During his trip to New Spain in 1803, Alexander von Humboldt visited large tracts of New Spanish territory, which includes modern Mexico and part of the United States. This trip provided the data for his geographical Atlas of the region, as well as information about the ancient Mexican cultures that he would later include in the general Atlas and in other major works, such as Vues des Cordillères. Likewise, Humboldt’s Political Essay on the Kingdom of New Spain displayed a comprehensive physical, natural, economic, and social description of Mexico in the colonial period, which will also be analysed. With these works, Humboldt presented a new geographical and cultural image of New Spain to the European audiences. In addition to this, his work made important contributions to cartographic knowledge.

Dieser Artikel skizziert erstmals Alexander von Humboldts Verbindung zu dem französischen Dramatiker, Parlamentarier und Miteigentümer der Tageszeitung „Le Constitutionnel“ Charles-Guillaume Étienne (1777–1845). Wir veröffentlichen das einzige bislang bekannte Schreiben Humboldts an Étienne und stellen Erwähnungen Humboldts sowie seines gelehrten Netzwerkes in „Le Constitutionnel“ der Jahre 1821 bis 1826 zusammen. Die Dokumente machen deutlich, wie Humboldt Zeitungsberichte für seine wissenschaftliche Öffentlichkeitsarbeit einsetzte.

Pictures are a medium that helps make the past tangible and preserve memories. Without context, they are not able to do so. Pictures are brought to life by their associated stories. However, the older pictures become, the fewer contemporary witnesses can tell these stories. Especially for large, analog picture archives, knowledge and memories are spread over many people. This creates several challenges: First, the pictures must be digitized to save them from decaying and make them available to the public. Since a simple listing of all the pictures is confusing, the pictures should be structured accessibly. Second, known information that makes the stories vivid needs to be added to the pictures. Users should get the opportunity to contribute their knowledge and memories. To make this usable for all interested parties, even for older, less technophile generations, the interface should be intuitive and error-tolerant. The resulting requirements are not covered in their entirety by any existing software solution without losing the intuitive interface or the scalability of the system. Therefore, we have developed our digital picture archive within the scope of a bachelor project in cooperation with the Bad Harzburg-Stiftung. For the implementation of this web application, we use the UI framework React in the frontend, which communicates via a GraphQL interface with the Content Management System Strapi in the backend. The use of this system enables our project partner to create an efficient process from scanning analog pictures to presenting them to visitors in an organized and annotated way. To customize the solution for both picture delivery and information contribution for our target group, we designed prototypes and evaluated them with people from Bad Harzburg. This helped us gain valuable insights into our system’s usability and future challenges as well as requirements. Our web application is already being used daily by our project partner. During the project, we still came up with numerous ideas for additional features to further support the exchange of knowledge.

Albert Berg (1825–1884) was the first director of the Silesian Art Museum in Breslau. He was supported by a network of sponsors, who advised him on planning his trips and bought paintings (or arranged purchases). A particularly important mentor beginning in 1849 was Alexander von Humboldt, also the singer Amalie Joachim. Berg made a number of important contacts with fellow students during his law studies in Bonn. He formed a particularly close relationship with Friedrich Franz II von Mecklenburg-Schwerin, who, in 1844, invited Berg to a journey. This expedition marked the beginning of a lifelong friendship. Friedrich Franz II bought numerous paintings from Berg and worked behind the scenes to organize Berg's career.