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The involvement of the two German states in Korea during the 1950s in the context of the Cold War
(2020)
This master thesis will analyze the background of the involvement of the Federal Republic of Germany (FRG) and the German Democratic Republic (GDR) in Korea during the 1950s in the context of the Cold War. In both Korean states, the Democratic People’s Republic of Korea (DPRK) as well as the Republic of Korea (ROK), the so-called humanitarian aid that was provided to them in the form of medical and economic assistance to help surmount the hardship of the postwar period is remembered with great appreciation to this day. However, critical views on the German engagement in Korea are still relatively hard to find. In this paper, two exemplary cases will be studied: the GDR’s city reconstruction project in the North Korean cities of Hamheung and Heungnam and the FRG’s medical assistance to the ROK by means of the West German Red Cross Hospital in Busan. By looking at primary sources like governmental documents, this thesis will examine the geopolitical conditions and particular national interests that stood behind the German development and humanitarian aid for the Korean states at that time, thus shedding light on the political goals the two German states pursued, and the benefit they expected to derive from their engagement in Korea. Sources consulted include primary archival materials, secondary sources like monographs, journal articles, contemporary newspaper articles, and interviews with contemporary witnesses.
Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur. Despite its recent restoration in 2014, some of its mysteries might indeed never be solved, like the identity of its sculptor. But this fascination also comes from the statue itself, its majestic aesthetics and lack of head, in a similar fashion perhaps to the loss of the Venus of Milo’s arms. Since her discovery more than 150 years ago by Charles Champoiseau, she’s been on the throne at the top of the Daru stairs at the Louvre Museum. This hellenistic masterpiece, that Champoiseau called a ”mousseline de marbre”, became a must see in the Paris museum, together with the Mona Lisa and its other chefs d’oeuvre. But this statue’s fate is not set in stone. Many modern artists, like Omar Hassan or Xu Zhen, have tried to make it their own and give it a new depth. Recently, Beyonce and Jay-Z also offered a new perspective by including this Louvre masterpiece, among others, in their political masterstroke, the video clip ”Apeshit”. This paper seeks to decode the meanings and symbolism of these new versions of the Nike.
A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of déjà-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these “masterpieces” in contemporary popular culture, with a particular focus on the 21st century.
Empire of destruction
(2021)
Nazi Germany killed approximately thirteen million civilians and other noncombatants in deliberate policies of mass murder, overwhelmingly during the war years. Almost half the victims were Jewish, systematically destroyed in the Holocaust, the core of the Nazis? pan-European racial purification program.00Alex Kay argues that the genocide of European Jewry can also be examined in the wider context of Nazi mass killing. For the first time, Kay considers Europe?s Jews alongside all other major victim groups: captive Red Army soldiers, the Soviet urban population, unarmed civilian victims of preventive terror and reprisals, the mentally and physically disabled, the European Roma, and the Polish intelligentsia. He shows how each of these groups was regarded by the Nazi regime as a potential threat to Germany?s ability to successfully wage a war for hegemony in Europe. This groundbreaking work combines the full quantitative scale of the killings with the individual horror.
Rebuilding an Austrian Army
(2019)
After the Second World War, a new Austrian Army (the Bundesheer) was formed to guarantee the country’s armed neutrality. But the period between 1938 and 1945 remained a point of contention. While some Austrian officers had been sidelined, the majority had served in the Wehrmacht and thus shared experiences and soldierly values. As Cold War realities necessitated a professional experienced army, a group around Erwin Fussenegger (1908–1986) dominated the new Bundesheer and contemplations about reforming the military culture and value system were postponed; while at the same time, the Bundesheer managed to prevent becoming a mere continuation of the Wehrmacht.
Paths Are Made by Walking
(2021)
Introduction
(2021)
This edited volume examines entanglements and disentanglements between Africa and East Germany during and after the Cold War from a global history perspective. Extending the view beyond political elites, it asks for the negotiated and plural character of socialism in these encounters and sheds light on migration, media, development, and solidarity through personal and institutional agency. With its distinctive focus on moorings and unmoorings, the volume shows how the encounters, albeit often brief, significantly influenced both African and East German histories.
Catholicism
(2019)
Stuck in the past?
(2019)
After the Civil War the Spanish army functioned as a guardian of domestic order, but suffered from antiquated material and little financial means. These factors have been described as fundamental reasons for the army’s low potential wartime capability. This article draws on British and German sources to demonstrate how Spanish military culture prevented an augmented effectiveness and organisational change. Claiming that the army merely lacked funding and modern equipment, falls considerably short in grasping the complexities of military effectiveness and organisational cultures, and might prove fatal for current attempts to develop foreign armed forces in conflict or post-conflict zones.
In her writings on ancient myth, the British author Natalie Haynes moves women to the centre of attention. Her two latest books, A Thousand Ships and Pandora’s Jar – a fiction novel and a non-fiction one – approach this topic from two different perspectives. This interview takes stock of Haynes’ motives and methodology as well as of the challenges she faces in the process of writing.
Interview with Alana Jelinek
(2021)
Alana Jelinek is an art historian and artist — “an artist making art, and also writing about art”, in her words — , a former European Research Council artist in residence at the Museum of Anthropology and Archaeology at the University of Cambridge, and currently teaching in the School of Creative Arts at the University of Hertfordshire. Her art has revolved mostly around the issues of post- and neocolonialism and their connections with neoliberalism — a more implicit topic in her works from the 1990s on the “tourist gaze” developed into an interest in museums, collecting and ethnography throughout the past two decades. In this interview, she talks to thersites about the role of classical heritage and ancient art in her own work.