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Preface
(2020)
Since 2004 a giant portrait of the ancient Dacian king Decebalus can be seen by people visiting the Đerdap national park in Serbia or sailing along the Danube. The location is carefully chosen: the ancient king is located on the other side of the river, within the Romanian Parcul Natural Porțile de Fier, but is carved in the rock so to look in the direction from where, at the beginning of the 2nd century CE, the Romans came to move war to him and his people. Not by chance, on the Serbian side of the river and not far away from the sculpture is the Tabula Traiana, a Roman inscription celebrating the opening of the Roman road leading here in 100 CE. This article moves from the role of ancient Rome in the historical cultures and national identities of the two countries facing each other here, Serbia and Romania, in order to explain how the Romans represented a ‘contested identity’ and therefore why, at the end of the 20th century, the Romanian nationalistic millionaire G. C. Drăgan decided to invest a humongous quantity of money in the realization of the sculpture of Decebalus.
Zum Hundertsten nichts Neues
(2016)
The dispute between social versus religious interpretations of anti-Semitism pervaded the whole history of scholarly research. Whereas socio-historical interpretations had underlined the social aspects, current studies on anti-Semitism focus on religious motifs. The thesis that anti-Semitism was a result of a religious conflict, however, is far more alleged than substantially proved by the sources. So it seems necessary to go back to the sources. Therefore this paper analyzes the language of the Venetian Catholic newspaper Il Veneto Cattolico/La Difesa from the foundation of the newspaper in 1867 up to the First World War. Just a few years before the term anti-Semitism was coined, Catholic journalists of Venice had created the new semantic of secular anti-Semitism. They turned back to religious issues when they tried to systematize their anti-Jewish sentiments. Thus one can observe in the coverage of the Venetian Catholic journals the invention of an anti-Semitic tradition.
This essay aims at discussing the new literature on Franco-German relations during the period 1918-1930. It highlights how many works now question the idea that the Treaty of Versailles and the European order that ensued inevitably wore within themselves the seeds of a new war. On the contrary, by examining in particular the detente efforts of the Twenties, the most recent historiography often emphasizes how the inevitability of the authoritarian turn of Twenties and Thirties, which led to the Second World War, has often been exaggerated by historians and that different paths could have been undertaken.