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Nach wie vor ist es der internationalen Gemeinschaft nicht gelungen, eine Lösung für die afghanische Krise zu präsentieren. Dabei macht die gegenwärtige Situation eine Beendigung des Kriegszustands sowie die Aufnahme von konstruktiven Verhandlungen unerlässlich. Die Genfer Verhandlungen der 1980er Jahre über den Abzug der Sowjetarmee aus Afghanistan könnten hierbei als Vorbild dienen.
Towards Eurasia
(2019)
In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.
Towards Eurasia
(2019)
In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.
The years 1953 through the 1970s in the Soviet Union have been called the era of the “Jews of silence.” And yet through various types of musical activities, certain parts of the Jewish population in the USSR were able to maintain a collective cultural identity in the public sphere. Captured as a musical community, this collectivity also extended to non-Jewish composers, musicians, and audiences. As such it thematicized, performed, represented, and received Jewishness, through Yiddish theater and songs, art music, and popular music. Concerts and works conceived for the Soviet stages demonstrate that Jewishness mattered, with music taking on new symbolism and becoming imbued with new meaning. This chapter focuses on the presence (and absence) of Jewish music in the public sphere, specifically in the concert hall and other stages in the post-Stalinist Soviet Union.
Das sechste Potsdamer Textbuch ist eine solide und kritische Bilanz der Außenpolitik der DDR. Weder rechtfertigt und verklärt sie nostalgisch eingefärbt das vergangene System, noch verurteilt sie pauschal. Den Beiträgen liegen sowohl umfangreiche Recherchen in den Archiven als auch lebensweltliche Erfahrungen mit der Außenpolitik des deutschen Realsozialismus zugrunde. Der Band, der zum 70. Geburtstag des ehemaligen Professors am Institut für Internationale Beziehungen der DDR Claus Montag erschien, macht generelle Linien der ostdeutschen Außenpolitik sichtbar und zeigt zugleich sehr konkret die internationale Vernetzung der DDR in den verschiedenen Phasen des Kalten Krieges.
Die verschwundene Diplomatie
(2019)
Das sechste Potsdamer Textbuch ist eine solide und kritische Bilanz der Außenpolitik der DDR. Weder rechtfertigt und verklärt sie nostalgisch eingefärbt das vergangene System, noch verurteilt sie pauschal. Den Beiträgen liegen sowohl umfangreiche Recherchen in den Archiven als auch lebensweltliche Erfahrungen mit der Außenpolitik des deutschen Realsozialismus zugrunde. Der Band, der zum 70. Geburtstag des ehemaligen Professors am Institut für Internationale Beziehungen der DDR Claus Montag erschien, macht generelle Linien der ostdeutschen Außenpolitik sichtbar und zeigt zugleich sehr konkret die internationale Vernetzung der DDR in den verschiedenen Phasen des Kalten Krieges.