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In a multi-source, lagged design field study of 197 leader-follower dyads, we test a model that predicts positive interactive effects of visionary and empowering leadership on follower performance. Based on the paradox perspective, we argue that visionary and empowering leadership are synergistic in that their combination enables leaders to address a key paradox inherent to leader behavior identified by Waldman and Bowen (2016): Maintaining control while simultaneously letting go of control. We argue that visionary leadership addresses the former and empowering leadership addresses the latter pole of this pair of opposites. Hence, in line with paradox thinking, we posit that leaders will engender more positive effects on follower performance when they enact visionary and empowering leadership behaviors simultaneously and adopt a "both-and" approach, rather than focus on one of these behaviors without the other. Our results support our hypothesized interactive effect of visionary and empowering leadership on goal clarity, as well as a conditional indirect effect such that goal clarity mediates the interactive effect of visionary and empowering leadership on individual follower performance.
In this cartography, I examine M.K. Gandhi’s practice of fasting for political purposes from a specifically aesthetic perspective. In other words, to foreground their dramatic qualities, how they in their expressive repetition, patterning and stylization produced a/effected heightened forms of emotions. To carry out this task, I follow the theater scholar Erika Fischer-Lichte’s features that give name to her book Äesthetik des Performativen (2004). The cartography is framed in a philosophical presentation of Gandhi’s discourse as well as of his historical sources. Moreover, as a second frame, I historicize the fasts, by means of a typology and teleology in context.
The historically and discoursively framed cartography maps four main dimensions that define the aesthetics of the performative: mediality, materiality, semioticity and aestheticity. The first part analyses the medial platforms in which the fasts as events have been historically recorded and in which they have left their traces and inscriptions. These historical sources are namely, newspapers, images, newsreels and a documentary film. Secondly, the material dimension depicts Gandhi’s corporeal condition, as well as the spatiality and temporality of the fasts. In the third place, I revise and reformulate critically Fischer-Lichte’s concepts of “presence” and “representation” with resonating concepts of G. C. Spivak and J. Rancière. This revision illustrates Gandhi’s fasts and shows the process of how an individual may become the embodiment or representation of a national body-politic. The last chapter of the cartography explores the autopoetic-feedback loop between Gandhi and the people and finishes with a comparison of the mise en scène of the hunger artists with the fasts of the Indian the politician, social reformer, and theologian. The text concludes interpreting Gandhi’s practice of fasting under the light of the concepts of “intellectual emancipation” and “de-subjectivation” of the philosopher J. Rancière.
The four main concerns of this cartography are: Firstly, in the field of Gandhi’s reception, to explore the aesthetic dimension as both alternative and complementary to the two hegemonic interpretative lenses, i.e. a hagiographic or a secular political understanding of the fasts. From a theoretical perspective, the cartography pursues to be a transdisciplinary experiment that aims at deploying concepts that have been traditionally developed, derived from and used in the field of the arts (theater, film, literature, aesthetic performance, etc.) in the field of the political. In brief, inverting an expression of Rancière, to understand politics as aesthetics. Thirdly, from a thematic point of view, the cartography inquires the historical forms of staging and perception of hunger. Last yet importantly, it is an inquiry of the practice of fasting as nonviolence, what Gandhi, its most sophisticated modern theoretician and practitioner considered its most radical expression.
To date, positive relationships between diversity and community biomass have been mainly found, especially in terrestrial ecosystems due to the complementarity and/or dominance effect. In this thesis, the effect of diversity on the performance of terrestrial plant and phytoplankton communities was investigated to get a better understanding of the underlying mechanisms in the biodiversity-ecosystem functioning context. In a large grassland biodiversity experiment, the Jena Experiment, the effect of community diversity on the individual plant performance was investigated for all species. The species pool consisted of 60 plant species belonging to 4 functional groups (grasses, small herbs, tall herbs, legumes). The experiment included 82 large plots which differed in species richness (1-60), functional richness (1-4), and community composition. Individual plant height increased with increasing species richness suggesting stronger competition for light in more diverse communities. The aboveground biomass of the individual plants decreased with increasing species richness indicating stronger competition in more species-rich communities. Moreover, in more species-rich communities plant individuals were less likely to flower out and had fewer inflorescences which may be resulting from a trade-off between resource allocation to vegetative height growth and to reproduction. Responses to changing species richness differed strongly between functional groups and between species of similar functional groups. To conclude, individual plant performance can largely depend on the diversity of the surrounding community. Positive diversity effects on biomass have been mainly found for substrate-bound plant communities. Therefore, the effect of diversity on the community biomass of phytoplankton was studied using microcosms. The communities consisted of 8 algal species belonging to 4 functional groups (green algae, diatoms, cyanobacteria, phytoflagellates) and were grown at different functional richness levels (1-4). Functional richness and community biomass were negatively correlated and all community biomasses were lower than their average monoculture biomasses of the component species, revealing community underyielding. This was mainly caused by the dominance of a fast-growing species which built up low biomasses in monoculture and mixture. A trade-off between biomass and growth rate in monoculture was found for all species, and thus fast-growing species built up low biomasses and slow-growing species reached high biomasses in monoculture. As the fast-growing, low-productive species monopolised nutrients in the mixtures, they became the dominant species resulting in the observed community underyielding. These findings suggest community overyielding when biomasses of the component species are positively correlated with their growth rates in monocultures. Aquatic microcosm experiments with an extensive design were performed to get a broad range of community responses. The phytoplankton communities differed in species diversity (1, 2, 4, 8, and 12), functional diversity (1, 2, 3, and 4) and community composition. The species/functional diversity positively affected community biomass, revealing overyielding in most of the communities. This was mainly caused by a positive complementarity effect which can be attributed to resource use complementarity and/or facilitative interaction among the species. Overyielding of more diverse communities occurred when the biomass of the component species was correlated positively with their growth rates in monoculture and thus, fast-growing and high-productive species were dominant in mixtures. This and the study mentioned above generated an emergent pattern for community overyielding and underyielding from the relationship between biomass and growth rate in monoculture as long as the initial community structure prevailed. Invasive species can largely affect ecosystem processes, whereas invasion is also influenced by diversity. To date, studies revealed negative and positive diversity effects on the invasibility (susceptibility of a community to the invasion by new species). The effect of productivity (nutrient concentration ranging from 10 to 640 µg P L-1), herbivory (presence/absence of the generalist feeder) and diversity (3, 4, 6 species were randomly chosen from the resident species pool) on the invasibility of phytoplankton communities consisting of 10 resident species was investigated using semi-continuous microcosms. Two functionally diverse invaders were chosen: the filamentous and less-edible cynaobacterium C. raciborskii and the unicellular and well-edible phytoflagellate Cryptomonas sp. The phytoflagellate indirectly benefited from grazing pressure of herbivores whereas C. raciborskii suffered more from it. Diversity did not affect the invasibility of the phytoplankton communities. Rather, it was strongly influenced by the functional traits of the resident and invasive species.
“Embodied Practices – Looking From Small Places” is an edited transcript of a conversation between theatre and performance scholar Sruti Bala (University of Amsterdam) and sociologist, criminologist and anthropologist Dylan Kerrigan (University of Leicester) that took place as an online event in November 2020. Throughout their talk, Bala and Kerrigan engage with the legacy of Haitian anthropologist Michel-Rolph Trouillot. Specifically, they focus on his approach of looking from small units, such as small villages in Dominica, outwards to larger political structures such as global capitalism, social inequalities and the distribution of power. They also share insights from their own research on embodied practices in the Caribbean, Europe and India and answer questions such as: What can research on and through embodied practices tell us about systems of power and domination that move between the local and the global? How can performance practices which are informed by multiple locations and cultures be read and appreciated adequately? Sharing insights from his research into Guyanese prisons, Kerrigan outlines how he aims to connect everyday experiences and struggles of Caribbean people to trans-historical and transnational processes such as racial capitalism and post/coloniality. Furthermore, he elaborates on how he uses performance practices such as spoken word poetry and data verbalisation to connect with systematically excluded groups. Bala challenges naïve notions about the inherent transformative potential of performance in her research on performance and translation. She points to the way in which performance and its reception is always already inscribed in what she calls global or planetary asymmetries. At the conclusion of this conversation, they broach the question: are small places truly as small as they seem?
Grenzräume – Grenzbewegungen
(2016)
Der vorliegende Sammelband vereinigt die Beiträge der 12. und 13. Tagung des Jungen Forums Slavistische Literaturwissenschaft (JFSL) in Basel 2013 und Frankfurt (Oder) und Słubice 2014. Unter den thematischen Leitbegriffen Grenzräume – Grenzbewegungen präsentiert er Einblicke in die Arbeit von Nachwuchswissenschaftlerinnen und -wissenschaftlern der deutschsprachigen slavischen Literatur- und Kulturwissenschaft.
Grenzräume – Grenzbewegungen
(2016)
Der vorliegende Sammelband vereinigt die Beiträge der 12. und 13. Tagung des Jungen Forums Slavistische Literaturwissenschaft (JFSL) in Basel 2013 und Frankfurt (Oder) und Słubice 2014. Unter den thematischen Leitbegriffen Grenzräume – Grenzbewegungen präsentiert er Einblicke in die Arbeit von Nachwuchswissenschaftlerinnen und -wissenschaftlern der deutschsprachigen slavischen Literatur- und Kulturwissenschaft.
Rainfall data from the Global Precipitation Measurement (GPM) mission provide a new source of information with high spatiotemporal resolution that overcomes the limitations of ground-based rainfall information worldwide. This study evaluates the performance of the Integrated multi-satellitE Retrievals for GPM (IMERG) Final Run product over Brazil by means of multi-temporal and -spatial analyses. The assessment of the IMERG Final Run product is based on six statistics obtained for the period between January-December 2016 (daily, monthly, and annual basis). The analysis consisted of comparing the satellite-based estimates against a ground-based gridded rainfall product created using daily records from 4911 rain gauges distributed throughout Brazil. Overall, the results show that the IMERG product can effectively capture the spatial patterns of rainfall across Brazil. However, the IMERG product presents a slight tendency in overestimating the ground-based rainfall at all timescales. Furthermore, the performance of the satellite product varies throughout the region. The higher errors and biases are found in the North and Central-West regions, but the low density of rain gauges in those regions can be a source of large deviations between IMERG estimates and observations. A large underestimation of the IMERG data is evident along the coastal zone of the North-east region, probably due to the inability of the passive microwave and infrared sensors to detect warm-rain processes over land. This study shows that the IMERG product can be a good source of rainfall data to complement the ground precipitation measurements in most of Brazil, although some uncertainties are found and need to be further studied
Präexistente Musik im Film
(2022)
Vom Weltuntergang mit Richard Wagners "Tristan und Isolde" über die Gesangsperformance einer zum Tode verurteilten Björk am Galgen bis hin zu Johann Sebastian Bachs Orgelmusik als Erklärungsmodell für Hypersexualität: So seltsam das Kino des Lars von Trier erscheinen mag, so vielfältige Möglichkeiten bietet es, über ein Musikphänomen nachzudenken, das einen Großteil der heutigen Kunst- und Unterhaltungswelt prägt.
In Lars von Triers Filmen erklingt hauptsächlich Musik, die es bereits vor den Filmen gab. Einerseits besitzt solche präexistente Musik ein ausgeprägtes Eigenleben, andererseits entsteht aus der filmischen Aneignung etwas Neues. Am Beispiel eines der einflussreichsten Regisseure der Gegenwart untersucht Pascal Rudolph, wie Filmschaffende Musik adaptieren und wie dadurch Bedeutungen und Wirkungen entstehen. Erstmals bietet das Buch auf Grundlage von unveröffentlichtem Produktionsmaterial und Insider-Interviews detaillierte Einblicke in die Arbeit bei Lars von Triers Filmprojekten im Besonderen, aber auch in die Arbeitsprozesse der filmmusikalischen Gestaltung im Allgemeinen. Der musikalischen Vielfalt in den Filmen wird die Studie durch ihren multiperspektivischen und transdisziplinären Ansatz gerecht. Die zehn Kapitel beleuchten das Zusammenwirken von Musik und Film auf diese Weise aus verschiedenen Blickwinkeln.
Präexistente Musik im Film
(2022)
Vom Weltuntergang mit Richard Wagners "Tristan und Isolde" über die Gesangsperformance einer zum Tode verurteilten Björk am Galgen bis hin zu Johann Sebastian Bachs Orgelmusik als Erklärungsmodell für Hypersexualität: So seltsam das Kino des Lars von Trier erscheinen mag, so vielfältige Möglichkeiten bietet es, über ein Musikphänomen nachzudenken, das einen Großteil der heutigen Kunst- und Unterhaltungswelt prägt.
In Lars von Triers Filmen erklingt hauptsächlich Musik, die es bereits vor den Filmen gab. Einerseits besitzt solche präexistente Musik ein ausgeprägtes Eigenleben, andererseits entsteht aus der filmischen Aneignung etwas Neues. Am Beispiel eines der einflussreichsten Regisseure der Gegenwart untersucht Pascal Rudolph, wie Filmschaffende Musik adaptieren und wie dadurch Bedeutungen und Wirkungen entstehen. Erstmals bietet das Buch auf Grundlage von unveröffentlichtem Produktionsmaterial und Insider-Interviews detaillierte Einblicke in die Arbeit bei Lars von Triers Filmprojekten im Besonderen, aber auch in die Arbeitsprozesse der filmmusikalischen Gestaltung im Allgemeinen. Der musikalischen Vielfalt in den Filmen wird die Studie durch ihren multiperspektivischen und transdisziplinären Ansatz gerecht. Die zehn Kapitel beleuchten das Zusammenwirken von Musik und Film auf diese Weise aus verschiedenen Blickwinkeln.
We present Pycket, a high-performance tracing JIT compiler for Racket. Pycket supports a wide variety of the sophisticated features in Racket such as contracts, continuations, classes, structures, dynamic binding, and more. On average, over a standard suite of benchmarks, Pycket outperforms existing compilers, both Racket's JIT and other highly-optimizing Scheme compilers. Further, Pycket provides much better performance for Racket proxies than existing systems, dramatically reducing the overhead of contracts and gradual typing. We validate this claim with performance evaluation on multiple existing benchmark suites.
The Pycket implementation is of independent interest as an application of the RPython meta-tracing framework (originally created for PyPy), which automatically generates tracing JIT compilers from interpreters. Prior work on meta-tracing focuses on bytecode interpreters, whereas Pycket is a high-level interpreter based on the CEK abstract machine and operates directly on abstract syntax trees. Pycket supports proper tail calls and first-class continuations. In the setting of a functional language, where recursion and higher-order functions are more prevalent than explicit loops, the most significant performance challenge for a tracing JIT is identifying which control flows constitute a loop-we discuss two strategies for identifying loops and measure their impact.