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Institute
- Institut für Künste und Medien (387) (remove)
Schriftsteller schreiben nicht weil, sondern obwohl sie trinken. Der Trinker als literarische Figur und der Schriftsteller als Trinker, zwischen diesen beiden Punkten oszilliert das Thema »Alkohol und Literatur«. In typischer Alkoholikermanier bewegen sich die Texte der betreffenden Autoren zwischen alkoholseliger Übertreibung und erstaunlich zarter Empfindsamkeit und sind zugleich Zeichen für eine Flucht vor der tief empfundenen Unmenschlichkeit der modernen Welt sowie dem eigenen Versagensgefühl. Die oft satirischen und zumeist hoch intelligenten Reflexionen der trinkenden Helden geraten in den literarischen Texten zu aberwitzigen Monologen, in denen alle moralischen und geistigen Werte demontiert werden und die Realität nicht nur im Chaos versinkt, sondern gar deren Existenz überhaupt in Frage gestellt wird.
This article looks at Émile Zola’s novel cycle Les Rougon-Macquart and argues that it describes its subject, the Second Empire, as a warming climate tending toward climate catastrophe. Zola’s affinity to the notion of climate is shown to be linked to his poetic employment of the concept of ‘milieu’, inspired by Hippolyte Taine. Close readings of selected passages from the Rougon-Macquart are used to work out the climatic difference between ‘the old’ and ‘the new Paris’, and the process of warming that characterises the Second Empire. Octave Mouret’s department store holds a special place in the article, as it is analysed through what the article suggests calling a ‘meteorotopos’: a location of intensified climatic conditions that accounts for an increased interaction between human and non-human actors. The department store is also one of the many sites in the novel cycle that locally prefigure the ‘global’ climate catastrophe of Paris burning, in which the Second Empire perishes.
On 7 February 1861, John Tyndall, professor of natural philosophy, delivered a historical lecture: he could prove that different gases absorb heat to a very different degree, which implies that the temperate conditions provided for by the Earth's atmosphere are dependent on its particular composition of gases. The theoretical foundation of climate science was laid.
Ten years later, on the other side of the Channel, a young and ambitious author was working on a comprehensive literary analysis of the French era under the Second Empire. Émile Zola had probably not heard or read of Tyndall's discovery. However, the article makes the case for reading Zola's Rougon-Macquart as an extensive story of climate change. Zola's literary attempts to capture the defining characteristic of the Second Empire led him to the insight that its various milieus were all part of the same ‘climate’: that of an all-encompassing warming. Zola suggests that this climate is man-made: the economic success of the Second Empire is based on heating, in a literal and metaphorical sense, as well as on stoking the steam-engines and creating the hypertrophic atmosphere of the hothouse that enhances life and maximises turnover and profit. In contrast to Tyndall and his audience, Zola sensed the catastrophic consequences of this warming: the Second Empire was inevitably moving towards a final débâcle, i.e. it was doomed to perish in local and ‘global’ climate catastrophes.
The article foregrounds the supplementary status of Tyndall's physical and Zola's literary knowledge. As Zola's striking intuition demonstrates, literature appears to have a privileged approach to the phenomenon of man-induced climate change.
Die Evidenz von "Rasse" und "Geschlecht" in der physischen Anthropologie um 1900 verdankt sich vor allem metrisch-statistischen Verfahren und mechanisch-objektiven Visualisierungen. Die materialreiche Studie analysiert die anthropologische Wissensproduktion als heterogenen, unabgeschlossenen Prozess, in dem rassischeï und geschlechtlicheï Differenzen hervorgebracht und gleichzeitig unterlaufen werden. Es wird eine medientheoretische und methodische Perspektive entworfen, die Diskursanalyse (Foucault) mit dekonstruktivistischer Lektuerepraxis (Derrida, Butler) produktiv verbindet und an aktuelle Science Studies (Latour, Rheinberger) anknuepft.
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