maturation. Therefore, more research is needed to elucidate whether CODST, LST or a combination of both is beneficial for youth soccer athletes’ performance development.
In a multi-source, lagged design field study of 197 leader-follower dyads, we test a model that predicts positive interactive effects of visionary and empowering leadership on follower performance. Based on the paradox perspective, we argue that visionary and empowering leadership are synergistic in that their combination enables leaders to address a key paradox inherent to leader behavior identified by Waldman and Bowen (2016): Maintaining control while simultaneously letting go of control. We argue that visionary leadership addresses the former and empowering leadership addresses the latter pole of this pair of opposites. Hence, in line with paradox thinking, we posit that leaders will engender more positive effects on follower performance when they enact visionary and empowering leadership behaviors simultaneously and adopt a "both-and" approach, rather than focus on one of these behaviors without the other. Our results support our hypothesized interactive effect of visionary and empowering leadership on goal clarity, as well as a conditional indirect effect such that goal clarity mediates the interactive effect of visionary and empowering leadership on individual follower performance.
In this cartography, I examine M.K. Gandhi’s practice of fasting for political purposes from a specifically aesthetic perspective. In other words, to foreground their dramatic qualities, how they in their expressive repetition, patterning and stylization produced a/effected heightened forms of emotions. To carry out this task, I follow the theater scholar Erika Fischer-Lichte’s features that give name to her book Äesthetik des Performativen (2004). The cartography is framed in a philosophical presentation of Gandhi’s discourse as well as of his historical sources. Moreover, as a second frame, I historicize the fasts, by means of a typology and teleology in context.
The historically and discoursively framed cartography maps four main dimensions that define the aesthetics of the performative: mediality, materiality, semioticity and aestheticity. The first part analyses the medial platforms in which the fasts as events have been historically recorded and in which they have left their traces and inscriptions. These historical sources are namely, newspapers, images, newsreels and a documentary film. Secondly, the material dimension depicts Gandhi’s corporeal condition, as well as the spatiality and temporality of the fasts. In the third place, I revise and reformulate critically Fischer-Lichte’s concepts of “presence” and “representation” with resonating concepts of G. C. Spivak and J. Rancière. This revision illustrates Gandhi’s fasts and shows the process of how an individual may become the embodiment or representation of a national body-politic. The last chapter of the cartography explores the autopoetic-feedback loop between Gandhi and the people and finishes with a comparison of the mise en scène of the hunger artists with the fasts of the Indian the politician, social reformer, and theologian. The text concludes interpreting Gandhi’s practice of fasting under the light of the concepts of “intellectual emancipation” and “de-subjectivation” of the philosopher J. Rancière.
The four main concerns of this cartography are: Firstly, in the field of Gandhi’s reception, to explore the aesthetic dimension as both alternative and complementary to the two hegemonic interpretative lenses, i.e. a hagiographic or a secular political understanding of the fasts. From a theoretical perspective, the cartography pursues to be a transdisciplinary experiment that aims at deploying concepts that have been traditionally developed, derived from and used in the field of the arts (theater, film, literature, aesthetic performance, etc.) in the field of the political. In brief, inverting an expression of Rancière, to understand politics as aesthetics. Thirdly, from a thematic point of view, the cartography inquires the historical forms of staging and perception of hunger. Last yet importantly, it is an inquiry of the practice of fasting as nonviolence, what Gandhi, its most sophisticated modern theoretician and practitioner considered its most radical expression.