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Irland
(1995)
Linguistic Contacts Across the English Channel : the Case of the History of the Retroflex <r>
(1995)
Dynamic surface tension and surface shear rheology studies of mixed - lactoglobulin/tween 20 systems
(1995)
Evidence of extraneous surfactant adsorption altering adsorbed layer properties of b-lactoglobulin
(1995)
Eine empirische Studie zur Abhängigkeit der Managergehälter vom Unternehmenserfolg in Deutschland
(1995)
A close comparison of the use of language, style and method of composition of the sizable corpus of Old English and Old Irish vernacular sermons (10c and 11c) show that both cultures make use of a preaching rhetoric which is deeply indebted to oral styles of preaching and geared towards the aural reception of the spoken word. Both tend to resort to a flamboyant pastoralism and excel in elaborate verbal artistry. While received scholarship claims that the English were subject to Irish influence in this respect because of the existence Hiberno-Latin analogues, this short monograph argues that this is very unlikely. Rather both traditions are independently indebted to 7c to 9c Continental preaching styles, the evidence of which shows that there was both a plain preaching mode (the "fisherman's" mode) and an elaborate (or "Asian") one. The use of both was advocated,depending on the occasion, by St. Augustin's "De doctrina christiana." In the Insular context of vernacular preaching, the latter seems to have been functioned as a favoured art form.
Integration of titin into the sarcomeres of cultured differentiating human skeletal muscle cells
(1996)
Einleitung
(1996)
Morphological processing in Italian agrammatic speakers : eight experiments in lexical morphology
(1996)
The earliest types of versification of the Insular literatures in the early middles ages (Old English, Old Welsh, Old Irish, Middle Breton) were oral-derived, i.e. orally composed and intended for listening audiences. The written records of such early poems, poreserved in the manuscripts, still reflect the flexibility of the metriccal constraints. This type of poetry is characterised by the avoidance of the total identity of the recurrent phonetic features. Rhyme is 'only' near-rhyme, alliteration only near-alliteration, accentuality only near-accentual recurrence, syllabicity only near-syllabicity etc.. This type of oral-derived aesthetics requires a very fine ear for the distinction and appreciation of the metrical near-samenesses and probably a prolongued training in the acquisition of metrical skills on teh part of the poet. In the later written poetries, which were both literate in composition and reception ("reading"), the ear was replaced by the eye. THis seems ot have required identical recurrence of metrical ffeatures rather than near-identities, ultimately leading to forms like 'rime riche' (like in French poetry), which would have been considered to be cloying in the early oral(-derived) context. In other words, the aesthetic potential of the metrical constraints depends on the medium of communication.
Paul Mankin was one of three literature professors who taught at the University of Massachusetts at Amherst in the 1980s and who had attended Dylan Thomas' lecture tours at American universities thirty years earlier as students. They were particularly impressed by the power of Thomas' language and his forceful style of presentation. In this "Causerie" or interview recorded in 1985, Mankin speaks about the effect Thomas' performance at UCLA had on his own work. He also discusses the lasting value of Thomas' poetry and its impact on other poets.