TY  - INPR
A1  - Eckstein, Lars
T1  - Performing jazz, defying essence
BT  - music as a metaphor of being in Jackie Kay’s trumpet
Y1  - 2006
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85574
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Monk Lewis’s Timour the Tartar, grand romantic orientalism and imperial melancholy
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85503
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Politics of passion and the production of human illegality
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85512
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Think local sell global
BT  - magical realism, The Whale Rider and the market
Y1  - 2010
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85537
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Filming illegals
BT  - clandestine translocation and the representation of bare life
Y1  - 2013
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85491
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - ‘We’re destroyed if we mix. And we’re destroyed if we don’t’
BT  - indigeneity in the modern World system and the politics of Tricksterese in Pauline Melville’s The Ventriloquist’s Tale
Y1  - 2012
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85529
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Transatlantic slavery and the literary imagination
Y1  - 2009
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85548
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Recollecting Bones
BT  - The Remains of German-Australian Colonial Entanglements
N2  - In the same “guarded, roundabout and reticent way” which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy’s words, “the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism’s intellectual, ethical and scientific pre-history” (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103278
ER  - 
TY  - GEN
A1  - Eckstein, Lars
T1  - Sound matters
BT  - postcolonial critique for a viral age
T2  - Postprints der Universität Potsdam : Philosophische Reihe
N2  - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.
T3  - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 119 
KW  - Sound
KW  - M.I.A
KW  - Galang
KW  - music
KW  - postcolonial critique
KW  - transculturality
KW  - pirate modernity
KW  - Great Britain
KW  - South asian diaspora
Y1  - 2016
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-98393
SN  - 1866-8380
IS  - 119
ER  - 
TY  - INPR
A1  - Eckstein, Lars
T1  - Reflections of Lusáni Cissé
BT  - Imperial Images and Sentient Critique
N2  - On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of Wünsdorf some 40 kilometres south of the city.
Y1  - 2017
U6  - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103196
ER  -