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Smend, Rudolf
(2021)
Sinnlose Gewalt?
(2023)
Singles in the city
(2021)
More people than ever are living in cities, and in these cities, more and more people are living alone. Using the example of Vienna, this paper investigates the subjective well-being of single households in the city. Previous research has identified positive and negative aspects of living alone (e.g., increased freedom vs. missing social embeddedness). We compare single households with other household types using data from the Viennese Quality of Life Survey (1995–2018). In our analysis, we consider overall life satisfaction as well as selected dimensions of subjective wellbeing (i.e., housing, financial situation, main activity, family, social contacts, leisure time). Our findings show that the subjective well-being of single households in Vienna is high and quite stable over time. While single households are found to have lower life satisfaction than two-adult households, this result is mainly explained by singles reporting lower satisfaction with family life. Compared to households with children, singles are more satisfied with their financial situation, leisure time and housing, which helps to offset the negative consequences of missing family ties (in particular with regard to single parents).
The rising standard language in Early New High German (1350–1650) provides particularly interesting cases for the question of missing heads on all levels of language structure. A well-known example are subordinate clauses lacking a finite auxiliary verb, traditionally called Afinite Constructions. Based on new data, drawn from two treebanks of Early New High German, the present paper will briefly sketch the distribution of ACs, before establishing that they are in fact a type of ellipsis and do not cluster with other non-finite clauses in German. The remainder of the paper addresses the question what kind of information is missing in ACs and how this information is retrieved. Obviously, auxiliary drop in ENHG represents a type of ellipsis rarely attested in present-day German.
Shakespeares Meteopoetik
(2021)
Shakespeare war zweifellos ›Meteopoet‹. Obwohl es die frühneuzeitliche Bühne, die ohne Kulisse, künstliches Licht und mit nur sehr beschränkten Requisiten auskam, vor allerhand Darstellungsprobleme stellen musste, bilden Wetterereignisse einen festen Bestandteil vieler seiner Dramen. Der über sechs Szenen andauernde Bühnensturm aus King Lear gehört zu den berühmtesten meteorologischen Momenten der westlichen Literatur. Schon in Julius Caesar, etwa sieben Jahre zuvor entstanden, leitet die Bühnenanweisung »Thunder and lightning« (JC 1.3; JC 2.2) ein sich über mehrere Auftritte erstreckendes Unwetter ein, das mit den damaligen Mitteln auf der Bühne inszeniert werden musste: Vermutlich kamen dabei in Holztrögen oder direkt auf dem die Bühne überspannenden Dachboden gerollte Kanonenkugeln und an Fäden geführte Feuerwerkskörper zum Einsatz, die Donner und Blitz simulierten. So auch in der Macbeth eröffnenden Hexenszene, zumindest lässt darauf die identische Bühnenanweisung schließen. Dass dieses Bühnenwetter hier nicht nur die übernatürliche Atmosphäre unterstützt, sondern tatsächlich auch meteorologisch relevant ist, verdeutlichen zwei Hinweise: Zum einen erfahren wir von Macbeth später selbst, dass er und seine Zeitgenossen den Hexen tatsächlich die Fähigkeit zuschrieben, das Wetter zu machen:
»Though you untie the winds, and let them fight / Against the churches« (Mac 4.1.52–53), ruft er den Hexen entgegen – es antworten drei Donnerschläge. Zum anderen berichten zwei Randfiguren von einem außergewöhnlichen Unwetter, das
just in der Nacht, in der Macbeth Duncan ermordet, gewütet hatte: »The night has been unruly: where we lay / The chimneys were blown down« (Mac 2.3.54–55), erzählt Lennox, eine Szene später ergänzt ein alter Mann, dass er zu seinen Lebzeiten keine vergleichbare »sore night« (Mac 2.4.3) gesehen habe. Wetterschilderungen vergleichbarer Art begegnen auch in Othello.
The authors propose that while tacit knowledge is a valuable resource for developing new business models, its externalization presents several challenges. One major challenge is that individuals often don’t recognize their tacit knowledge resources, while another is the reluctance to share one’s knowledge with others. Addressing these challenges, the authors present an application-oriented serious game-based haptic modeling approach for externalize tacit knowledge, which can be used to develop the first versions of business models based on tacit knowledge. Both conceptual and practical design fundamentals are presented based on elaborated theoretical approaches, which were developed with the help of a design science approach. The development of the research process is presented step by step, whereby we focused on the high accessibility of the presented research. Practitioners are presented with guidelines for implementing their serious game projects. Scientists benefit from starting points for their research topics of externalization, internalization, and socialization of tacit knowledge, development of business models, and serious games or gamification. The paper concludes with open research desiderata and questions from the presented research process.
Sequenzanalyse [1]
(2015)
In this chapter, I consider the unity of self-consciousness and objectivity. Starting from the notion that the objective character and the self-conscious character of thought seem in tension, I discuss Sebastian Rödl’s Self-Consciousness and Objectivity and his thesis that this tension is merely apparent. This resolution suggests an immediate route to absolute idealism. I recall two Hegelian objections against such an immediate route. Against this background, it transpires that the dissolution of the apparent opposition of objectivity and self-consciousness can only be a preliminary step, opening our eyes to an actual opposition animating the pursuit of knowledge: the opposition of knowledge of nature and self-knowledge. This actual opposition cannot be removed as merely apparent and instead has to be sublated through articulation of its speculative unity. I consider two paradigms for the exposition of such a speculative unity: Kant’s account of judgments of beauty, and Hegel’s account of the speculative unity of life and self-consciousness. I close by contrasting these two approaches with Rödl’s characterization, which strikes me as one-sided. Absolute idealism, properly understood, requires us to develop the speculative unity of knowledge of nature and self-knowledge from both sides, showing us that knowledge of nature is self-knowledge, but equally: that self-knowledge requires knowledge of ourselves as nature.