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The great Old English epic 'Beowulf' has been dated to practically every century between the 6th and the 11th century, depending on the criteria of dating adopted and the approaches advocated by the respective scholars. As the text successfully avoids to provide definite cues or evidence for a definitive date, these scholarly attempts reveal more about the respective scholars' research interests than offering uncontroversial dates. The point of dating 'Beowulf' then seems to provide scholars with the opportunity to anchor their own personal understanding of the poem within the century of their own personal predilection.
The continued linguistic contact in the islands of Britain and Ireland over the past two millenia has led to linguistic convergence processes between the Insular Celtic and West Germanic languages involved. While the Latin, Old Norse and Norman French contact scenarios were recognised and have been well studied since the 19c, the Celtic component received much less scholarly attention until the 1990s because of the continued linguistic bias, once fostered by 19c Anglo-Saxonisms and the idea of racial purity of the Egnlish population. It is only in the very recent past that the many different contact areas between English and the Insular Celtic languages have received recognition after New Labour's post-1997 introduction of "devolution" politics. The closest and longest interaction took of course place between English and Welsh. The present article looks at three major types of interaction which led to convergence in a number of important linguistic features: (1) mutual retention of shared archaic features, (2) mutual shared innovations, and (3) transfer from one language to another, either by unilateral or by bilateral transfer. The exemplary contact features discussed in this article relate to the retention of interdental fricatives, the shared innovation of analycity and multi-word verb formation, and clefting as feature transfer. Transfer is likely to have taken place under the following conditions: (a) earlier written documentation in the donor language, (b) higher frequency of occurrence in the donor language, (c) conformity with other structures in the donor language, and (d) grammaticalisation in the donor language. The conclusion endorses Salikoko Mufwene's claim that the making of English in the island of Britain was subject to the same contact processes which created the English based creoles from indigenised Englishes during the colonial period.
The earliest types of versification of the Insular literatures in the early middles ages (Old English, Old Welsh, Old Irish, Middle Breton) were oral-derived, i.e. orally composed and intended for listening audiences. The written records of such early poems, poreserved in the manuscripts, still reflect the flexibility of the metriccal constraints. This type of poetry is characterised by the avoidance of the total identity of the recurrent phonetic features. Rhyme is 'only' near-rhyme, alliteration only near-alliteration, accentuality only near-accentual recurrence, syllabicity only near-syllabicity etc.. This type of oral-derived aesthetics requires a very fine ear for the distinction and appreciation of the metrical near-samenesses and probably a prolongued training in the acquisition of metrical skills on teh part of the poet. In the later written poetries, which were both literate in composition and reception ("reading"), the ear was replaced by the eye. THis seems ot have required identical recurrence of metrical ffeatures rather than near-identities, ultimately leading to forms like 'rime riche' (like in French poetry), which would have been considered to be cloying in the early oral(-derived) context. In other words, the aesthetic potential of the metrical constraints depends on the medium of communication.