Refine
Year of publication
- 2016 (23) (remove)
Document Type
- Article (7)
- Preprint (6)
- Doctoral Thesis (3)
- Review (3)
- Postprint (2)
- Master's Thesis (1)
- Other (1)
Is part of the Bibliography
- yes (23) (remove)
Keywords
- Galang (2)
- Great Britain (2)
- Sound (2)
- music (2)
- pirate modernity (2)
- postcolonial critique (2)
- transculturality (2)
- Aesthetics (1)
- Cultural theory (1)
- EFL (1)
Institute
- Institut für Anglistik und Amerikanistik (23) (remove)
The Musical Novel: Imitation of Musical Structure, Performance and Reception in Contemporary Fiction
(2016)
Contrary to earlier studies dealing with the cultural identity development of diasporic minorities, this paper assesses the impact of homogeneity on intra-group cohesion and ethnic orientation. To this end, Oromo-Americans, an ethnic group originally located within the national borders of Ethiopia, will be compared to Armenian-Americans, British-Pakistanis and Somali-Americans. Despite different circumstances, all four groups share the experience of displacement owing to war and destitution. Additionally, all groups are confronted with the ramifications of a visible minority status. In the process of comparing these groups, their degrees of homogeneity in regard to language and religion - central aspects of culture and cultural identity - will be examined and juxtaposed at a macro level. Based on the correlative relationship of group homogeneity and social cohesion, I argue that the more homogeneous a group is in terms of language and religion, the more close-knit it will be. Consequently, exiled minorities who share the same language and religion are more likely to develop and retain a strong ethnic orientation than groups who are heterogeneous with regard to language and/or religion.
This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
Sound matters
(2016)
This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
This paper deals with the teaching of grammar in the English as a foreign language (EFL) classroom. In this context, a course book (English G 21 A2) is examined in regard to whether it is compatible with current theories about second language acquisition (SLA).
At the beginning of this paper, views on grammar teaching from the past and the present are summarized and this is followed by an analysis of the current curriculum concerning its guidelines for grammar teaching in the foreign language classroom. This analysis concludes that the curriculum of Brandenburg hardly gives any recommendations regarding the question of which grammatical phenomena should to be taught. This explains, at least partly, the important position course books take in the foreign language classroom. Teachers use them as a source of material as well has a guideline for which topics can be taught and in which order.
The following part gives an overview of cognitive models of SLA and foreign language teaching, among others Krashen’s Monitor Hypothesis, R. Ellis’ Weak Interface Model and Pienemann’s Processability Theory. On the basis of these models criteria for the ideal design of a course book, which would support grammar teaching according to current findings, are developed. Among those criteria are the offering of a lot of input in the target language, provision of practice activities and consciousness-raising activities, taking into consideration the sequence of acquisition and the provision of a diagnostic tool which enables the students to find out in which areas of the target language they need to improve. Furthermore, the inclusion of opportunities for (individual) revision is regarded as essential. All of those criteria are of course given under the reservation that the influence of course books on the happenings in the classroom is restricted as the final decisions are made by the teacher in the teaching situation.
In the analysis, one communicative intention which is usually a topic in the English lessons between the third and sixth year of learning is focused on. This communicative intention is talking about the future. First, the possibilities to express futurity in the English language are analysed and reduced for the use in teaching. The chosen course book is then described and analysed and the way the book deals with the topic of talking about the future is compared to the criteria which where specified earlier in the paper. This comparison showed that the book is compatible with SLA theories in many ways (e.g. concerning the explanations of grammatical structures) but that there is still room for improvement (e.g. concerning the amount of input and the number of consciousness-raising activities).
Reflections of Lusáni Cissé
(2016)
Recollecting Bones
(2016)
In the same “guarded, roundabout and reticent way” which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy’s words, “the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism’s intellectual, ethical and scientific pre-history” (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.