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Alien Horrors
(2022)
H. P. Lovecraft’s oeuvre abounds with stereotypes of the racialized poor. As scholars have noted, Lovecraft’s work turns those he viewed as ‘Others’ into ‘aliens.’ Poor people of color (as opposed to the orderly White rural population and White working class) in Lovecraft’s stories are foreign, diseased, and criminal, and they threaten social and cosmic orders as they are in league with a nebulous entity that waits to wreak indescribable havoc. This chapter analyzes three ‘Lovecraftian’ novels published in 2016 - Cassandra Khaw’s Hammers on Bone,Victor LaValle’s The Ballad of Black Tom, and Matt Ruff’s Lovecraft Country. These works elucidate the connection of Trump’s 2016 rhetoric in campaign and presidential speeches and the White supremacist imagery used by Lovecraft. In these novels, the racialized poor have a special connection to an astronomical, evil entity à la Lovecraft. As carriers of numinous genes or parasitic entities (literally having ‘an alien within’) they become empowered. They thus occupy a pivotal position in forestalling or bringing about the destruction of societal order; that is, of White supremacy. Exploring the alleged risk posed by this ‘underclass,’ these works seem to foretell current representations of protesters as ‘riotous mobs’ that threaten the body politic Trump sought to make great (and White) again.
Boyle, T.C.
(2022)
T.C. Boyle, or Thomas Coraghessan Boyle, is probably best known for his 1995 novel Tortilla Curtain , which quickly became a staple of high school and college syllabi. Tortilla Curtain deftly illustrates what Boyle does best: acerbically tracing the irrationality that governs human thought and the resulting contradictory and often unethical behavior (mostly in relation to xenophobia, environmentalism, and the intersections of gender). Despite often casting a critical eye over US American society, Boyle's works are accessible reads with fast-paced and eventful plots. This combination has produced a number of international bestsellers. In fact, Boyle is so popular in Germany that translations of his works have been published before the original versions came out in English. However, his talent for depicting the impotence of reason in the face of base desires, selfishness, group dynamics, and indoctrinated ideologies is also a weakness: at times, Boyle's satire reproduces what it means to criticize, coming close to naturalizing the hedonistic, prejudiced, and emotionally charged behavior of his characters.