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Prosody by phase
(2004)
Japanese wh-questions always exhibit focus intonation (FI). Furthermore, the domain of FI exhibits a correspondence to the wh-scope. I propose that this phonology-semantics correspondence is a result of the cyclic computation of FI, which is explained under the notion of Multiple Spell-Out in the recent Minimalist framework. The proposed analysis makes two predictions: (1) embedding of an FI into another is possible; (2) (overt) movement of a wh-phrase to a phase edge position causes a mismatch between FI and wh-scope. Both predictions are tested experimentally, and shown to be borne out.
This paper presents the results of a production experiment on the intonation of sentences containing a negative polarity item (NPI) in Tokyo Japanese. The results show that NPI sentences exhibit a focus intonation: the Fâ-peak of the word to which an NPI is attached is raised, while the pitch contour after the NPI-attached word is compressed until the negation. This intonation pattern is parallel to that of wh-question, in which the Fâ of the wh-phrase is raised while the post-wh-contour is compressed until the question particle.
This paper discusses how focus changes prosodic structure in Tokyo Japanese. It is generally believed that focus blocks the intonational process of downstep and causes a pitch reset. This paper presents experimental evidence against this traditional view by looking at the prosodic behavior of Wh words, which receive focus lexically in Japanese as in other languages. It is demonstrated, specifically, that the focused Wh element does not block downstep although it receives a much higher pitch than its preceding element. This suggests that presence of lexical focus does not trigger pitch reset in Japanese.