Historisches Institut
Refine
Year of publication
Document Type
- Article (1361)
- Monograph/Edited Volume (457)
- Review (296)
- Doctoral Thesis (214)
- Part of a Book (69)
- Part of Periodical (37)
- Other (19)
- Master's Thesis (16)
- Postprint (15)
- Contribution to a Periodical (6)
Language
Keywords
- Landesgeschichte (11)
- regional history (11)
- Franconia (10)
- Franken (10)
- Genisa (10)
- Geniza (10)
- Jewish Studies (10)
- Jüdische Studien (10)
- Ländliches Judentum (10)
- Militär / Geschichte (10)
Institute
- Historisches Institut (2511)
- Arbeitskreis Militär und Gesellschaft in der Frühen Neuzeit e. V. (27)
- Extern (13)
- Vereinigung für Jüdische Studien e. V. (11)
- Moses Mendelssohn Zentrum für europäisch-jüdische Studien e. V. (7)
- Institut für Jüdische Studien und Religionswissenschaft (4)
- Institut für Germanistik (3)
- Philosophische Fakultät (2)
- Zentrum für Lehrerbildung und Bildungsforschung (ZeLB) (2)
- Department Sport- und Gesundheitswissenschaften (1)
- Institut für Anglistik und Amerikanistik (1)
- Institut für Informatik und Computational Science (1)
- Institut für Lebensgestaltung-Ethik-Religionskunde (1)
- Institut für Mathematik (1)
- Institut für Philosophie (1)
- Institut für Romanistik (1)
- Institut für Slavistik (1)
- Referat für Presse- und Öffentlichkeitsarbeit (1)
- Sozialwissenschaften (1)
Resurrecting the Argo
(2023)
This paper analyses the relationship between the figure of the Argo (ship and character) and the supernatural in the mythic fantasy of Robert Holdstock’s Merlin Codex. It shows how Holdstock’s re-writing of the Argonautica draws on various versions from the Argonautic tradition, including Euripides’ Medea, Apollonius, Valerius Flaccus, Nathaniel Hawthorne, Henry Treece and the 1963 film Jason and the Argonauts. It sets Holdstock’s Argo alongside other representations, as divine herself, possessed by divinity, and a channel of communication with the divine, and in the context of Holdstock’s previous work, particularly Mythago Wood, Lavondyss and Merlin’s Wood. The paper argues that Holdstock uses the Argo as a reflection of myth itself, a version of the forest in Mythago Wood, as well as a metapoetic image for the challenges and complexities of adapting a well-known story, bringing multiple mythological traditions (Arthurian, Finnish and Argonautic) together. It reflects on Holdstock’s relationship to the ancient genres of epic and tragedy, as well as Argo as plot facilitator and mechanism of transformation and transition. Holdstock’s relationship with ancient literature is richer and deeper than previously acknowledged; his self-conscious plays reveal a deep understanding of the polymorphous nature of mythical traditions.
The Persistence of Memory
(2023)
The 2017 Pixar film Coco and the 2021 Disney film Encanto form a small part of an increasing modern wave of media focused on parent-child conflicts caused by intergenerational trauma and rejection. Other recent works in this genre include the video game Hades, the films Turning Red and Everything Everywhere All At Once, and the television series Ms. Marvel. The traumas in all these films, some directed explicitly at a younger audience and some pitched more broadly, serve as a distinct set of meditations on the immigrant experience, even while not necessarily focusing on literal immigration. They also all invoke imagery of ghosts and death, both echoing specific classical Mediterranean motifs and tropes and incorporating a wide variety of other cultures’ supernatural traditions. These works’ concern with familial traumas of separation, culture shock, and loss of ancestral memories and connections contrasts sharply with the individual-focused myth of the American Dream common to earlier generations of American media, in which a lone individual typically emigrates, assimilates, and succeeds in a new culture, forming a new family and set of myths. However, themes of assimilation and questions of cultural imperialism also form a bridge between ancient Roman and modern North American anxieties and traditions.
Ordre vergessen
(2023)
Nach der einleitenden Bemerkung, dass die alteuropäische (mittelalterliche und früh neuzeitliche) Identität grundsätzlich konfessionell bestimmt war (Heiraten, Vergabe von Ämtern, Kriegsbündnisse u. a. orientierten sich an der Konfession), gliederte der Referent seinen Vortrag in zwei Abschnitte:
Teil 1: Reflexion über die christliche Identität Alteuropas an der Schwelle vom Mittelalter zur Neuzeit
Teil 2: Die Folgen von Katholischer Reform, Reformation und Gegenreformation für die europäische Geschichte im Konfessionellen Zeitalter, mit einigen Ausblicken auf das aufgeklärte, säkulare 18. Jahrhundert
Prima del Novecento
(2023)