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This article discusses how Alex Garland’s The Beach (1996) engages with conceptions of utopian islands, nation, and colonialism in modernity and how it, from this basis, develops a different spatiality that reflects on a more deterritorialized form of imperial domination within late twentieth-century globalization, as exercised by the United States. The novel is shown to subvert, but not to abolish, two spatial formations that originated in early modernity: nation and utopia. Building on Jean Baudrillard’s elaborations regarding simulation and simulacra, the article argues that The Beach creates a hyperreal narrative that does away with the idea of isolated, bounded spaces and that in form and content corresponds with the worldwide dominance of the United States at the end of the twentieth century.
Alien Horrors
(2022)
H. P. Lovecraft’s oeuvre abounds with stereotypes of the racialized poor. As scholars have noted, Lovecraft’s work turns those he viewed as ‘Others’ into ‘aliens.’ Poor people of color (as opposed to the orderly White rural population and White working class) in Lovecraft’s stories are foreign, diseased, and criminal, and they threaten social and cosmic orders as they are in league with a nebulous entity that waits to wreak indescribable havoc. This chapter analyzes three ‘Lovecraftian’ novels published in 2016 - Cassandra Khaw’s Hammers on Bone,Victor LaValle’s The Ballad of Black Tom, and Matt Ruff’s Lovecraft Country. These works elucidate the connection of Trump’s 2016 rhetoric in campaign and presidential speeches and the White supremacist imagery used by Lovecraft. In these novels, the racialized poor have a special connection to an astronomical, evil entity à la Lovecraft. As carriers of numinous genes or parasitic entities (literally having ‘an alien within’) they become empowered. They thus occupy a pivotal position in forestalling or bringing about the destruction of societal order; that is, of White supremacy. Exploring the alleged risk posed by this ‘underclass,’ these works seem to foretell current representations of protesters as ‘riotous mobs’ that threaten the body politic Trump sought to make great (and White) again.
Boyle, T.C.
(2022)
T.C. Boyle, or Thomas Coraghessan Boyle, is probably best known for his 1995 novel Tortilla Curtain , which quickly became a staple of high school and college syllabi. Tortilla Curtain deftly illustrates what Boyle does best: acerbically tracing the irrationality that governs human thought and the resulting contradictory and often unethical behavior (mostly in relation to xenophobia, environmentalism, and the intersections of gender). Despite often casting a critical eye over US American society, Boyle's works are accessible reads with fast-paced and eventful plots. This combination has produced a number of international bestsellers. In fact, Boyle is so popular in Germany that translations of his works have been published before the original versions came out in English. However, his talent for depicting the impotence of reason in the face of base desires, selfishness, group dynamics, and indoctrinated ideologies is also a weakness: at times, Boyle's satire reproduces what it means to criticize, coming close to naturalizing the hedonistic, prejudiced, and emotionally charged behavior of his characters.
Francesca Y. Albertini (1974-2011) compares Maimonides' idea of peace, as developed in MT Sefer shofetim (Book of Judges), with Kant's work on the notion of "eternal peace" (Zum ewigen Frieden). Both authors develop a historical vision pointed against the use of force and war in light of a framework not limited by historical time (messianic age, eternity). Despite all differences in method and historical context, the authors agree on the notion that universal ethics provides the basis of a determination of right grounded in the will. Maimonides' universal messianism as well as Kant's universal history emphasize the pivotal role and decisive responsibility of the human being in realizing, through reason, the reign of peace and prosperity on earth first envisioned by the biblical prophets. These utopias continue to challenge us, especially in this day and age.
Er stellte die Entwicklung der Universität Basel an der Schwelle vom Mittelalter zur Frühen Neuzeit bis zum 17. Jahrhundert dar und unterstrich ihre Bedeutung für die nichtkatholischen Studenten aus den Nachbarländern nach dem Beginn der Reformation: Die hiesige Universität war nämlich zudem ein idealer Ort, an dem sich sowohl frankophone Studenten als auch reformierte Studenten aus Frankreich, dem Herzogtum Savoyen-Piemont, England oder Italien als Glaubensflüchtlinge einschreiben konnten. Basel diente zudem als Transituniversität bei Bildungsreisen durch Europa im Rahmen der peregrinatio academica. Neben Basel widmete sich Asche auch den reformierten Hohen Schulen bzw. Akademien in Zürich, Bern, Lausanne und Genf sowie deren Stellung im schweizerischen Bildungssystem der Frühen Neuzeit; er erklärte deren Funktion (vornehmlich für die Pfarrerausbildung) sowie die regionale und soziale Herkunft der dortigen Studentenschaft, die ebenfalls teilweise aus dem Ausland stammte.
Mundart und Umgangssprache
(2022)
Märkische Dialekte
(2021)
Von der Ausnahmesituation der Intellektuellen : ostdeutsche Diskurse und die Weimarer Republik
(1996)
Krisendiagnose und Katastrophenerfahrung : Philosophie und Geschichte in der Zwischenkriegszeit
(1997)
Zum Subjekt emanzipatorischer Projekte : die Aufklärung als geschichtsphilosophisches Konzept
(1998)
Vom unfreien Schweben zum freien Fall : ostdeutsche Intellektuelle im gesellschaftlichen Umbruch
(1996)
Variationen zum Verhältnis von Geist und Macht : ostdeutsche Diskurse und die Weimarer Republik
(1996)
Moderne/Postmoderne
(1997)
Historische Theorie
(1997)
Geschichte
(1997)
Watson, J. R., Die Auschwitz-Galaxy, Reflexionen zur Aufgabe des Denkens; Wien, Turia + Kant, 1998
(1998)
Frühschriften
(1999)
Deutschland als "verspätete Nation" (Helmuth Plessner) : Bismarck und der Nationalsozialismus
(1999)
Gomperz, Ephraim, Itzig
(2020)
Tolerante Hohenzollern?
(2021)
Kirchliche Zeitgeschichte
(2021)
‘Hasty observations’?
(2018)
This article examines geographical field research in Albania and Montenegro under Austro-Hungarian occupation, which lasted from 1916 to 1918. It focusses on one of the most important German-speaking geographers of the early 20 th century, Eugen Oberhummer (1859–1944), a pupil of Friedrich Ratzel, the founder of German geo-politics. In 1917 and 1918, Oberhummer went on two expeditions to Montenegro and Albania during the First World War. He already had travelled in four continents and vaguely knew the Western Balkans from an expedition in 1907. It will be argued that the actual situation in Albania and Montenegro did not alter, but did rather reinforce Oberhummer’s attitudes and opinions on the ‘other’ he encountered. Thus, the two war expeditions – Oberhummer primarily met high-ranking Austro-Hungarian officials and only few locals – confirmed his expectations basing on his ‘Ratzelian’ theoretical conceptions. It will further be argued that – in contrast to the much younger and less experienced ‘scholars-at-arms’ of the expedition of 1916 – war and violence were of secondary relevance for the well-travelled and renowned professor of geography in his late 50s. Neither in Oberhummer’s articles nor in his diaries the war and the occupation of Albania and Montenegro made up an important part. In Oberhummer’s ‘Ratzelian’ view, humans could not change or over-come the basic features of geography, as humans were clearly subordinated to the elemental forces of geography. People, over generations, adapted to geography, not the other way round. The on-going First World War was an opportunity for Oberhummer to travel to Albania and Montenegro, but the guerrilla warfare in large parts of Montenegro, the violence against the civilian population, and the fighting at the Albanian front were of secondary relevance and interest for him. Nevertheless, what Oberhummer observed offers great insights into the Austro-Hungarian occupation of Montenegro and Albania from the perspective of a renowned and – given the general circumstances – pleasantly relaxed Ratzelian geographer at the height of his academic career.
Previous studies suggest that there are special timing relations in syllable onsets. The consonants are assumed to be timed, on the one hand, with the vocalic nucleus and, on the other hand, with each other. These competing timing relations result in the C-center effect. However, the C-center effect has not consistently been found in languages with complex onsets. Moreover, it has occasionally been found in languages disallowing complex onsets. The present study investigates onset timing in German while discussing alternative explanations (not related to bonding) for the timing patterns observed. Six German speakers were recorded via Electromagnetic Articulography. The corpus contained items with four clusters (/sk/, /kv/, /gl/, and /pl/). The clusters occur in word-initial position, word-medial position, and across a word boundary preceding different vowels. The results suggest that segmental properties (i.e., oral-laryngeal coordination, coarticulatory resistance) determine the observed timing patterns, and specifically the absence or presence of the C-center effect.
Gespenstergeschichten
(2015)
Welchen Stellenwert nimmt die Rote Armee Fraktion innerhalb der deutschen Geschichte ein? Eignet sie sich als Prisma für ein Nachdenken über Kunst, Trauma und Erinnerung nach 1945? Und was gibt sie uns über die deutsche Gesellschaft, ihre bewussten und unbewussten Mechanismen der Selbstverständigung zu verstehen?
Svea Bräunert nähert sich diesen und weiteren Fragen über die Kunst: Literatur, Film und bildende Kunst haben sich von Anfang an von der RAF angesprochen und herausgefordert gefühlt. Mit dem Linksterrorismus greifen sie ein Thema auf, das eine breite Palette an historischen, politischen, medialen und mnemonischen Fragestellungen eröffnet. Neben kanonischen Positionen von Richter, Kluge und Enzensberger werden zur Betrachtung derselben auch neuere Arbeiten von Demand, DeLillo und Dumas herangezogen.
Die Beschäftigung mit den künstlerischen Ansätzen steht im Kontext eines thematisch-theoretischen Nachdenkens über die RAF, das den Linksterrorismus als eine besondere Form des Traumas begreift und das Gespenst als Ausdruck dieser Besonderheit stark macht. Das Gespenst ist die Gestalt, die ein Trauma dennoch annehmen kann, obwohl es sich eigentlich jeder Form von Darstellung entziehen müsste. Möglich wird dies durch seinen metonymischen und nachträglichen Impuls. Er erlaubt es dem Gespenst, etwas auf verschobene Weise zur Anschauung zu bringen, was sonst ungesehen oder unausgesprochen bleiben müsste. Indem das Buch diese Verschiebungen nachvollzieht, leistet es ebenso einen Beitrag zur Kulturgeschichte der Bundesrepublik wie zur erinnerungstheoretischen Diskussion.
Affect Disposition(ing)
(2018)
The “affective turn” has been primarily concerned not with what affect is, but what it does. This article focuses on yet another shift towards how affect gets organized, i.e., how it is produced, classified, and controlled. It proposes a genealogical as well as a critical approach to the organization of affect and distinguishes between several “affect disposition(ing) regimes”—meaning paradigms of how to interpret and manage affects, for e.g., encoding them as byproducts of demonic possession, judging them in reference to a moralistic framework, or subsuming them under an industrial regime. Bernard Stiegler’s concept of psychopower will be engaged at one point and expanded to include social media and affective technologies, especially Affective Computing. Finally, the industrialization and cybernetization of affect will be contrasted with poststructuralist interpretations of affects as events.
Affect Disposition(ing)
(2018)
The “affective turn” has been primarily concerned not with what affect is, but what it does. This article focuses on yet another shift towards how affect gets organized, i.e., how it is produced, classified, and controlled. It proposes a genealogical as well as a critical approach to the organization of affect and distinguishes between several “affect disposition(ing) regimes”—meaning paradigms of how to interpret and manage affects, for e.g., encoding them as byproducts of demonic possession, judging them in reference to a moralistic framework, or subsuming them under an industrial regime. Bernard Stiegler’s concept of psychopower will be engaged at one point and expanded to include social media and affective technologies, especially Affective Computing. Finally, the industrialization and cybernetization of affect will be contrasted with poststructuralist interpretations of affects as events.
In an overt visual priming experiment, we investigate the role of orthography in native (L1) and non-native (L2) processing of German morphologically complex words. We compare priming effects for inflected and derived morphologically related prime-target pairs versus otherwise matched, purely orthographically related pairs. The results show morphological priming effects in both the L1 and L2 group, with no significant difference between inflection and derivation. However, L2 speakers, but not L1 speakers, also showed significant priming for orthographically related pairs. Our results support the claim that L2 speakers focus more on surface-level information such as orthography during visual word recognition. This can cause orthographic priming effects in morphologically related prime-target pairs, which may conceal L1-L2 differences in morphological processing.
Grussworte
(2007)
Public Character
(2021)
The rising standard language in Early New High German (1350–1650) provides particularly interesting cases for the question of missing heads on all levels of language structure. A well-known example are subordinate clauses lacking a finite auxiliary verb, traditionally called Afinite Constructions. Based on new data, drawn from two treebanks of Early New High German, the present paper will briefly sketch the distribution of ACs, before establishing that they are in fact a type of ellipsis and do not cluster with other non-finite clauses in German. The remainder of the paper addresses the question what kind of information is missing in ACs and how this information is retrieved. Obviously, auxiliary drop in ENHG represents a type of ellipsis rarely attested in present-day German.
Recollecting bones
(2018)
This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.
Wider die Eindeutigkeit : Sexualität und Geschlecht im Fokus querer Politik der Repräsentation
(2001)
Unternehmenskultur - ein Kulturunternehmen? : Kultur, Werte und Selbstorganisation in Unternehmen
(1996)
Gespensterbeschwörung?
(1996)
Kompetenz und kein Ende?
(1996)
Urbanity and literature
(2011)
Transarea studies focus upon spaces as created by the movements that criss-cross them. From this point of view, from its very beginnings, literature is closely interrelated with a vectorial (and much less with a purely spatial) conception of history - and with urbanity, which plays a decisive role in Gilgamesh's travels through a (narrative) cosmos centered upon the city of Uruk. This article explores the city as a transareal space of movement in three examples of literature, with no fixed abode, around the turn of the millennium, i.e. Assia Djebar's Les Nuits de Strasbourg, Emine Sevgi Oezdamar's Istanbul-Berlin Trilogy, and Cecile Wajsbrot's L'ile aux musees. These three writers project, in a very specific way, cities in motion as anagrammatic and fractal structures.
Magic screens
(2016)
Garcilaso de la Vega el Inca, for several centuries doubtlessly the most discussed and most eminent writer of Andean America in the 16th and 17th centuries, throughout his life set the utmost value on the fact that he descended matrilineally from Atahualpa Yupanqui and from the last Inca emperor, Huayna Capac. Thus, both in his person and in his creative work he combined different cultural worlds in a polylogical way. (1) Two painters boasted that very same Inca descent - they were the last two great masters of the Cuzco school of painting, which over several generations of artists had been an institution of excellent renown and prestige, and whose economic downfall and artistic marginalization was vividly described by the French traveller Paul Mancoy in 1837.(2) While, during the 18th century, Cuzco school paintings were still much cherished and sought after, by the beginning of the following century the elite of Lima regarded them as behind the times and provincial, committed to an 'indigenous' painting style. The artists from up-country - such was the reproach - could not keep up with the modern forms of seeing and creating, as exemplified by European paragons. Yet, just how 'provincial', truly, was this art?
Khal Torabully
(2017)
Khal Torabully creates poetry and a poetics for those forgotten by history, a theorem and theory which construct a tangible and sensual landscape, allowing for an empathetically shared experience and expressing the dramatic climax of the third phase of accelerated globalization: a project that would be unthinkable without the cultural theory we now have at our disposal in the present surge of globalization. In his poetic and theoretical texts, he has paid a literary tribute to the Coolies, usually from India, but also China and many other countries. Given Torabully’s Mauritian roots, but also the worldwide migration of the Coolies themselves, the world of Coolitude is culturally and linguistically extremely diverse, making the act of translation very relevant and giving it multiple meanings. Literature brings these forgotten lives back to life and allows us to share this experience thanks to its aesthetic force. It traces the movements, which sketch trajectories functioning to this day as palimpsest-like vectors of our own paths and trajectories. The author of Chair Corail, Fragments Coolies breaks the chain of mutual exclusions, replacing it with a type of writing belonging to a wider array of expressive modes which in diasporic situations unleash polylogical and archipelagic imaginaries.