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Innate or acquired?
(2021)
In this chapter, some of the findings from sociolinguistic interviews with 25 speakers of Indian English and 26 speakers of Nigerian English are presented. Emanating from a larger research project concerned with conceptualizations of gender, the current analysis focuses on conceptualizations of homosexuality and makes use of the analytical tools provided by Cultural Linguistics and Cognitive Sociolinguistics. In particular, the notions of “cultural conceptualizations” (e.g., Sharifian, 2011, 2017) and “cultural model” (e.g., Wolf & Polzenhagen, 2009; also cf. Schneider, 2014) are addressed.
At the time of data collection, discriminatory legislation concerning homosexuality was in force in India and Nigeria. Opinion polls likewise echoed a negative stance towards homosexuality among the population of the two countries. This raised the expectation that similar conceptualizations of homosexuality might be found in Indian and Nigerian English, both in terms of their negative connotation and of how homosexuality would exactly be conceptualized. However, this expectation was not fulfilled. Firstly, the acceptance among the Indian participants to this study was generally greater. Secondly, homosexuality was predominantly conceptualized as an innate condition in the Indian English data, while it was prevalently understood as an acquired condition by the Nigerian informants. Drawing from earlier findings within the context of the same project (Finzel, 2021; fc.), I suggest that these differences can be explained with culture-specific models of gender that lend their logic to conceptualizations of homosexuality.
Most, if not all, of the studies in Cultural Linguistics have (a) taken a synchronic perspective or (b) focused on specific, intracultural conceptualizations. In my chapter, I will look at a cluster of conceptualizations that have been found to exist in different historical periods, in different languages and varieties, and on different continents. The case in point is conceptualizations of magical practices based on menstrual blood. The existence of these conceptualizations across time and space raises the challenging questions of their motivation, and, more generally, the “flow of conceptualizations.” While these questions will be pursued in my chapter, the main focus will be on an elaboration of the conceptual network of conceptualizations pertaining to menstrual blood magic.
In this paper, we take a cognitive-sociolinguistic perspective on texts from the colonial period. The texts stem from various agents in the colonial enterprise and include documents from missionaries, administrators and politicians, as well as legal and scientific texts. What we find and trace in these texts is a recurrent set of dominant systems of conceptualizations that are characteristic of the colonial mindset and the corresponding discourse at large. However, these conceptualizations were spelled out in quite different ways in discourse, depending on the ideological background and objectives of the authors and on the specific colonial setting they deal with. We will focus on two contexts, India and sub-Saharan Africa, and we will highlight conceptualizations related to the framing of the constellation between colonizers and colonial subjects in terms of, inter alia, a parent-child, an adult-child and a teacher-pupil relationship. We will then look into some examples of cultural practices among the colonized that were “disturbing” to the colonizers. The fact that they were betrays value systems as well as preoccupations and fears on the side of the colonizers. These practices triggered efforts at cultural engineering in the colonies which had lasting effects on the local culture in these settings. However, this impact was far from being one-directional. The experience with the “otherness” of the colonial subjects fueled debates on latent societal issues in the culture of the colonizers. We will consider this impact for the case of the discourse on homosexuality. The empire stroke back also in linguistic terms, most notably by a host of loan words that entered the lexicon of English. The way these loan words were “integrated” into the English language provides ample evidence of a cultural appropriation also in this direction, i.e., the process known as “contextualization” in traditional Kachruvian sociolinguistics is bi-directional as well.
This chapter presents an overview of Cognitive Sociolinguistic studies of African English. We discuss early applications of Conceptual Metaphor Theory to the study of English in Cameroon (Wolf 1999, 2001; Wolf and Simo Bobda 2001) as well as the extensive and methodologically diverse body of Cognitive Sociolinguistic research on the cultural model of COMMUNITY expressed in West and East African English (e.g., Wolf 2006, 2008; Wolf and Polzenhagen 2007; Polzenhagen and Wolf 2007; Polzenhagen 2007). Moreover, the chapter illustrates how studies such as Finzel and Wolf (2017), Peters (2021), Finzel (forthcoming) and Peters and Polzenhagen (2021) extend the Cognitive Sociolinguistic approach to further sociocultural issues, such as gender identities and culture-specific strategies of advertising in different anglophone parts of Africa. Finally, we point out possible future applications of the paradigm to socio-pragmatic aspects of African English.
In this introductory article to the special issue, we ask what role sexuality plays in the reproduction and contestation of border regimes and think sexuality towards its various entanglements with border control. As borders have been understood as a method for reproducing racialized distinctions, we argue that sexuality is also a method of bordering and illustrate how sexuality works as a key strategy for the capture, containment and regulation of mobility and movement. Taking a transnational approach, we bring together queer scholarship on borders and migration with the rich archive of feminist, Black, Indigenous and critical border perspectives to suggest that these strategies need to be understood in close relation to the (I) intersecting dynamics of colonial histories of racialization, (II) national regimes of reproductive control and (III) the containment of contagion, disease and sexual deviance.
From Brock to Brett
(2021)
This master's thesis in US American cultural studies posits that the phenomenon of rape culture represents a socio-cultural system of social power structures and cultural myths. Based on so-called rape myths, this system also constitutes an ideology. The thesis aims to demonstrate how these rape myths are instrumentalized in order to protect (primarily white, cis-male) perpetrators and instead assign responsibility to those affected by sexualized violence. In doing so, the thesis shows that young men like Brock Turner, who benefit from patriarchal power structures, grow up to become men like Brett Kavanaugh, who not only benefit from the fact that rape culture excuses their abusive behavior, but also from the fact that this enables them to reach positions of power through which they, as decision-makers, can in turn maintain the structures underlying rape culture.
The thesis focuses on the rape myths of so-called victim blaming and shaming as well as the victimization of perpetrators. These myths are examined by analyzing 19th-century newspaper articles and then traced into the 21st century. Based on Mary Douglas' theory on ideas of purity, the thesis shows the extent to which not only social categories, namely gender, race, socio-economic status, and age, but also the sexual purity or impurity of those affected have an impact on the societal response to rape cases.
Furthermore, the thesis demonstrates how female bodies function as an ideological battleground for political and social change in the US, and how perceived threats to the patriarchal status quo are framed in public discourse as moral dangers posed by female bodies. The paper argues that rape culture is driven by (white cis) male entitlement to female bodies but moreover to positions of power in the patriarchal system. The thesis shows how this system instrumentalizes rape culture to maintain its underlying structures that favor (cis) men and, in contrast, disadvantage (cis) women and other marginalized and non-heteronormative groups. This is illustrated by analyzing the 2016 Stanford rape case and the 2018 Kavanaugh hearing.
This study examines language ideologies and communicative practices in the multilingual Vaupes region of northwestern Amazonia. Following a comparative overview of the Vaupes as a 'small-scale' language ecology, it discusses claims from existing ethnographic work on the region in light of data from a corpus of video-recordings of sociolinguistic interviews and spontaneous everyday conversations. It shows how a practice-based and interdisciplinary approach combining language documentation methodology and ethnographic, structural linguistic, and interactional perspectives can contribute to understanding of macro and micro aspects of multilingualism, thus contributing to future work on the Vaupes, typologies of small-scale multilingual ecologies, and language contact research.
Language portraits are useful instruments to elicit speakers' reflections on the languages in their repertoires. In this study, we implement a "portrait-corpus approach" (Peters and Coetzee-Van Rooy 2020) to investigate the conceptualisations of the languages Afrikaans and English in 105 language portraits. In this approach, we use participants' reflections about their placement of the two languages on a human silhouette as a linguistic corpus. Relying on quantitative and qualitative analyses using WordSmith, Statistica and Atlas.ti, our study shows that Afrikaans is mainly conceptualised as a language that is located in more peripheral areas of the body (for example, the hands and feet) and, hence, is perceived as less important in participants' repertoires. The central location of English in the head reveals its status as an important language in the participants' multilingual repertoires. We argue that these conceptualisations of Afrikaans and English provide additional insight into the attitudes towards these languages in South Africa.
Postcolonial criticism has repeatedly debunked the ostensible neutrality of the ‘world’ of world literature by pointing out that and how the contemporary world – whether conceived in terms of cosmopolitan conviviality or neoliberal globalization – cannot be understood without recourse to the worldly event of Europe’s colonial expansion. While we deem this critical perspective indispensable, we simultaneously maintain that to reduce ‘the world’ to the world-making impact of capital, colonialism, and patriarchy paints an overly deterministic picture that runs the risk of unwittingly reproducing precisely that dominant ‘oneworldness’ that it aims to critique. Moreover, the mere potentiality of alternative modes of world-making tends to disappear in such a perspective so that the only remaining option to think beyond oneworldness resides in the singularity claim. This insistence on singularity, however, leaves the relatedness of the single units massively underdetermined or denies it altogether. By contrast, we locate world literature in the conflicted space between the imperial imposition of a hierarchically stratified world (to which, as hegemonic forces tell us, ‘there is no alternative’) and the unrealized ‘undivided world’ that multiple minor cosmopolitan projects yet have to win. It is precisely the tension between these ‘two worlds’ that brings into view the crucial centrality not of the nodes in their alleged singularity but their specific relatedness to each other, that both impedes and energizes world literature today and renders it ineluctably postcolonial.
This article merges discourses from Indian Ocean studies, Island Studies, performance art and decolonial methodologies to offer interdisciplinary ways of thinking about La Serenissima and its navigational histories. It is a transdisciplinary speculative entry, part empirical, part analytical, part applied phenomenology. We write this as a collaboration between two members of the Harmattan Theater company, a New York City based environmental performance ensemble applying environmental theory to site-specific performances engaging oceans and islands. The article is driven by the following research questions: What are the historic relationalities between the Venice lagoon and the Indian Ocean? How has the acqua alto flooding of Venice, accompanied by the mnemonic histories of the Venetian lagoon, impacted understandings of lagoon cultures in the global South, particularly the Malabar Coast of South Asia? This question has propelled the artistic and academic research of May Joseph and Sofia Varino across environmental history, island studies and performance. Drawing on histories of Venetian navigation and lagoon culture, Joseph and Varino propose a comparative lagoon aesthetics, one that would link two archipelagic regions, the Venetian Lagoon and the extended archipelagic region of the Laccadive Sea of India. While we believe a contemporary archipelagic study connecting these two regions does not currently exist, the historical archives suggest otherwise. We draw on the Venetian Camaldolese monk and cartographer Fra Mauro's Mappa Mundi from the 15th Century to initiate this comparative dialogue between North/Southisland ecologies, seafaring histories and ocean futures affected by climate change and rising sea levels. This research is part of a book that Joseph and Varino are co-writing on islands, archipelagos, coastal regions and climate change, drawing on a ten-year collaboration working with large-scale site-specific environmental performance as research, activism and embodied phenomenology.