Enrico Rosso

• Eine Gruppe, gar eine innerlich verbundene Gemeinschaft, können Intellektuelle im Normalfall nur bilden, soweit sie von gleichem Denken und Wollen bewegt werden […]. Wo dagegen die von den Intellektuellen vertretenen Ansichten weit divergieren, da kann es nur unter sehr kritischen Umständen geschehen, daß die verschieden gearteten (sozialen, politischen, rechtlichen, kulturellen, religiösen) Standpunkte und Anliegen – auf Zeit – sich zusammenfinden […]. Das polemische Element, das kritischen Intellektuellen ja wesensmäßig zu eigen ist, bringt am ehesten eine gemeinsame Front zwischen ihnen zustande.
• This research article aims to deliver an analytical representation of the intellectual environment of the culture journal Die Kreatur (1926-1930), a religious-dialogical quarterly edited by Martin Buber, Joseph Wittig, and Viktor von Weizsacker and enlivened by some of the most prominent figures of German-Jewish interwar culture (among others W. Benjamin, H. S. Bergman, E. Rosenstock-Huessy, F. Rosenzweig, E. Simon, and L. Strauss). Building on a recognition of the problematic relationship between the dialogical model claimed in the programmatic foreword of the journal and the group narratives enacted by its key contributors, the study attempts to outline the formation process of the intellectual plexus of the journal and to provide a differentiated analysis of its singular constituents via a sociologically informed framework. The representation of the intellectual network of Die Kreatur in accordance with the model of a "circle of circles" provides insight into the elusive dialectic of interaction and divergence that determines theThis research article aims to deliver an analytical representation of the intellectual environment of the culture journal Die Kreatur (1926-1930), a religious-dialogical quarterly edited by Martin Buber, Joseph Wittig, and Viktor von Weizsacker and enlivened by some of the most prominent figures of German-Jewish interwar culture (among others W. Benjamin, H. S. Bergman, E. Rosenstock-Huessy, F. Rosenzweig, E. Simon, and L. Strauss). Building on a recognition of the problematic relationship between the dialogical model claimed in the programmatic foreword of the journal and the group narratives enacted by its key contributors, the study attempts to outline the formation process of the intellectual plexus of the journal and to provide a differentiated analysis of its singular constituents via a sociologically informed framework. The representation of the intellectual network of Die Kreatur in accordance with the model of a "circle of circles" provides insight into the elusive dialectic of interaction and divergence that determines the relations between the main actors of the journal and thus contributes to unfold the interplay of biographical intersections and conceptual synergies, as well as incongruities, frictions, and contradictory instances that determines its editorial and philosophical profile.…