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This article discusses how Alex Garland’s The Beach (1996) engages with conceptions of utopian islands, nation, and colonialism in modernity and how it, from this basis, develops a different spatiality that reflects on a more deterritorialized form of imperial domination within late twentieth-century globalization, as exercised by the United States. The novel is shown to subvert, but not to abolish, two spatial formations that originated in early modernity: nation and utopia. Building on Jean Baudrillard’s elaborations regarding simulation and simulacra, the article argues that The Beach creates a hyperreal narrative that does away with the idea of isolated, bounded spaces and that in form and content corresponds with the worldwide dominance of the United States at the end of the twentieth century.
Alien Horrors
(2022)
H. P. Lovecraft’s oeuvre abounds with stereotypes of the racialized poor. As scholars have noted, Lovecraft’s work turns those he viewed as ‘Others’ into ‘aliens.’ Poor people of color (as opposed to the orderly White rural population and White working class) in Lovecraft’s stories are foreign, diseased, and criminal, and they threaten social and cosmic orders as they are in league with a nebulous entity that waits to wreak indescribable havoc. This chapter analyzes three ‘Lovecraftian’ novels published in 2016 - Cassandra Khaw’s Hammers on Bone,Victor LaValle’s The Ballad of Black Tom, and Matt Ruff’s Lovecraft Country. These works elucidate the connection of Trump’s 2016 rhetoric in campaign and presidential speeches and the White supremacist imagery used by Lovecraft. In these novels, the racialized poor have a special connection to an astronomical, evil entity à la Lovecraft. As carriers of numinous genes or parasitic entities (literally having ‘an alien within’) they become empowered. They thus occupy a pivotal position in forestalling or bringing about the destruction of societal order; that is, of White supremacy. Exploring the alleged risk posed by this ‘underclass,’ these works seem to foretell current representations of protesters as ‘riotous mobs’ that threaten the body politic Trump sought to make great (and White) again.
Francesca Y. Albertini (1974-2011) compares Maimonides' idea of peace, as developed in MT Sefer shofetim (Book of Judges), with Kant's work on the notion of "eternal peace" (Zum ewigen Frieden). Both authors develop a historical vision pointed against the use of force and war in light of a framework not limited by historical time (messianic age, eternity). Despite all differences in method and historical context, the authors agree on the notion that universal ethics provides the basis of a determination of right grounded in the will. Maimonides' universal messianism as well as Kant's universal history emphasize the pivotal role and decisive responsibility of the human being in realizing, through reason, the reign of peace and prosperity on earth first envisioned by the biblical prophets. These utopias continue to challenge us, especially in this day and age.
Märkische Dialekte
(2021)
Von der Ausnahmesituation der Intellektuellen : ostdeutsche Diskurse und die Weimarer Republik
(1996)